Live, learn, leave
My rock band the LEFT HOOK is back in action. Although we’re still working on climbing up the food chain of gigs, we’re back for a night at our favorite local bar, Fisherman’s Net in Pelham. We’ve added a bunch of new songs as usual, this time mainly upbeat 80’s pop rock for some danceable numbers. Happy to say the new material sounds really good and builds on our existing sound.
So that’s Saturday March 25 at Fisherman’s Net in Pelham. Hope to see you there!
Happy new year everyone! 2016 was a great year full of all kinds of adventure and accomplishments. Kids growing up, a new day job, the Global Juke Box now feature-complete and on its way to release, a good number of jazz and rock gigs, a new piano and sax. The holidays came at us fast, amid a flurry of work deadlines. By the end I definitely needed a break. Among other events, we hosted Jeannie’s family’s big holiday party, which rotates around among the cousins so it’s our turn every seven years.
Lots of good stuff for Christmas. I got Michelle and acoustic/electric ukulele since she’s now playing in a band, and Jeannie a 3-D printer. She and Michelle have been having a great time learning how to use it, pulling files for models off the net. I must say it’s a pretty cool piece of technology! We went upstate to visit by parents and brother and his family which was very nice, and had Jeannie’s brother’s family down for New Year’s.
Only downside was right after Xmas I started having problems with pain in my foot and ankle. It got pretty bad to the point where I had to stay off my feet for a few days. Luckily Jeannie got me a book for Xmas – Bruce Springsteen’s autobiography. It’s very well written and you can tell you doesn’t use a ghostwriter. However, like his records, the early part of the story, up to the early 80’s is much more interesting the second half, in which rides out a comfortable plateau of superstardom. (Even thought I really dug it at the time, I still don’t feel like hearing anything off Born in the U.S.A. again, although I still enjoy the E Street Shuffle.) In any event my foot is starting to get better now, so hopefully I’ll be back to my usual self soon.
Here’s looking forward to a mellow and prosperous 2017. Lots more changes ahead.
BTW, this January marks the ten year anniversary of my blog. Thanks to all who’ve been reading. Might be fun to page back thru the archives and see how things have changed in that time.
I recently bought a new soprano sax. I’ve been looking for one for a long time. You can often get a good deal on a used instrument but you have to be willing to search and to wait.
The horn was from Roberto Winds, just about the last music store in the historic music district in midtown Manhattan. They’re a third-floor walkup and the space also has a bunch of practice rooms. Roberto himself makes beautiful high-end saxophones that are quite reasonably priced, at least compared to Selmers. But they’re still pretty pricey for your second or third horn. Fortunately they also do a brisk trade in used saxes, particularly old Mark VI’s, and they list part of their inventory on their web site.
I tried out about four horns and ended up getting a used intermediate model Yamaha, about ten years old but barely played. Lovely tone, intonation and balance. It’s a one-piece model without a separate neck. I also played one of Roberto’s horns as well as a pro-level Yamaha from the 1980’s. Both were better horns than the one I ended up getting, but were twice the price. For that extra money you get lots of amazing engraving on the bell, plus one level up terms of tone and intonation, that smooth silk-butter-cognac sound like my tenor has.
Ah well, the horn I got still very good, much better than my old soprano. While I was at it I got a new mouthpiece too, an Otto Link.
Only a few days later I got a chance to try it out. I had a gig at an art gallery in Hasting called The Square Peg. It was an opening for a painter named Jerzy Kubina who does these large, bold yet subtle, semi-abstract canvases. Great balance of color and tone, dark and light, very suggestive but not quite figurative, really amazing stuff. The band set up in front of a giant mural in this beautiful bright space, a perfect setting.
The band was my friend Charlie on guitar and Ed from the Ossining gig in July on drums, and this dude Joel on bass. We did a mixture of standards and Charlie’s originals. We were going to do one of my songs too, but we ran out of time. The band sounded really good, everyone’s playing was really on, and the crowd was enthusiastic and appreciative. The gallery owners were really nice people too. I hope to go back sometime.
