You Can Fake Talent But You Can’t Fake Effects

That was our motto in the band Infinigon back in the day. I was reminded of it over winter break when I saw my friend and collaborator John Neumann. This weekend I did a new batch of mixes on the tracks for my forthcoming record, continuing to drill down on the vocal mixes and effects, tweaking the reverb and chorus, and getting a consistent sound between tracks. I think I’ve gotten to the point where they are pretty much there: good to listen too, nicely blended but not too muddy. The new mixes can be heard here:

HeatWave60.mp3
Earthbound60.mp3
WhoCanFoolMe52.mp3
FineRedWine61.mp3
TouchTheCeiling37.mp3
AngelOrAlien60.mp3

As I’ve mentioned before I’m going to do the final mixing and mastering at my friend’s studio, and toward that end I’ve been writing software for him in exchange for studio time. I’ve been busy working on an updated version of his music library player the last few weeks. It’s almost done so there’ll be a post about that soon.

Meanwhile the deep cold continues outside. I’ve found that if I can keep my feet warm I’m pretty happy. My kids got me a new pair of slippers for xmas, which helps a lot, and Jeannie got me some nice warm socks too, which helps more.

The Oh-Tens

Had a very nice winter break. A bit of time off work, relaxing and getting caught up on things, Xmas with the family, a trip upstate to see family and friends, plus more visiting around the home turf. All doing well. The hit gift this year is a game called Qwirkle which my brother got for my daughter. It’s sort of like scrabble but with shapes and colors instead of letters. The kids enjoy it and the grownups too. I even brought it along to my friend’s for New Year’s eve.

It seems every year around this time Jeannie and I binge on videos. Fits in well with escaping from the darkness and cold. Last year it was HBO’s “Rome”. One year we watched the entire LoTR trilogy. This year it was Firefly/Serenity. The show is a few years old, and they only made a handful of episodes and a movie, but it was very shiny. Like Rome, it was too good to be on TV.

I listened to my album-in-progress a few times. Mainly satisfied, some tweaks to make. Jammed on diagrams for my origami book. Up to step 70 or so on the Medieval Dragon, complete with diagrams, page layout and annotations. It’s looking like it might get to 100 steps! Worked on some software projects. Did some home repairs and touch up painting in the hall and kitchen.

Now it’s the start of a new year, a new decade. Hurm. Been very cold for three weeks now. As always I hate the cold. Back to work. Everyone in the office is grumpy and it seems everyone’s trains have been running late. At least I’m looking forward to some ski trips.

Recording Project: Seven of Nine

I’ve reached a milestone with my recording project. I have seven out of nine of my songs ready for final mixdown and mastering. The are: Who Can Fool Me, Fine Red Wine, The Nine, Touch The Ceiling, Heat Wave, Angel Or Alien, and Earthbound. I’ve been cleaning up all my mixes, doing things like soloing the drums and bass and editing out little clams or bits of noise, blending the layers of keyboards and synthesizers, adding fader moves and refining the effects.

I’ve been focusing in particular on the vocals, drilling down, singing one phrase at a time until it sounds as good as I can make it, really concentrating on phrasing and intonation. My method is to lay down whole vocals track up to 5 times, and then cut together the best performances to make the track, and used the spares for thickening. Tedious but effective. I ended up completely overdubbing three songs: Fine Red Wine, Angel or Alien (which I think I am going to rename “U.F.O.”, and Earthbound. Earthbound in particular has a lot of lyrics and backing vocals, so it was a fair amount of effort.

It makes me feel better to know alot of the pros (Sting, Paul McCartney, etc.) worked this way. The problem now is, the better the takes get, the better my ear gets, and so now I’m thinking about going back to make punch ins on some tunes that I had previously thought were good enough. For the few weeks I’ve been listening to alot of Beatles music, mainly Sgt. Pepper’s and the White Album in heavy rotation. The White Album is now my workout music, which is kind of weird cuz I usually use something strongly uptempo throughout, but it’s a record I know really well and it’s musically interesting so it works. But now I’m hearing little flaws in John and Ringo’s singing on some tracks (never Paul’s) and I’m thinking to myself maybe I’ve gone far enough.

I burned a CD to listen to in my good stereo upstairs over the holidays, shuffled in with other albums. I do most of my listening back over the ipod on the train, and between the mp3 compression (really mangles cymbals and flange effects in particular), the cheap headphones and the environmental noise, there’s alot of fidelity I’m missing, although it’s great for hearing if the mix is good enough to withstand all that and still come thru.

The two remaining songs still need work in the arranging department. One of them is Making Miles, and I’ve decided to follow Martin’s arrangement more closely and give it an instrumental section and a reprise of the chorus, bringing up to near 5 minutes from the current 4. It’s gonna build throughout the song so it comes in like a full band midway thru and gets really huge just before the end, where it will scale back for the outro. I’m looking at adding bass and more drums, more keyboards, and maybe even guitars, as well as redoing the vocals. I’m also gonna cop the harmony vocal line on the chorus from the Shade tape.

