With my book done, I’m starting some new projects in the new year. Among them is a long-awaited update and redesign for my web site. I’m starting by templatizing the entire site. This is something I began a couple years back, when I introduced headers and footers as page includes. Now all the content items on the main pages are also php includes, and template driven. You can see the results on the music, art, multimedia, and movies pages. This turned out to be pretty quick and easy, and should it make it much easier to add new content to the site going forward. Of course this is just the beginning. I have a bunch of style updates in mind, and some new features around content presentation. But the next few updates I have in mind are for content. I’m going to add a page for my new work-in-progress record, whose working title is Buzzy Third. There are four songs done, so there’ll be info, lyrics and audio tracks. The other updated in the offing is to the origami site. It’s been a long while since I’ve updated that, and I have tons of new models, as well as new and better photos for older models. Plus now I’ll be able to present content by year as well as by category. Beyond that – back to the Foldinator!
Author: zingblog
Armadillos and Spiders
Last week one day I took the girls and one of their friends to the Museum of Natural History. It was a fun day.
We checked out the Origami Holiday Tree. The theme this year was collective nouns. I had fold a group of armadillos, called a fez of armadillos. There were lots of others: a murder of crows, a barrel of monkeys, a fold of sheep, a galaxy of stars. You get the idea. I think my favorite was the lemurs.
We got to see the dinosaurs and all that, but the for us this time was the Spiders Alive! Well, my daughter Michelle and I were fascinated, by my daughter was repulsed. Ah well. Lots of giant spiders, scorpions, and vinegaroons. I’d never heard of vinegaroons. Plus a great live demo. Did you know scorpions glow blue under black light? Neither did I. Now I’m trying again to design some origami arachnids. I tried for my book but ended up designing a giant squid instead.
Catching Up
Busy these days with work and lots of stuff. So here’s catching up on a few random things. Work has been busy and problematic, and I’ve putting in extra evenings and fixing other people’s bugs to keep things on track. I think we turned a corner mid-week last week. We have a release coming up this week, and now we’re in good shape.
My book has been done for a couple of weeks, but now I’m waiting on the publisher to get back to me.
We got our xmas tree up today. A nice wide bushy one. Lots room for ornaments. Went out to pick one up in the rain. Always a nice feeling to have the tree up.
I’ve been starting to get back into the music recording thing, picking up my half-finished third Buzzy Tonic album. So far the focus is on playing. I have a backlog of half-written songs, so I think I’m gonna work them up to play and sing live before I get back into tracking. Ought to go faster with the arrangements worked out and under my fingers.
The other day I was showing Michelle how to hammer-on on the bass. I’m kind of a lazy bass player and will often hammer-on or pull-off when I’m doing a fast chromatic riff, just so I don’t have to articulate the note with my right hand. I use my thumb on the right hand alot, especially on the bottom two strings. I generally switch to fingers-only as a tonal effect, from rounder to punchier. So my hammer-ons and pull-offs on the bass are really quite solid, which is weird since I’ve never really consciously worked at it.
One of the most amazing musicians I’ve ever played with was this cat Jim Wynne, who was a master of the two-hand tap technique on the bass. I little two-handed-tap blues improvisation for Michelle to demonstrate his style, playing the bass line in the bottom two strings with my left hand and tapping the 3rd and 7th on the offbeats on top two strings with my right. To my surprise it came out sounding really good! I guess it’s not that different than piano. I’m gonna have to work a part like that into one of my songs.
The girls are having a good fall. Yesterday they had the holiday show at the performing arts group they belong to, Young at Arts. Michelle has been working out Do a Deer from The Sound of Music by ear on the piano. Talented girl. Meanwhile Lizzy is enjoying being in 8th grade and her grades are up, and that comes at a good time. She’s finally getting algebra. She was cast as one of the leads in her school play this winter. The theme of the play is New York, and the songs are all taken from classic shows, with an original story to string them together. She has six songs. Her character is British, so she’s been having fun practicing her accent. I’m going to be playing in the band again this year. I got the list of songs and put together a playlist. It’s a fun set. We listened to it as we put up the tree today. It has two different songs called New York New York.