Fresh from our recent engagement at the Net, LEFT HOOK is back in playing form, and delivering some new funky soul material as well as all you’re favorites. Hope to see you there!
LEFT HOOK
Music with a punch!
Westchester’s classic rock Funk & soul party band
Saturday October 22
8:30 PM
Victors Bar & Grill
500 Commerce St. Hawthorne
The rock band basically took the month of August off, but now we’re back and rehearsing again. We’re still running our master plan to break into bigger and better gigs, but meanwhile we’re always down to play the local neighborhood bar Fisherman’s Net in Pelham, which has become something of our home base. Someday all’y’all’ll say that’s where it all began. We’re playing there on October 8, and it should be a great show, fresh off our break and with lots of new material.
While we were at it, I made a new image for our poster. This was from out gig at Burke’s last spring, where our friend Nick showed up with his camera and took a bunch of great shots. Only problem was there wasn’t a single one with all five of us, so I had to stitch two together. Michael doesn’t like it so much cuz he’s not singing in this shot, but at least you can see our drummer Gus.
Life continues as we turn the corner towards fall. Vacations are over and another school year has started.
We often go the beach at Ocean City MD over Labor Day weekend, but this year there was a hurricane barreling up the coast from Carolina, and the weather report was for heavy rains and gale-force winds, so we ended up cancelling the trip. Still we had a nice relaxing weekend, and went out to dinner on the water on Long Island Sound. Lizzy got to work a couple more days at the pool and ended the summer with some extra cash, and got to practice driving too. Michelle got to go the Renaissance Fair with her Aunt and cousins, and afterward we had them all over for one last barbecue.
I spent some of my found time dusting off Elixr, my long-neglected three-quarters completed third Buzzy Tonic album. Been tracking the bass part for what will probably be the last song, Leave the City Behind. I have other songs that I haven’t even begun to track, but I’ll probably save them for a future record. Hopefully I can finish this one by the end of the year. After that, seeing as I now have a working rock band and a real live jazz band too, I want to figure out a way to record some of my songs with real musicians.
But for now I’m going back and listening and mixing, adding the occasional part to round out an arrangement. I’ve been putting autotune on the vocals too. (Shhh, Don’t tell anyone!) Autotune has come a long way since the days of Believe, and the default mode makes it easy to manipulate while still sounding natural. It basically brings it about halfway to true pitch, so there’s still room for tremolo and tonal effects, everything sounds a bit more in tune, kinda like quantizing my midi piano parts for tighter phrasing. So far I have four new mixes out of the eight finished tunes. So watch this space for some new mixes soon.
Now the kids are back in school again. Lizzy is a Senior and Michelle 8th grade; both are really excited. Lizzy is driving to school now (!). I had been thinking of getting her an old jalopy of a car since her commute is so long by train. Then thru a lucky turn of events we got a much nicer car then we originally planned. Only problem with is was the bumper had had a close encounter with a garage door and repainted the wrong color. Today I sprayed it with the correct matching shade and now you can hardly even tell. Other random good news: Jeanne got promotion at work, and a raise big enough to cover the hike in our car insurance.
The last couple weeks at work have been pretty mellow for me. I took a couple Fridays off, and alot of people were gone a whole week, and then at the end of August our management was all out in Vegas for the year’s most important trade show. And as a former trade show exhibit designer, let me tell you we had a very cool booth! The software engineers had all been scrambling like mad to get a sufficiently stable and polished demo of the new UI out for the show. Apparently it’s a hit. Then last week we got to catch our breath, and do some refactoring, bug fixes, and planning.
Now we’re at the top of another big long run of work. The goal is to have a fully functional new UI by the end of the year. Google will no longer support Flex and Flash in chrome, so we need to retire our old one. When we were told this back at the beginning of the summer I thought it was well nigh impossible, but we’ve made alot of really good progress over the summer, and it looks pretty doable from here. Meanwhile we’re also rearchitecting the backend of our product to be modular, distributed and scalable, and to be able to handle a million computers in our system.
