Global Jukebox Plos One Article

Over at my other project as lead software developer on The Global Jukebox, I’m happy to announce our article in the peer reviewed journal Plos One has been published:

The Global Jukebox: A public database of performing arts and culture
Anna Wood, Patrick Savage, et. al.

https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0275469

Abstract
Standardized cross-cultural databases of the arts are critical to a balanced scientific understanding of the performing arts, and their role in other domains of human society. This paper introduces the Global Jukebox as a resource for comparative and cross-cultural study of the performing arts and culture. The Global Jukebox adds an extensive and detailed global database of the performing arts that enlarges our understanding of human cultural diversity. …

Chicago Part II – A Hit by Varèse

COCon, the Chicago Origami Convention, was in the downstairs of the hotel, where they had a reception area and series of conference rooms, adjoining the lobby via a broad spiral stair.  It was a perfect setup.  There were a handful of vendors including a friendly woman named Katy who made tiny origami art pieces composed and arranged in little glass bell jars.  Being from Chicago, she gave us great advice on places to eat.

There were ten or so artists exhibiting, so I got a whole table.  My whole exhibit fit in a shoe box in my carry-on luggage, so that was plenty of space.  There were a bunch of my “greatest hits” models, including a turtle, lizard, moose, elephant, dragon, flying saucer and retro rocket.  Also the models I taught: the Space Cat, Flying Fish, and Butterfly.  Then there were three new geometric models.  I displayed versions of these at OUSA NYC in June, but wasn’t satisfied with them so I folded newer improved versions.

First is my Hydrangea Cuboctahedron.  This is six hydrangea tessellations arranged on a sheet to then form a single-sheet polyhedron, a cube with sunken corners to resemble a cuboctahedron.  I changed the layout of the tessellations so that it would have a symmetrical lock formed from the four corners of the paper.  This went together easier and held better than that previous lock.  I also added another level to the hydrangea tessellations compared to my previous version.  I folded it from a 50cm square of marble wyndstone paper, which looks great and is super strong.  The model could be wet folded but that turned out not to be necessary.  I may still do it if the lock tends to open up over time.

The other two are Starball Variations I and II.  Both of these models are based on a dodecahedron, with extra creases to sink the vertices in such a way as to reveal a star pattern on the faces, again single-sheet polyhedra.  I use different geometries so that in one the start recedes inwards and in the other protrudes outward.  My first attempts were made from 35cm Tant paper, but that turned out to be at the limit of foldability.  I made two larger pentagons from a sheet of 70 x 50 cm marble wyndstone, and that enabled me to fold more accurately, and really understand the precreasing involved in the bottom half of the model where there layers stack up, so in the end they turned out much better.

I taught three classes, two on Saturday and one on Sunday.  They were my Flying Fish, Space Cat, and Beautiful Free Butterfly.  All the classes went really well, despite there being no diagrams and no document camera and projector.  I thought ahead and brought a pack of large paper with me, suitable for teaching.  Everyone finished the model, and I had time to help a few people who weren’t quite up to the requires skill level.  Hopefully they leveled up in my class.

I took a few other classes, including Beth Johnson’s Gorilla, and a Turkey and a Spider.  I’ve been thinking about an origami spider for a long time, so now I’m trying again to make my idea work.  Since it was a Chicago convention, there were a good number of folders I’d never met before, so it was great to meet them and see what they’re up to.  Spent alot of time just hanging out, folding, and going out to eat, mainly with Beth, Katie, and Jared N. from Oregon.  Also Eric, Wendy, Patty, Kathleen, June and a bunch of OUSA convention committee people.

Saturday night Jeannie and popped out right at sunset to go to the top of the Hancock Tower, which was once the tallest building in the world, and take in the view.  And it’s … flat.  There’s Lake Michigan in one direction, and the plains in the otter, and past the city they look more and more the same as the eye draws out to the horizon.