By The Book
Last weekend I finished the intro text for my book, and the stuff for the symbols and basic folds. Now that my origami book is done I’m looking to start in on some new projects.
I was at the music store last week to buy some clarinet books for Michelle, and bought a couple really good music books for myself too. One is Bach for the Electric Bass. This is great fun to play so far. The first two pieces in the book are the two parts of a two part invention. The first has regular notation and tab, and the second only notation. It’s really good for practicing reading in the bass clef, and also works really well as a source for riffs for walking bass lines. The lines lay really well.
The other book is called Metaphors for the Musician by Randy Halberstadt, and its a jazz piano theory and practice. I already know lots of theory, and while in theory there’s no difference between theory and practice, in practice that’s not always the case. This will be a good book to help me get it together playing-wise and take it to the next level as a performer. Just what I’ve been looking for. The need was inspired by my desire to take a solo at the end of Checker Cab, while still holding down the bass part. I have to come up with a melodic right hand approach that works with the in-the-pocket bottom, sounds good, and is possible to play.
Right now I’m reading thru the book, but it’s designed to be used at the piano, so once I’m done I’ll start over at the keyboard. It will take a few months. Lots of deep harmony theory, very well laid out, and more general stuff about how to approach comping and improvising that transfers into playing in general. One thing he stressed early on is the importance of playing slow and keeping good time. I know I tend to rush, and I don’t play with a drummer that often, so I’ve started practicing with the metronome again, and in general just taking everything down a few BPM to work on a more relaxed feel. That alone is already making a difference. Especially on a song like Heat Wave or Steppin’ Out.
I also got a book of arrangements of songs from the various Mario video games. Some of them are pretty hard. And a Soundgarden songbook. They were my favorite of all the grunge bands of the ‘90’s and I recently got turned on to them again. Chris Cornell is a genius with his singing and his use of melody and out meters. Unfortunately the book is in guitar tab, so it’ll take a pretty good amount of work to make piano adaptations. Still, it’s faster then doing it by ear.
Martin came over last weekend with the family, and we had a little time to jam. Matrin always has a knack for picking interesting covers, and so now I’m working up Breaking Us in Two, which I knew once a long time ago but forget. Perfect song for me to sing on.
M.I.T. Origami Convention
It already seems like ages ago, but just this last weekend I went up to Boston for MIT Origami Convention, a.k.a. OrigaMIT. The conventions was put on by the MIT Origami Club under the leadership of Jason Ku. It was smaller than the OUSA convention in New York, but certainly big enough to be a lot of fun. MIT and the Boston area have some pretty heavy folders, and MIT is a really fun place to hang out.
I drove up Friday night with my friend Marcio. We both work in the city and live in Westchester, so we met a Grand Central and took the train back to my place. We took Jeannie’s car cuz it’s a Prius and gets amazing gas mileage. I actually got 52 mpg on the ride home! The trip up was smooth, except navigating around Boston once we arrived was a bit dicey. We stayed in a hotel not too far from Cambridge.
The convention was held at the MIT Student Union. It was easy to get to and find parking. I was teaching and exhibiting, so I brought diagrams and models. About half of models were brand new, including the Cuttlefish and Giant Squid; some were new-ish including the Armadillo, Turkey and some Tessellations. A few were classics, including my UFO, Rocketship, and War Elephant. The diagrams were the last few from my book that have yet to be test-folded: the Cuttlefish, Giant Squid, and Turkey.
As with most conventions it was organized into sessions that were either classes or seminars. The first session I went to was Erik Demaine, an expert in origami mathematics. He basically showed us slides and talked about his course (http://courses.csail.mit.edu/6.849/fall12/). I was familiar with some of the material cuz I’ve read his book, but it was all really fascinating stuff. Afterwards I had a good discussion with him about origami polyhedra design.
At lunchtime I went for a walk along the Charles River by the MIT and Harvard campuses. It was a beautiful fall day, and the riverside walk was full of people strolling, biking and jogging. I hadn’t been to Boston for a few years, although it seems like every time I’m here in end up in Cambridge. Anyway, I’d forgotten how nice it is down by the river and the park. Very Not New York.