The other song is Green Glove, which I sort of arranged in the studio, adding layers experimentally with no clear plan. It sort of sounds like a mess now, and it needs a tear down and rebuild. I might scrap it altogether, although I’d like to give it one last chance. It was a cute idea and the piano solo is pretty smokin’, and the groove could be really hot. So I have to think of a way to salvage the song, rethinking the horns, vocals and rhythm section. I’ll need to retrack the vocals anyway. I think I’ll start by just muting the horn section.

If I do scrap it I’m gonna replace it with a new song “Rocket To The Moon”. This is the first song I wrote on guitar and I’m fond of it, plus it fits with the rest of the songs thematically while offering some new musical ideas. I figured my fist guitar song would be something like a Greg Lake style ballad something like Lucky Man, but this is pretty different. It’s a sort of uptempo fake-punk thing that I came up with when I was learning Message in a Bottle. It’s short, probably less than three minutes. It’ll be interesting to see if the rhythm guitar part will carry the tune, also to see how it goes recording the acoustic and adding effects in ProTools.

So now I’m hoping the record will be done by the end of the winter. You can hear the latest tracks on my music page. Let me know how they sound to you.

Tree

Last week Lizzy took a class trip to the American Museum of Natural History and while she was there had a chance to check out the origami holiday tree. I had hoped to cruise up there to meet them for lunch and tell the kids a bit about the tree and Origami USA, but alas it was not in the cards. I was stuck in an all day project planning meeting. It got pretty contentious and by the end my boss was openly calling for the bad product manager (you may recall him from a post a few months back) to be sacked. Today was had part two of the meeting, in which some differences were resolved and workable project plans were agreed upon. At one point I had to call out the bad manager and asked him to articulate the difference between his new plan and my existing plan, and he admitted he hadn’t read my plan therefore couldn’t say. So my plan prevailed, much to the amusement of some of my colleagues. Frankly I’d rather avoid all this unpleasantness and stupidity, and I’m beginning to loose my sense of bemused detachment. Although I must say all the developers on my team are really excellent, so I don’t see any deep worries, just management B.S.

In any event, Lizzy and her classmates enjoyed the tree, and she had been the museum before for special folding sessions as well as to see the museum itself. She was able to tell the other kids something about the tree, and even spotted some of my models and took some pictures. In addition to the models I donated this year I was happily surprised to see a turtle which I’d donated a previous year.

Foldinator 2 Build 3

Development of Foldinator2 continues. You can see the third prototype here:

http://zingman.com/foldinator2/foldinator2.html

Earlier prototypes is archived here:

http://zingman.com/foldinator2/old_versions/foldinator2_build02/
foldinator2.html

http://zingman.com/foldinator2/old_versions/foldinator2_build01/
foldinator2.html

The main feature for this time around is that I am now generating the paper procedurally using the drawing API. This is core to the whole application, and everything going forward will be built on more sophisticated instructions to the drawing algorithm. The paper is initialized only after the user loads a model. The paper gets its initial state (white or colored side up) from the OrigamiXML for the model. I’ve defined a set of constants for the various lines weights and colors that the rendering will need. For the next build I am going to set the paper’s initial rotation as well.

I’ve also begun putting in controls to toggle the enabled states of the various buttons and to allow the user to switch between View and Edit modes. This will be more fully fleshed out in the next build.

Since it is still fairly early in the development cycle, even simple features require a fair amount of new behind-the-scenes structure to be built. For this build I extended the event framework to handle callback events. I use this in the app initialization sequence when loading the list of OrigamiXML files, and when a file is loaded to trigger the Paper initialization. I also created a class to hold application constants outside of the drawing API styles. These include definitions for steps, actions, folds and their properties and parameters. This will come into play as the folding code develops.

News on the Street

It’s Thanksgiving break, and I feel like I have alot to be thankful for this year. Things are generally good for my loved ones and my overall situation, and goals I’ve been working towards for years have been showing signs of progress and paying off. Of course its easier to feel good about life when you’re relaxed. This is my first break since the start of the school year in September, and we’ve been taking it easy and getting things done this weekend. No big travel or entertaining, other than going to Jeannie’s folks for Thanksgiving day. Played a fun game of Earthopoly (Monopoly with a “go green” spin) with the kids. Jeannie and I both went bankrupt early, and it was and epic battle between Lizzy and Michelle.

I got a nice big block of time to work on music. I re-recorded, edited and mixed the vocals the song “Angel or Alien” (soon to be renamed “U.F.O.”). It sounds much better and this makes six out of nine songs ready for mastering.