Announcing a Jazz Concert:
Mon July 25 6:30 PM
Henry Gourdine park at the Ossining waterfront
Featuring yours truly on tenor sax, Lucas Saur on bass,
Gabe Faden piano, Ed Bettinelli drums, and Ava Bradlow vocals
We got together last night to rehearse and sounded great. Doing some Miles, Wayne Shorter and a bunch of other stuff. Ed is a great drummer and young Lucas has a ton of ideas.
Should be a great time, hope you can come out and see it.
Meanwhile back in jazzland it’s summertime so being able to rehearse on Saturdays is becoming less reliable. Might have to move back to Wednesdays, which would mean clobbering the Wednesday band or somehow merging the two groups.
We recorded last week’s rehearsal, including takes of my compositions Dark Skies and Your Dancing Shoes. The came out quite good, and I think I can edit them up into a decent demo. Meanwhile you can listen to them here:
zingman.com/music/mp3/havenStFive/julyNineJam/
Oh and one more thing. It looks like I have a gig come up, some bandshell in the park kind of thing on Monday July 25, courtesy of Young Skywalker. I’ll let you know more details when I find out.
Another Origami USA convention has come and gone. A great time as usual folding and hanging with my origami friends. John, Brian, Beth, Paul, Sri, Jason, Robert, everyone was there. I also had a meeting with my publisher and finally have a contract in hand for my next book. Just gotta get a few fine points in the rider and we should be all squared away.
The venue for this year was St. John’s University in Queens, and it turned out to be a very nice place. Beautiful campus, and everything was in two buildings close together. Free parking too. There were a few good restaurants in the neighborhood, including a Mexican place that served a drink that was a margarita with an upside-down beer in it, attached to the rim of the glass by a special adapter.
One really nice thing was that the gallery this year was in a hall with great natural lighting, so everything looked much better than it used to at FIT.
I had a whole bunch of new models for my exhibit. The main thing was something I’m calling Flower Balls. The idea is to create a flower-like tessellation and then fold it into a polyhedron to create the effect that people like to do out of modulars, but with a single sheet of paper. I got inspired and started with it last summer in Ohio, and by MIT in the fall I had a Cube and Dodecahedron Flowerball, along with 4- and 5-petal flower tessellation units. In the last month or so I extended the approach to create 6- and 8-petal flowers, and combined them to form a bunch of Archimedean solids, namely a Truncated Tetrahedron, Cuboctahedron, Truncated Octahedron and Truncated Cube. Only downside is people don’t always get that it’s a single sheet.
I taught a couple classes. One was Airplanes and Spaceships II – intermediate level models from the upcoming book. Went over well, go thru five of them in a 105 minute class. The other was the Flowerballs, and this time I had crease patterns to use a guide while I laid out the concept and some examples. On Monday John Montroll did a rare class, on the topic of diagramming on the computer.
All in all a great, fun convention. I’m guessing OUSA will want to go back to St. John’s next year.
Here’s the third in my ongoing series of jazz demos. I’ve been enjoying doing these as a vehicle to present new songs to my jazz group. I haven’t had much time for recording lately, and the last two songs of my Buzzy Tonic album Elixr are sitting there half done. But it can take months to produce a rock song, while I can whip off one of these in just a few hours.
My previous songs Dark Skies and Your Dancing Shoes are now in regular rotation in our jazz group. One is a ballad and the other a funk/soul number. I figured it’s time for an uptempo swing number. We’ve been doing alot of hard bob in the group, Hank Mobley and Dexter Gordon and that kind of thing, and this song is in the zone. Well, maybe more Sonny Rollins or Cannonball Adderly. I’ve never written anything in cut time before, and this one is around 200 bpm. The main riff is something I’ve had in my bag for a long time, it was just a matter of giving it some structure. It’s funny how a good bridge can really make a song. It’s like a commentary on the A section. You have to decide what aspects to contrast or change up, what to keep as-is, and what to take further. In doing so you come to understand the essence of the song. The song begins and ends with a drum solo, since this kind of groove is right in our drummer Mike’s bag. I can hardly wait to get some recordings of the group performing these.