After lunch I taught my course. It was cephalopods, the Cuttlefish and the Giant Squid. The class proved to be very popular. I had diagrams for both models, which I passed around at the start. Then I folded both models for anyone who wanted to follow along, which was most of the class. These are both pretty advanced models, somewhat more than I’d expected, but the class did a really good job. I folded the Cuttlefish first. That took close to an hour, and it was a two hour class. A lot of people were not fast in developing the tentacles. That comes near the end but is fairly repetitive. Then we started the Squid but ran out of time, again cuz there’s lots of repetition in developing the tentacles. The good news was everyone was so into it that when class ended, we all went down to the hospitality area to finish. I got good feedback for the diagrams and the models along the way. Mostly they were both very foldable and people really liked the models. As usual there were some minor errors and steps that could do with a bit of clarification.
After that I sat in on Michael Lafosse’s class. This was the perfect compliment to Erik’s class. Michael is a master folder and designer and has some beautiful complex models, and quite a few books too. He also runs a paper making studio for making high-end origami paper. One more thing he’s known for is his butterflies. He’s got lots and lots of butterfly variations, and this class was about that. These are intermediate level models, so the focus was much more on the artistic side than the technical side. Most complex models have a sculpting/finishing phase at the end, and this class was all about exploring that for butterflies. Toward the end I remembered a butterfly design I was working on, and dusted it off and began to get back into refining it. For me the major challenge was developing the points for the legs. I realized if I changed the geometry at step 3 it’s open up more paper.
After classes was dinner and hanging out folding. Some there asked me about the tessellations in my exhibit, so I ended up teach a group how to fold one. These seemed like such a simple idea to me at the time, that you could work out how to fold it jut my looking at it. But people seem to really like it, and it turns out (since it doesn’t use a square grid) there’s a bit of mystery involved. People keep asking me about the tessellations. I’ll keep them in mind for the next book.
I also had my Turkey diagrams test folded by a fellow folder named Mark. Even though the diagrams are not complete, we got thru to the end, and I showed him how to finish. This is definitely the most complex model in the book. We were hanging out and talking the whole time, bit it took three hours to fold. Still, I’m happy Mark got thru it. It’s a worthy model and I got good feedback.
As Saturday turned into Saturday Night lots of students were meeting at the student center dressed up for Halloween going out hit the bars. Rule 63 Guy Fawkes. Ah college life.
Sunday Marcio and drove home, trying to beat the storm. The wind was picking up already, and we passed several convoys of utility trucks heading east. Jason was supposed to fly back to Japan Sunday. I hope he got out okay.
The big goal for this weekend is to finish my book, which basically means finishing the Turkey diagrams. Oh, and cleaning up my yard. I’m really looking forward to being done with diagramming and getting back working on other things like music.
Riders on the Storm, Part II
When our power came back on last night, it was a bit of a surprise. We were only without juice for a little over a day. They’d been saying on the news it could be a week or more, so we were preparing for the long haul. One by one the neighborhoods around here are coming back online, and we were lucky to be on the early side. A lot of our friends are still without power, so Jeannie invited them all over today to warm up, recharge their electronics, and hop on our internet for a while. It’s exactly what we were wishing for last night so, you know, spread some good karma. The kids were still off school today, and mostly it was parents of their friends. It made for a pleasant day. They had a little Halloween party. Jeannie made some pies. I mostly stayed down in my office and tried to get work done. My boss said we’re all telecommuting until the mass transit situation improves.
I was able to patch up our roof today too, by enlisting a roofer who’d come by to work on our neighbor’s house. That turned out to be a lucky break. He replaced some shingles and patched a leak, and the roof is good enough now to last until we get around to redoing the whole thing. Jeannie and I spent some quality time crawling around in the attic, seeing what exactly got wet, which was very little.
