Special Guest Blogger: Lizzy

Today we have a guest contributor to this blog, my daughter Lizzy. She’s been getting into taking pictures and wrote about a few of them. Here you go:

“This is my play-dough heart. On Valentine’s Day Michelle brought pink play-dough from school. I made a heart out of it. Plus we got a lode of candy. Also I saved my brownie.”

“We didn’t have the week off but we had Monday off. But we had a snow day on Friday. On Friday we built a snowman, had a snowball fight and played with our friends on our block. And we also played ice princesses.”

Jammin’

Last Saturday night I had the opportunity to hang out and jam with my friend Erik. It was a good time. I miss playing with other musicians; it’s something I should do more often. I was always playing in one or more bands from 10th grade until Lizzy was born. Hopefully soon the kids will be old enough that I can think about putting together a group or regular jam session again. Meanwhile I practice regularly to keep up my skillz, and I have my recording project and the occasional jam like this to get by on.

Anyway, I mainly played piano and sax while Erik played guitar and piano, and even some drums, and we both sang. We jammed and jammed until we were too tired to play anymore, and then we watched Concert For George to top it off. Here’s a partial list of songs we covered:

Let It Rain (Clapton)
Fire On the Mountain (Grateful Dead)
(some Little Feet song)
Hey Nineteen (Steely and the Dans)
Black Cow (Steely and the Dans)
Home at Last Steely and the Dans)
Oh! Darling (Beatles)
For No One (Beatles)
The Long and Winding Road (Beatles)
Naima (John Coltrane)
Mr. P. C. (John Coltrane)
(drums and sax jam)
Because (Beatles)
You Never Give Me Your Money (Beatles)
I Want You (She’s So Heavy)
Whiter Shade of Pale (Procal Harem)

Ain’t Wastin’ Time No More (Allman Brothers Band)
What Is and Should Never Be (Led and the Zeppelins)
The Rain Song (Led and the Zeppelins)
All Of My Love (Led and the Zeppelins)
All Along the Watchtower (Dylan)
Too Many People (Paul McCartney)
Maybe I’m Amazed (Paul McCartney)
I’m Only Sleeping (Beatles)
Beast of Burden (Rolling Stones)
(some U2 song)
Can’t Find My Way Home (Blind Faith)
Low Spark of High Heeled Boys (Traffic)
Lady Madonna (Beatles)
Waiting Room (Blick original)
Let It Shine (Blick original)

Sour Apple Blues

So around Christmastime I got a new computer, a shiny iMac. I think I’ve mentioned that I haven’t had a new Mac in over 10 years, since back in the says of System 7. But I was seduced by the image of hipsters on white backgrounds poking fun at hapless corporate types, and repulsed by the prospect of running Vista, so there you go. The plan was to make the Mac the new center of my home recording studio. I’ll bet you’re wondering how that’s been going, moving into the new machine and all. Well, let me tell you.

First of all, I’ve been really busy lately, working 60+ hour weeks for a product launch at work, plus a couple trips. So it’s been taking a while. I didn’t really have time to do much over the Holidays other than plug the computer in and tour some of the built-in apps. I don’t even have email on it yet! And then I was in the middle of a song (The Nine) which I wanted to finish before I switched my rig.

But a couple of weeks ago I finally got around to it. I successfully downloaded, authorized and installed PT 7.1 on the Mac. I use an MBox for audio I/O, and the ProTools upgrade was free, and worked just great, and the DigiDesign website was about as painless as you can expect that sort of thing to be. To give it a test drive, I recorded 2-track demo of She Came in Thru the Bathroom Window. Voice and piano, recorded live, which was kinda cool cuz I’d never tried singing and playing at once before; I usually overdub the vocal. I had the Rhodes in one input and the mic in the other, and it worked fine. With the wireless Mac keyboard I can start and stop the music sitting at the piano. Only problem is I have to turn around to see the screen, but for pressing play it’s great.