We also discovered Chicago style hot dogs.  These are great, served with pickles and tomatoes as well as the more common ketchup, relish and onions, with an extra large frank and bun.  Jeannie says Chicago style hot dogs and pizza are on the level of Buffalo chicken wings and beef on weck, and I’m inclined to agree.

Our flight home was on Sunday night.  By this time it had started to rain.  The trip home was smooth and uneventful.  We were able to watch the first half of the Bills game in a bar in the airport, and most of the second half on the plane.

All in all a great convention.  I hope they do it again.  It was a great time, and there’s still lots to do and see in Chicago.

Coming soon – photos! 

Chicago Part I – Beginnings

Just got back from a fantastic trip to the capitol of the Great Lakes, Chicago.  Jeannie had never been there before and I hadn’t been since the 1990’s when I used to go there for work alot, but mainly spent my time in an office park out in the suburbs.

The motivating excuse was COCon, the Chicago Origami Convention.  This is the first time for a Chicago convention, and they had it in one of the big hotels downtown.  We arrived a day early, on Thursday to play tourist in the city.  The flight out there was smooth.  We got up before daylight to get to the airport in time for our flight, and we landed mid-morning.  I slept on the plane so it felt like the start of a new day.  We grabbed a cab, checked into the hotel, and were out walking around the city before noon.

It must be said that Chicago is a great city for walking around.  And the weather was beautiful the whole time.  We were right near the waterfront at a place called Navy Pier, and there was a scenic walkway for bicycles and pedestrians.  Then into a park with a funky piece of public art called The Bean.  It’s basically a giant curved chrome blob that you can walk around and underneath and see really interesting reflections.

The main attraction for the afternoon was the Art Institute of Chicago.  It’s a world class art museum to rival the Met in New York or the one in Vienna.  It’s got a great collection, and very well presented.  Famous paintings on display included Sunday in the Park, American Gothic, Nighthawks, a Van Gogh Self Portrait, and one of the missing stained glass windows from the Darwin Martin House in Buffalo (I wonder if the plan to repatriate that someday) to give you an idea.  Also a wing full of great Asian bronze, pottery and sculptures, going from ancient to contemporary artists, ancient Greek and Roman stuff, and a wing of European art including lots of paintings and sculptures and a whole hall full of arms and armor.  On the way back to the hotel we walked thru the Honorable Richard J. Daley Plaza where they got that Picasso, across from the Cook County assessor’s office.

Walking back to the hotel along the Chicago river we came upon a plaza with some cafes, and stopped for some beers and a late lunch.  Chicago is famous for its architecture, and we were right across the river from some crazy art deco googie tower apartment buildings with parking garages spiraling up the lower half and boat docks in the basement.  In and around the river, the museums and various other places downtown I noticed a pattern on the architecture that I’m calling the Chicago motif.  It consists of a square divided into eight triangle by square cross and an “X”.  Coincidently, this is also the crease pattern of an unfolded waterbomb base.

That night we went out to dinner at a bar across the street from the hotel where they had the football game on.  I had a burger with a fired egg on top, cuz if I’m in a place with that on the menu, that’s what I’ll usually get.  Later we met my friend and colleague Ann Marie, with whom I’ve been on several zoom calls a week the whole year, but never met face to face before.  She invited us to join her and her friends at a different bar downtown where there was a hallowe’en themed burlesque show.  It was a lot of fun, with a very positive vibe, and as she put it, classy with a capital A-S-S.  Afterwards, we walked around downtown for a good hour while Ann Marie played tour guide and pointed out lots of notable things like restaurants, architecture, and historical sites.