I kicked off the this winter’s home improvement project cycle. We have four projects on the slate and I thought I would tackle the easiest one first and knock it off the list this weekend. It was just to shore up some towel bars in the bathroom that were coming loose from the wall. However one thing leads to another and jobs are not always that simple. I took off the first bar and put in a new stronger wall anchor. But then the towel bar would not go back on to the mount since the new anchor had a bigger screw head and the towel bar would not fit. Bad design. We had to get a whole new set of towel bars and rings. The dimension were just different enough that it meant drilling new holes and painting over the place where the old mounts came up. So it turned into a three day job. But whatevs, it’s done now. Woo-hoo. Three to go.

One nice surprise this week is that the town paved our street, so we went from having the bumpiest, potholiest street in town to the newest, smoothest one. Immediately the kids started clamoring to go out rollerblading, but it was sort of rainy for a couple days, so it had to wait until the weekend. We finally got a chance to play outside. Lizzy recently got her cast off her arm, and immediately did some cartwheels, something she’s been pining to do for weeks. The weather has been really mild all November, and we still are picking fresh parsley from our garden and believe it not have roses in bloom.

Now we’re turning the corner into December. Looking at three intense weeks of work and everything, then a short week and some time off for the holidays.

Pentagon Origami Tessellation

One upside of having all these meeting at work is I can sometimes fold while sitting and listening. Tessellations are very popular in origami these days, although personally I haven’t done much with them. But I was hanging out with Eric Gjerde in San Francisco few weeks ago, and I got intrigued with a couple ideas. Here is a tessellation I came up with that features all pentagons. It doesn’t use pentagonal symmetry however, the underlying grid is square. It’s an ancient pattern used in Moorish and Mideastern art and architecture. But it’s a cool pattern and I a haven’t seen it folded before so I decided to give it try. I actually just sort of started doodling it in a meeting that was dragging on, and it dragged on long enough that I had a fully folded sheet by the end of it. People really responded to it, so I decided to make a better one out a nicer paper.

Everybody Knows a Turkey

Birds are the new bugs in origami in that making sculptural, realistic birds is trendy these days. Robert Lang has done quite a few, and Seth Friedman’s Blue Bar Pigeon is a recent standout, and other folders as well. So here’s my contribution: a turkey.

I tackled the subject because I’ve not seen an origami turkey out there that I like. I’ve make several prototypes and I’m pretty happy with the outcome. Mine features a detailed head complete with wattle, a nice round plump body, a fan tail, realistic four-toed feet (better to make it stand), and some nice color change effects. The base is unique and interesting. The feet are developed using a method similar to Robert Lang’s Songbird I in Origami Design Secrets, with little bird bases embedded in two corners. The main base is something like a semi-sunken stretched bird base, except that it use 15 degree symmetry instead of the more typical 22.5. The proportion between the feet and the rest of the body is also based on a 15 degree ratio, which provides some nice symmetries.

Unfortunately the design folds beautifully from foil but getting it to look good from regular paper is a bit more difficult. My recent folding style has been trending towards thicker papers, but for this model that kind of thing is completely inappropriate. Too many layers in the legs for one thing. So I’m on the hunt for some good paper to use. I have a couple sheets of origamido paper, but neither is two-colored, and I don’t want to risk wasting it on an experimental design. The way the tail comes out of the body seems to turn out a bit different every time. Plus I’d have to wet fold it, and so I’d have to work that out too. So I ordered some foil-backed washi from Nicholas Terry’s website. It’s 35cm square and brown on one side and gold on the other, so with luck that will be perfect for this model. Check back in a few weeks to see how it turns out.

And while we’re at it, here are a couple pictures of my Eve, to go with Brian Chan’s Wall-E.

E is for Elephant

Since I got back from my trip I’ve been meaning to get another build out on my Foldinator software. It’s very close, I swear. But fate has conspired. My work situation is, um, interesting again. The VP of my new group is leaving the company at the end of the year to start up a startup, which puts my team somewhat out in the woods again. Meanwhile we are aligning like battleships amid icebergs with two other platform projects and one brand business unit to bring a whole slew of web sites online on our technology stack in the new year. Crunch time is coming as we all figure out the missing pieces we need to go live. I’ve been spending most of my work days doing planning lately, and trying to jam in some coding in the spaces between meetings. So it’s been hard to sink my mind into another codebase.

The other thing is I’ve been working on a new origami sculpture which I want to have done by Thanksgiving. I came up with the idea right after I got home from PCOC and have folded a few tests out of foil, to the point where I have it refined enough to give it a go from nice paper. These advanced models take a while to work out.

To take your mind off your troubles, here’s a link to an article about the OUSA Holiday Tree in the American Museum of Natural History, featuring an alphabet of very nice models, including one by yours truly.