These extreme weather events are getting more frequent, so it’s best to think thru the backup power question for the long term. Our two main liabilities are heat and communications. Third I suppose is the fridge, but even without power it’s like a giant cooler. As long as we can get ice we’ll be okay. We had hot water, since that’s gas powered and has a pilot. Our heat is gas powered, too, but has an electric pilot and regulator. If we loose power in the winter it’d be a major problem. For now we were able to just put on sweaters and wool socks. I wonder what it would take to have that run on battery backup or from external power. I’m sure the power draw is minimal, and it’s mainly a matter of hooking up the right components. We’re going to get our hot water heater replaced sometime soon, so when that happens I’ll see about if there’s some kind of retrofit available. Otherwise we’re looking at some kind of homegrown hack, but I can’t imagine it’d be that hard.
Another possibility is to put in a fireplace or wood stove. Then we’d have no worries and be all cozy on winter nights to boot. If only we could get Hockey Night in Canada down here, eh? This is something we’ve talked about since we got our house, but have never gotten around to. Maybe it’s time to dust off that idea and push ahead. My current thinking is to install a woodstove down in our family room in the corner near the furnace room. Or maybe a full-on fireplace. I guess this is a pretty big project with lots of issues to work out, but not bigger than say building a patio, which is something I’ve done in the past.
The other liability is telecommunications. In the old days, when our phone was connected to the world with copper wires, it would never go out. When we got fiber optic a few years ago, they pulled out the copper before the truck even left our driveway. Now we have phone and internet on one glass thread, but it requires power. There’s a battery backup that lasts only about eight hours. Suk.
We hooked up the Prius last night to house via a power inverter. We’d considered buying a generator in case of a power outage, but the Prius makes an admirable generator, plus has a huge battery of built-in batteries to boot. The engine wasn’t even running most of the time. Unfortunately our old power inverter went Kaput some time ago and we only discovered it yesterday, so we had to go out and get a new one. As you might imagine, selection is limited in times of crisis, so the one we got was fairly wimpy, just ten amps. This was enough to power our phone and recharge its battery until the morrow morn. We were also able to recharge our laptops and cel phones one by one, and to get on the internet. We plugged my laptop directly into the Ethernet and bypassed the router and wifi. This created problems down the line when the power came back on and Verizon wouldn’t release our IP address to get the router back on again. Ah progress.
Of course, a heftier power inverter would be a decent upgrade. It’d be nice to be able to power the fridge, at least part time. Still, it was looking like we’d be able to get by pretty much indefinitely under that system, which is good news. We had candles for light, and could cook on the stove but not the oven (again that pesky electric regulator/ignition), and we had hot water. As long as we could go out and gas up the Prius from time to time we could run it as needed to power the essentials.
Tomorrow the kids are back to school, but I’m working at home again since they have only a half day. Jeannie’s going into the city to work, since they’ve announced limiter service on Metro North. Wish us luck!
Ridin’ The Storm Out
Our power just came back on. It went out yesterday afternoon, right after I’d googled the chords to Roger Hodgson’s “Eye Of the Storm”. The kids thought The Doors’ “Riders On The Storm” was too creepy and asked for something more upbeat.
We’re watching the news right now, and feel incredibly grateful and fortunate after seeing everything that’s gone down in Sandy’s wake of destruction. Everyone we know, family and friends, are safe and okay. At least so far. Here we hunkered down and played DIe Settler by candlelight last night and listened to the wind howl. Ate mushy ice cream for breakfast. Worked out how to power our house off Princess Pria with a power inverter this afternoon. We’ll need some repair on our roof, but that’s about it. I don’t know how we can get to work tomorrow, or until whenever the trains start running again. I guess we’ll see.
Rush In Brooklyn
Last night Jeannie and I went and saw Rush play at the Barclay Arena in Brooklyn, named after basketball great Charles Barkley, although I don’t think he ever played for the Nets, and I can’t say why they got the spelling wrong. The arena is brand new and only a few blocks from where we used to live. This site was formerly a train yard, an open pit on a triangle of land that was sort of a dead zone in downtown Brooklyn, something you’d have to walk around. I hadn’t been back there since they broke ground on the arena, but it’s good to see it finished. Apart form the overbright animated jumbotron marquees, it’s a very nice arena.