Friday we went to another great museum, the Field Museum of Natural History.  It’s alot like the American Museum of Natural History in New York which I know well, but maybe not so large and a little bit more shiny.  Great architecture.  The star attraction was Sue the T-Rex, named after her discoverer Sue the human.  It’s the most complete Tyrannosaur skeleton every found, virtually complete.  The T-Rex is the centerpiece of a great hall of the history of life on earth, with tons of fossils and other artifacts.  There was also a short 3-D film about the discovery, unearthing and preparation of the Sue fossil, and how they analyzed and what they learned about the living creature’s life and death.   It turns out Sue was fully grown, 40 feet long, at 19 years old, and died at 29.  During his or her life he or she suffered nine broken ribs and a fractured tibia and recovered from all of those injuries.  Among the things I never knew I never wanted to know was that Sue was infected by parasite worms that burrowed holes into it’s jawbone.  

For all its attention to scientific detail the film’s CG animation was strangely inaccurate in several ways.  For one, they showed the dinosaur’s gait as having wide-set feet like a sumo wrestler, rather than more plausibly with the feet under the the body.  Second was that whenever the terrible lizard appeared, the other little dinosaurs would wait for it to get close, then turn and shreik at it before running away, rather than running off at the first whiff of trouble like real animals do.  Lastly, in a visualization of an epic battle with a Triceratops a la Disney’s Fantasia, where they conjectured the T-Rex got it’s leg injury, somehow the T-Rex almost effortlessly bites the three-horned adversary on the neck under it’s protective crest.  It’s almost as bad as that bit in Toy Story where the light fixture disappears into the ceiling.

There were also halls of taxidermy, a really nice collection of gems and minerals, and whole hall of jade and carved jade art, a bit of crossover from the day before with artifacts from various antiquated civilizations, shown here for the naturally historic rather than artistic value.

After the Field Museum we hit the Aquarium, which was right next door.  Highlights include beluga whales, dolphins, sharks, sea turtles, jellyfish, eels, tropical coral reefs, cuttlefish, a cool movie about octopus, and a whole section of tanks devoted to Great Lakes fish such as pike, walleye, perch, trout, and bass.

We walked back to the hotel along the lakeshore trail and by the time we arrived, other origami people were starting to filter in.  We spent happy hour at the bar with some friends, and then I set up my exhibit (more on that later).  We went out for dinner for authentic Chicago style deep dish pizza.  Most excellent.  Returned to the hotel for late night folding.  I mostly practiced models I would teach the following day.  

More on the convention itself next.  

In the Spaceship, the Silver Spaceship the Lion Takes Control

It’s been a busy few weeks.  The weather has been alternating between mild and sunny and cold and rainy, so I’ve been getting in a few bike rides a week here and there.  Every time I do I think it might be the last nice day. It’s rainy again this week, and of course it’s getting dark earlier and earlier. A week ago Jeannie and I went for for a hike up a mountain called Anthony’s Nose, which looks down on the Bear Mountain Bridge from the summit.  That’s right folks, there are alot of great hikes in the area, but we picked the nose.

I transitioned in my job from consultant to full time lead staff engineer at the Innovation Lab. Last week was heavy on onboarding and strategic planning and roadmapping meetings, as well as tactical planning for the upcoming release of our mobile app in November.  Also got a new computer and been moving into that.  One night after work last week there was a dinner event hosted by one of our partners in the consortium, and I met some of their engineers and some of their customers, as well as an attorney named Havona who was “raised by hippies” and is now living in Spain so her daughters can train to be future tennis pros.  It’s the first time I’ve been to an event like this since before the pandemic, and it turned out to be alot of fun.

And, I’m looking to hire software engineers with a combination of full-stack and R&D prototyping skills.  Ping me if you fit the bill.

Been folding tons of origami for some upcoming exhibitions.  More on that as it, uh, unfolds.

Also Jeannie got me a lego spaceship recently and I’ve been trying to find the time to build it. More on that as it, uh, comes together.

