Tag: Relix

Friday night the Relix played a great show at The Fez in Stamford, CT. It turned out to be a really happening place and our best show so far. The Fez is a Moroccan restaurant on what must be the party block in downtown Stamford. Every place on the block is a restaurant or bar, and there’s tons of people, especially college kids and lots of hot chicks, walking up and down the whole time. We seemed to draw a good number of people off the street with our music. The owner of the Fez turned out to be a really nice guy who really cares about live music. There was a piano player up front when we arrived, doing Body and Soul and that kind of thing, and the joint was already full from the dinner crowd.

We didn’t go on until ten or so. The owner even emceed and gave us an intro. The place stayed full thru our first two sets, which ran until after midnight. As I said, this was our best gig so far. We now have alot of songs covering a broad range of styles, which we know well and can string together into a solid entertaining program. It really felt like we were hitting on cylinders. It helped too, that the place has a good PA and the stage was small, which meant was could hear each other really well. The third set was a bit more loose and jammin’ but still quite good and a lot of people stayed with us to the end, around 1:30.

Just as we were finishing up the cops showed up. It wasn’t clear why they were there – apparently just to exercise their donut privileges – but they had three cars and they parked right in front to block us from loading out. Anyway Dude invited us back. I want the band to learn The Fez by Steely Dan for the next show.

I hope you can come out and catch my band The RELIX one of these nights. Sure to be a good time with some awesome music. We’ve learned about twenty new songs since our last show. Spread the word!

Vintage Bar and Restaurant
Saturday April 12, 2014 9pm
171 Main St, White Plains, NY 10601
914-328-5803
www.vintagebar.net

THE FEZ
Friday May 9th 9pm
227 Summer Street, Stamford, CT – 06901
203-324-3391
www.thefez1.com

For more info see nycrelix.com

Rewinding a bit, The Relix played two shows the week before Thanksgiving. Both went well and some great moments, but revealed some things we need to work on. For the first show, we had some feedback issues with Lee’s hollowbody and pedalboard interacting with the PA, and some issues with the vocals not being loud enough. Lee’s gonna start bringing his rig to rehearsal rather than use the house setup until he has some better control of his sound. Also we’re gonna do a vocal-only practice soon and set up our PA and see if we can make sound killer or if we should replace it with a newer board with better reverbs. The other issue is we need to figure out how to draw a bigger crowd. The Thanksgiving Eve show was kinda disappointing because we all knew it’s a good bar night, but the weather – freezing rain mixed with snow – kept people away. Still it was a good show on a musical level and a fun time.

Here’s a video montage of the show at Victor’s.

And here’s some pictures, mainly of gig at Seaside.

After Thanksgiving half the band was sick and one guy fell off a ladder putting up Christmas decorations. I’ve been fighting a cold and sore throat on and off. Not enough to knock me out but enough to make my singing kinda croaky. This week we finally got together for a rehearsal. We spent about half the session tightening up endings and transitions, and the rest of the time on new material. We ran down six songs, all of which feel like keepers: Domino by Van Morrison and Touch Me by the Doors were both suggestions of mine. Domino is just a great feelgood song and gives us another horn-oriented 60’s tune while getting away from the Motown thing. Touch Me has some really weird changes when you try to work ‘em out, and one of the all-time classic sax solos. The others were Are You Gonna Be My Girl by Jet, a bit of change of direction for us, and Runaround by Blues Traveler, which has a great harp part for Paul, and Devil With the Blue Dress/Good Golly Miss Molly, which is right in our core zone.

We’ve just announced another show in November:

Saturday November 23
Victor’s
500 Commerce St, Hawthorne, NY
(914) 769-1817

Come on out and have a good time. Hope to see you there!

Wed Nov 27
The Seaside Tavern
891 Cove Rd Stamford CT

Classic rock’n’soul and R&B, including a bunch of new tunes from the Doobies, the Doors and others. Spread the word, invite your friends.

After the last gig, the focus of the band is on learning more tunes and booking more gigs. On the learning more tunes front, we’ve been tossing around lots of ideas, and it’s been fun. Everyone has songs and bands they love, and songs and groups they hate, or at least don’t want to play for one reason or another. And then there’s the question of what makes a great song vs. what’s a good song to do in a bar vs. what’s a good fit for us. Last practice we learned Long Train Running and China Grove by the Doobie Brothers. These were both suggestions from Mike our bass player. Everyone dug these songs and they came together fast, and we pretty much nailed it. Also looked at I Can’t Help Myself and Devil with the Blue Dress. I got a couple songs on the slate, including Touch Me by The Doors, which I picked party for the sax and drum thing at the end, and Domino by Van Morrison (who it turns out is some kind of distant cousin of Jim Morrison). But I didn’t get any support for any Steely and the Dans, so I’m gonna have to keep campaigning on that front.

Meanwhile, I put together an edit of highlights from our list show to try and help us get more gigs. Enjoy!