The show itself was great. Rush has a new album out, Clockwork Angels, which is full of great material. The first set concentrated on material from their 80’s synthesizer phase, song like Subdivisions, Big Money, Force Ten, The Body Electric, Territories, and The Analog Kid. I think they played about half of Power Windows over the course of the night. For the second set they brought out an 8-piece string section. They opened the set by playing most of Clockwork Angels, 9 out of 12 songs. The string players had some good rock’n’roll headbanging choreography in addition to filling out the sound on the new songs. The CA material ranged from complex and ripping metal to much more layered and gentle stuff. “The Garden” was a standout and closed that part of the set. The string ensemble stuck around as they hit a few more classics with the strings taking on what was formerly the synthesizer part. These included Manhattan Project, Red Sector A, and YYZ. Then the power trio wrapped it up with a few of their greatest hits, including Spirit of Radio, Tom Sawyer, and 2112, parts I, II, and VII.
Alex’s guitar broke down in the middle of Temples of Syrinx, so he improvised a goofy little dance while his roadies scrambled to provide a replacement. Meanwhile Ged and Neil carried on and it worked just fine. Alex came back in just in time to do to solo leading into the finale.
I really enjoyed the selection of music. Even though they skipped a lot of songs you might expect, they played a lot of great stuff you didn’t expect, and besides, I heard those other songs last tour. It’s good they’re continuing to present new things. The new material is great, and the rest put an interesting focus on a sometimes-overlooked phase in their career. It was the phase where I first started seeing the live, as it happens. As musicians, these guys just keep getting better. Geddy’s still got it in voice, and his bass chops are flawless. Alex Lifeson has such range, diversity of styles he can play, and roles to fit in with the music. And of ocurse he’s a world-class soloist. Plus all those pedals. Neil Peart’s playing is fast and precise as ever, but he’s also found a new level of fluidity. You can hear the way he pushes and pulls the groove in different songs, and for all his speed, he somehow looks like he’s moving in slow motion. Put them together and they’re great ensemble players, and the songs really bring that out.
It was a fantastic show. I sure hope they put out another album and come around again.
More of the Same
Am I in a groove, or in a rut? Who knows? On the book front, all the photos have been cropped, color balanced, edited, retouched, mastered and delivered to the publisher. 140 pictures, 12 GB upload. Thank you Bob! My last two diagrams are the Giant Squid and the Turkey. I’m to step 50 on the Squid, which is the tricky part. It looks like it’ll be about 65 steps. I hope I can finish it tonight. I’m up to step 65 on the Turkey, and I’m estimating 80 steps and hope to finish that within the week. These are the two most complex models in the book, but the light is at the end of the tunnel.
But even though I’ve been working hard, other interesting stuff is in the offing. The fall weather has been beautiful. Been getting to spend some time outside, although it’s getting light late and dark early already. The kids are alright. Work is mellow at the moment, and I’ve been working out and my health has been better again lately.
I’m planning on going to the MIT Origami Conference later this month. It should be a great time. I’m teaching and exhibiting, and it’ll be great to see the MIT origami people. Got to work out the travel logistics, which really means finding a hotel room.
Been working on learning some new songs. I’ve taken a break from writing and recording until my book is done, but I’ve been practicing. I can now sing and play eight of my own originals on piano. Recently added “Fine Red Wine” and “Angel or Alien” to the repertoire. Plus a couple new covers: “Stepping Out” by Joe Jackson and “Thunder Road” by The Boss. At least a few of them are pretty hard songs to play but I’ve gotten to the point where I know them well and continue to sharpen the arrangements and performance.
Origami Giant Squid
I came up with another new model this weekend to round out the cephalopod chapter in my book: a giant squid.
In other news I bought a song book of 60’s music on ukulele for Michelle not to long ago. She’s been learning a bunch of Beatles songs out of it, and I’ve been playing along with her on piano and guitar from time to time. She’s been asking to watch A Concert for George since I told her Paul does a version of Something on the uke, so yesterday we sat down and watched it.
On the downside, my music project with Erik had kinda cooled. I’ve been working up some new songs, but we haven’t had the time to get together and jam for a while. I want to get some gigs lined up for the fall, but I guess that’ll have to wait until I’m done the deliverables for my book. Ah well.