Lastly, been working on music.  I have two I’m working writing/arranging/tracking: In the Purple Circus, and A Plague of Frogs. Additionally, I have six tracks basically done, but the guitar sounds were all over the place.  Last weekend I went back and worked on putting them into some kind of tonal shape.  The main issue is that there’s lots of low end noise muddying up the mix.  EQ helps but not enough.  When I put it thru an amp simulator it cleans up alot of that but also alters the tone pretty radically into the treble range.  I ended up creating a signal chain with 2 buses, one for the raw guitar mix and another for the amp, then mixing the two of them for the right balance. It made a huge differenceI and I applied this to five songs.  Further tweaking can occur but they’re all in the zone.  Hopefully by the end of this record I’ll have something like “my” guitar sound, or at least a sound I can control.

Sun and Rain and Jazz

It’s been cold and rainy the past few days.   I got in quite a few good bike rides in September, but now summer is definitely over.  Been busy with work, new origami, the Jukebox, setting up new computers, and the recording project.  One plus side, I saw two excellent concerts last week.  

The first was The Levin Brothers at the Jazz Arts Forum, a cool little jazz club in Tarrytown.  The Levin Brothers are Mark on piano and Tony on bass, along with a drummer and, for this tour flute player Ali Ryerson fronting the group.  We were seated right up front, so close to the bandstand that I had to move Tony’s music stand and some cords on the floor so I had room to sit down.  They played a combination of originals and jazz interpretations of pop and rock songs, including Steely Dan’s Aja and the traditional Scarborough Fair.  The tone was mostly laid back and tasty, occasionally reaching out into more abstract and experimental territory.  The flute was unusual choice for lead instrument, and fit perfectly.  She was an excellent player, great tone, phrasing and soloing, and gave the group a unique sound and brought it all up to another level.  

Tony Levin is of course a world famous bass player, and equally famous for pioneering the use of the Chapman Stick.  For this gig, however, there was no stick.  He stuck to an electric upright bass, some kind of Steinberger I think, and and old Gibson bass guitar with a star-spangled paintjob that might well date from 1976.  His tone and playing were much more restrained than with some other groups, but sounded great and tasteful.

After the show the band was hanging out at the bar and we got to meet them.  Jeannie had a picture on her phone from when we saw King Crimson last summer.  Tony liked that and said it’s good we were there, cuz that’s probably the last time Crimson will play North America.  I mentioned the first time I saw Tony was with Peter Gabriel back in the 1980s’.  He said Gabriel is gonna be doing a major tour next year, very exciting.  I said to ask Pete if he’d do Carpet Crawlers.

The other show was Sungazer at Gramercy Theater in the city.  The venue was pretty cool, smallish but not that small, maybe a former vaudeville or movie theater with an open floor in the front half and raised seating in the back, and a bar on each side in the middle.  There was an opening act that I’d never heard of, but who were really good, called Childish Jibes, fronted by an attractive, dark-haired singer with a great voice and a sort of Amy Winehouse or Adele vibe, complete with a beehive hairdo and boots so high she could barely dance.  The band were sort of a blend soul funk and rock and pop with a unique sound.  Excellent players, great songs and arrangements, really polished.  I hope they make it big.

Sungazer is sort of a jazz-adjacent jam band like Lettuce or Galactic, but less funky and way more proggy, with elements of metal, techno and jazz fusion.  They favor dense, complex arrangements with out meters and multilayered polyrhythms and subdivisions of time.  The drummer and leader of the group is a virtuoso of this kind of playing, and his solo was just mind blowing.  The synth player had his own devil’s mellotron with samples from videogames and cartoons and things.  The bassist and guitarist were prone to unison shredding, and the bassist augmented the low end with a sub-bass synth reminiscent of old Genesis.  The sax playing resembled something like Morphine or King Crimson more than what you’d typically recognize as jazz. 

All in all totally my kind of weird.  It’s funny, Jeannie and I were very likely the oldest people in the crowd.  I wonder how a band like that finds an audience in this day and age.