Saturday was my first gig with the Relix, and it was a lot of fun and a big success for a number of reasons. For me it was my first paying gig with a rock band at a bar since Lizzy was a baby. Not only that, it was my first gig ever where they had valet parking once I unloaded my car. It was a nice place and a big room, and a good crowd, right in downtown White Plains.

I suppose now is a good time to mention the lineup of the band. On lead vocals is Paul, who is also a wicked harmonica a player. The rhythm section is Mike on bass and Gus on drums. Both are really solid and also sing backup. We have two guitarists. Frank is more straight-ahead rock and solos on the heavier stuff. Lee has more of a twangy sound and plays either a hollowbody or a twelve-string.

As mentioned before I was playing sax and keyboards and singing. For me it was a drastic improvement from nothing at all back in August. For the band it was an incremental improvement, but the consensus was that I brought the whole thing up a notch with my contribution. It seemed to go over well. Indeed, three different chicks offered to buy me a drink.

We did three sets that spanned a diverse range of material. First was a lot of classic soul by artists like Sam and Dave, Otis Redding, Wilson Picket, The Temptations, Marvin Gaye, and Martha Reeves. These were mainly sax tunes for me. Then there was classic rock by groups like The Zombies, The Doors, Deep Purple, Traffic, Ten Years After, and Creedence. These were mainly organ and Rhodes tunes. Got a few nice organ solos in on Light My Fire, Hush, and Give Me Some Lovin’. We had some eighties stuff like Tom Petty, Greg Kihn, Tommy Tutone, John Cougar and the Romantics. Not stuff I would have picked, but they’re fun to play and go over well with the crowd, and I got to sing a couple of these. Then there’s a bunch of surf stuff from the likes of the Venutres and Johnny Rivers. For this I played alot of sax to try and give it a Tequila/Comanche sound.

The set was not perfect, but I was pretty satisfied overall. The energy was there and the crowd response was really good, and there were some excellent musical moments. The parts that I was worried about seemed to pass as barely noticeable from a audience perspective. For the most part it was hesitation over segues in some of the medleys, but that can be fixed with some more practice. For my own part, up until now I was mainly concerned with learning all the music. I had to learn fifty songs in two months! I only stopped using sheet music the last rehearsal before the show. I got thru the show without forgetting any parts or getting lost, although there were a few clams here and there. From here on I can concentrate more on performing the songs, listening to band and really taking it to the next level.

Nowhere is this more true than the songs where I was singing lead. I sang lead on four songs, and got thru them all without forgetting any of the lyrics. Now I need to focus more on connecting with the audience, being loud and clear and not looking down at my hands as I play. It’s good to have a chance to improve my singing and performing. From here things can only get better.

http://zingman.com/music/relix/vintagelounge101213/relix_soul_medley_2.mov
http://zingman.com/music/relix/vintagelounge101213/relix_light_my_fire.mov
http://zingman.com/music/relix/vintagelounge101213/relix_breakup_song.mov

My new band, the Relix, are playing Saturday October 12, 8:30 PM at Vintage Lounge, 171 Main Street, White Plains. The best of the 60’s and 70’s Rock and Roll, R&B, Soul and much more!

So my new band has a name. They’re (we’re) The Relix, and they’re/we’re billed as Westchester’s premiere party band. Alright! We also have a web site:

nycrelix.com

where you can learn all about us, including our upcoming gig in October. More on that as the time grows closer, but for now it’s about getting up to speed with the group and performing.

Tonight was my second full rehearsal – last week I got together with the guitarists and went over arrangements, which was very productive. Immediately the singer asked me to sing lead on a few songs, to see how I sound. I wasn’t particularly prepared or even warmed up. I’d just given them a list of songs I thought wouldn’t be too high or too busy playing parts. But of course the rule to just go for it, so I just went for it. I guess I did pretty good, because he asked me to sing a few more. I learned that Gimme Some Lovin’ is too high for me in the original key (G). I also sang backing vocals on a number of songs and we started working on vocal arrangements. Eventually we got to Oh! Pretty Woman, and for that I’d learned the harmony part. He loved that, said we finally got the song right.

On the keyboard front, I’m thinking it’s time to get a new amp. Normally I practice on an actual piano or run my keyboards thru my PA, but recently I’ve switched back to running thru my amp. My current amp is from the 80’s and is starting to die under me, plus the tone is a bit muddy. Tonight I played thru a Roland Jazz Chorus, and gave me a great sound. Sparkling, even. The sounds I’m using in this group are pretty much all Fender Rhodes and Hammond Organ, so an amp that has some tremolo and reverb is a great asset. It also has a great clarity of tone, with enough power in the bass and enough definition in the treble. So now I’m thinking that’s the amp to beat. I came home and googled keyboard amps, but they all seem to be designed as mini-mono PA’s with multiple inputs and pre-mixers, and no thought to given to enhancing the tone. So maybe a guitar amp is really better for my style. I have a few weeks to think about it, cuz the gig isn’t until October. Watch this space to see what happens.