Mo’ Origami

There’s an origami convention coming up Chicago next month, so I’ve been getting organized about folding some new models for the convention.  Having to do an exhibition is a great motivator.  I’ve also been busy at work, transitioning from a part-time consulting gig to a full time staff position as Lead Engineer of Consumer Reports’ new Innovation Lab. I’ll be building an R&D software engineering team to create prototypes and products around consumer’s digital privacy and data rights.  More on that as the situation comes into being, but soon, having Fridays off will be a thing of the past.

So last Friday I spent a good chunk of the day organizing my origami studio.  Since the start of the pandemic there have not been alot of in-person conventions and exhibits, so I’m really just getting back into it.  I have lots of boxes of half-folded experiments and ideas.  I want to take the best and perfect them and fold them at an exhibit-quality level.  Some of the stuff is pretty complex and ambitious.

While I was at it, I threw out lots of old models.  One has to do this every few years, but it’s always funny because the stuff I’m getting rid of was once some of my best work.  Michael LaFosse told me not too long ago that if the model has a face, like a human or an animal, he can’t bear to tear it up or crumple it.  Instead he unfolds it first, then throws away an unfolded sheet of paper.  I found myself doing that a few times.

I registered to teach classes at the Chicago convention.  I signed up to teach two classes, and am thinking of adding a third.  Among the models I’m teaching is my Space Cat, which I designed at the beginning of the summer, right around the time my jazz and funk band Spacecats decided on its name.  The model is a variation on my Sophie the Cat, restyled with a sleek, atomic age midcentury modern look.  Very hip.

And, it looks like the Origami MIT convention is back this year, after three years off!

Back into the Fold

I recently folded a bunch of new origami models for an upcoming exhibition in Chicago.  These were well-known designs, but it felt good to get back into folding some exhibit-quality works.   As is my practice these days, I folded two of each, so as to have one to keep.  Sort of a warm-up for some upcoming conventions I’ll be attending this fall, where I’ll be exhibiting some new work.

Before I put them in the mail, I figured I’d photograph them.  This led to a round of experimentation with different cameras.  For many years I’ve had a digital snapshot camera with a zoom lens and macro mode.  I also have a pretty nice digital SLR with lots of controls, capable of taking amazing pictures.  

The SLR is very accurate, and lets you control everything, but it’s painstaking.  It also has various automatic modes that give you less control but are less fussy.  I also have a full lighting kit but, it’s a major effort to set everything up.  In fact, I have a big backlog of unphotographed work since the start of the pandemic for this very reason.

Without lots of light, there’s a three-way struggle between exposure time, exposure level, and depth of the focus field.  The photos tend to be dark, or require a tripod to keep still while the shutter is open.  And there’s some weird auto-color balance feature that makes all the colors strange if you have just a few colors in your view, as is often the case with this kind of subject matter.

What I’m really after is a workflow that’s quick and easy.   I want to be able to put a big sheet of paper on my kitchen table, lay down some origami, and be good to go with the available light.  So I tried the camera on my cel phone, and on Jeannie’s phone, which is much newer.  These cameras are not as accurate, but in fact much better!  It’s like have a mic with a nice warm compressor for recording musical instruments.  They’re always in focus, and do a really good job with color balance and exposure level under a pretty wide range, and require alot less tweaking in post.  Jeannie’s phone in particular seems to bring out textural detail with extra fine-scale contrast, and in addition to a good zoom has a wide-angle mode that lets you get super close to the subject.

In the end, each camera has its pros and cons, and gives a slightly different image in terms of exposure, color balance, focus, sharpness, and contrast.  Definitely a worthwhile study.  I suppose the digital SLR is still the best if you have the patience.  I’ll use it again next time I do a “real” photo shoot.  The digital snapshot camera is okay but kind of old and has been surpassed by newer technology.  The phones are the clear winner in terms of convenience and picture quality combined.  So now I’m thinking of getting a new phone just to use for taking pictures.

While I’m at it, I’m thinking about getting a new computer.  Like my phone, my computer is getting pretty old, and won’t run alot of newer apps.  OTOH, there are some old apps that are essential to my work, so there needs to be a plan on how to replace those.  Critical among these are Adobe creative suite: Photoshop, Illustrator, InDesign and the venerable Flash/Flex.  The amount of money Adobe charges for a yearly subscription (you can’t just buy it) is ridiculous.  And of course Flash and Flex are long dead.

So I figured I’d check out Affinity Photo, Designer and Publisher, the not-a-total-rip-off alternative.  So far so good.  Affinity Photo seems to work just as well as Photoshop for what I do, which runs the gamut from cropping and tweaking pictures taken on my phone, to serous, multi-element, mutli-layer, effects-laden, composed image and text graphics for things like album covers or strategy game artwork.  I haven’t tried Publisher yet but it seems like a cromulent replacement for InDesign, which I use mainly for page layout for my origami books and diagrams, and the occasional poster for a rock or jazz gig.

The main question is whether Affinity Designer is a reasonable app for doing origami diagrams. I had been using Flash for many years, but Flash is well past the end of its life, and it may be time to move on.  People in the origami community have been migrating from Illustrator to Affinity over the last few years, but the consensus seems to be that it’s cumbersome and there’s a steep learning curve.  Ah well, better than nothing.  Last night I modeled a square sheet of paper with a crease thru the diagonal.  It took a little while to figure out all the tools, but there’s enough control over everything that it can be made perfect.  So that’s hopeful.  Whether one can move quickly thru a series of steps remains to be seen. 

I’ll also have to build up a new library of dashed lines, arrows, and other symbols.  I guess I’ll reach out to my friends and see where they’re all at with this.

As for the automation stuff that I used to in Flash, the Foldinator project remains a perpetual work-in-progress, and last time I checked in with it, I decided to basically start over using javascript, and build on the libraries of people like Robby Kraft and Jason Ku.  

Los Endos

We ended the summer on a chill note for the long weekend.  We’ve been doing alot of traveling the last few weeks, including our recent tour of Cape Cod and Boston, followed by a trip up to Buffalo a week ago to take Michelle to school.  

This was our third trip up to Buffalo this summer (Jeannie’s fourth).  We got a car for Michelle this semester, so she and Jeannie drove her car and I followed in mine.  The move-in went smoothly and Michelle’s new dorm is quite nice.  She’s in a suite with three friends from last year.  Very much echoing the pattern of Lizzy four years ago.  

Lizzy met us on campus and gave us all a ride in her new car, and took us thru the Delta Sonic car wash.  I’d forgotten how much of a thing Delta Sonic is up there.  It’s a fun ride but maybe could use an animatronic Johnny Depp in a pirate outfit at the end. Afterwards we went out to dinner at a Mexican restaurant that used to be a Denny’s where I worked as a dishwasher for a couple weeks as a teenager.  

I also spent a bunch of time talking with parents, which is nice.  One day I went for a walk around the lake with my dad, and he told me a bunch of stories about how his first few years living in Canada, how he decided to go to college at age 25, and what it took to apply and what happened when he got in.  It turned out him and a German fellow named Siegfried got the two highest scores in English on the entrance exam, despite both of them being non-native speakers (English is actually my dad’s third language).  When the professor asked him how could this be, my dad said, “Well, I studied.” Also something about the French being salty about the Concorde many years later.

Back home, we caught a show at the Blue Note last week, with Jeff Tain Watts on the drums and Daryl Jones on bass with members of the Rolling Stones touring band doing a tribute to Charlie Watts, mainly jazz and blues interpretations of Stones songs.  Many were more enjoyable than the actual Rolling Stones versions to me.  The great Randy Brecker was the special guest on trumpet.  I haven’t seen him play in many years, probably since the Return of the Brecker Brothers in the 1990’s.  He’s looking old and rotund and when he came up on stage maybe even not sure what he was doing there.  But when he put the horn to his lips, he’s one of those guys who just lifted the whole band to another level.  It’s like have Kate Blanchett in your movie playing and elf queen.

So after all that running around we decided to mainly stay at home over Labor Day and catch up on random tasks.  We went on one day trip, out to Fire Island, condensing a whole beach weekend into a single day.  It was cool in the morning, so we parked near the beach and went on a nature trail swamp walk up to an historic light house and climbed up to the top, which gave us an excellent view of Long Island and the ocean.  The next leg of the walk took us to a quaint little town called Kismet, which feels like a real-life Hobbiton.  It’s full of little beach cottages but has no roads, only sidewalks, because it’s only accessible by foot, bicycle or ferry.  We had an excellent lunch of seafood and frozen drinks and lingered a while.  When we got back the beach the weather had warmed up so we hung out and went for a swim in the ocean.  The threat of sharks was gone, but there were some dead jellyfish floating around.  I got stung by one, just a little on my arm.  After that it was time to go.

For some reason I’ve been listening recently to alot early 90’s alternative metal and ska bands like Fishbone, No Doubt, Mr. Bungle, De La Soul, Soul Coughing, Cibbo Matto, and Soundgarden.  Not all the same genre I know, but there does seem to be some kind of center of gravity there.

Elixr (2022 Remix/Remaster)

Among my recent musical projects has to be remix and remaster my 2018 album Elixr.  I was listening to it back in the spring, and although it was a big step forward for me in terms of musical production at the time, my mixing chops have improved substantially over the last few years and I decided I could do it better.  In the end I decided to get a small batch of CD’s made, and so it took some time to do the artwork and get it printed and all that.  Now the new version of the record is on all the major streaming services, so go ahead and check it out!

Spotify . iTunes . Amazon

New Song – My Ol’ Broke Down Truck

I wrote a country song!  Well sort of at least.  The second in my guitar singer-songwriter experiments, My Ol’ Brokedown Truck is pretty much a traditional country song, although with different lyrics and chord voicings it might be something like a jazz standard from the great American songbook.  I wrote it around Christmastime when I was visiting my parents and my Mum asked me to explain to her Nashville notation.  I did so by way of demonstration, starting by writing down the title and eight bars of chord changes, and then a bridge, and suddenly I had the beginnings of a song. The lyrics also came quite quickly and naturally, and I liked it well enough to to finish it.

I recorded a basic track with guitar, bass drums and vocal. The guitar sound may take liberties with the conventions of the genre, bringing in some energy of bands like Cake or the The Black Keys. The vocal has a low and high harmony part, and I decided it’d sound better with a female voice doing the high harmony. I asked my sister-in-law Mary, who has been in a number of singing groups over the years, if she’d like to do the part. She came in and nailed it, and lifted the song to a whole ‘nuther level.

The hardest thing was to get the right sound for the solo on the intro and middle eight. A sax was definitely not appropriate, and I don’t play pedal steel guitar or fiddle, or banjo or mandolin, and the chords modulate so a harmonica won’t work. I experimented with various synthesizer sounds, trying to harken back to a rare moment in pop music where pedal steel guitars played side by side with analog synths, as exemplified by songs Gordon Lightfoot’s The Wreck of the Edmund Fitzgerald, Billy Joel’s The Great Suburban Showdown, or Jackson Browne’s The Load-Out. But the right tone eluded me. I ended up using a melodica (a funny little keyboard instrument that you blow into) run thru a boxy amp simulator, spring reverb and tremolo effect.

Enjoy!

My Ol’ Brokedown Truck

My brokedown truck and my rotten luck
Have left me here stuck by the side of the road
With my bleeding heart I will make a new start
But first I must get my body home
We’ve made many miles together
Sure in sunny and stormy weather
Well I could trade ‘er in for some shiny new tin
But you’ll never find peace while you roam

(solo)

We’ve rode many roads together
Fast through foul and fair weather
And I might go far in a brand new sports car
But then how can I carry the load?
So I’ll wait here stuck with my rotten luck
And my ol’ brokedown truck

– John Szinger, 2022