Now the current version of PT is 7.4, and I have no idea what’s new in last .3 revs. I’m told there’s a lot better MIDI support for things like time stretching. I wonder to what extent I can move files back and forth between my 2 machines now. Also, PT is officially not supported for OS 10.5, but it seems to work just fine.

Next I installed SampleTank, but PT couldn’t see it. I thought maybe it’s because I haven’t loaded any samples yet, or maybe I need to authorize it, I dunno. So then the project veered off to cruising IK Multimedia’s website and getting in touch with their tech support. After a couple weeks of back’n’forth, I learned that my version of SampleTank (LE 2.08) doesn’t work for Intel Macs, although it’s not clear what the issue is. IK want me to pay $300 to upgrade to a new version of SampleTank, and it’s not also clear how compatible it would be — how much work it’d be to import my old songs with the same patches and everything. So getting to the bottom of that and deciding if I want to do the upgrade is a whole research project.

I figured before I went too much further I’d see how the Mac likes my MIDI interface. It’s a MOTU MIDI Express XT, and MOTU’s web site says it’s plug and play for the Mac, and shawnuff I can see it in the list of USB devices. But when I bang on the keys of my synth, PT doesn’t get the events. So now the question is what software do I need to get ProTools to talk to my external MIDI interface? I’m pretty sure there’s no OMS anymore.

I found drivers for the XT for Mac OS on the MOTU web site, so that seem like a good place to start. Then I discovered the Audio and MIDI settings panel in the Mac OS. Unfortunately when I open the midi panel, it said it couldn’t load due to an error. It suggested I uninstall any recent drivers and try again. I did this but got the same error. Debugging this will be a whole nuther research project.

So in light of this I’m now thinking of installing Parallels or VMWare and running my whole music rig in XP, since I know everything works with that and I have all the software, drivers and everything. This kinda make the whole new Mac thing seem like a waste and failure, but I guess I can still cross over in time, once I get the MacOS issues worked out. Still it’s gotten to the point where it’s holding me back from working on new songs, so I just want to get back to making music. So for tonight I’m going back to my old laptop, and maybe I’ll be in XP via BootCamp on my Mac next weekend. At least I’ll be able to look at 24 tracks of faders on the widescreen display.

Caribbean Blue

You might think all I’ve been doing this winter is working extra hours and complaining about the cold. But no! Last week Jeannie and I managed to sneak out for a long weekend getaway to Nassau, in the Bahamas. Four days of lying on the sand, sailing sailboats, swimming in the ocean and pools, eating lots of seafood and drinking fruity rum drinks, and checking out aquariums full of sharks and manta rays and exhibits on pirate history. Aye me hearties!

We stayed at a place called Breezes on Cable Beach, which was very nice. The flights were smooth both ways. It was a much needed break, and our return to the winter is mitigated by a warm spell this week.

Here are a handful of pictures. A full gallery will be put up at some point in the future.

Fotoz 2007 Summer III

Well, it’s still January. The season of darkness and cold, fated by the alignment of cosmic entities. But at least I’ve been taking advantage of time spent inside to move into my new Mac and get my photo publishing software up and running. So here are two more galleries from last summer.

http://www.zingman.com/fotooz/2007-05
http://www.zingman.com/fotooz/2007-06

As usual, these galleries are for friends and family and are password protected. If you are friends and/or family and need a password, please send me an email.

Meanwhile, here’s a sampling of the pix:

Lego Space Ships

One day not too long ago — I believe it was the Twelfth Day of Christmas, or may be the 11th day of Boxing Day — my kids decided it was Christmas Eve for their Littlest Pet Shop pets. They made a bunch of presents out of legos and asked me to help them make a sleigh. I noticed we had a number of funny shaped orange bricks, and I thought I could do something with them. Well, one thing led to another and I ended up making a space ship instead of a sleigh. Still the pilot was a right jolly old elf and the payload was toys for all the good little girls and boys. Jeannie then started collecting purple bricks and made a cool companion starcraft. Not sure who the pilot of that one is, I think he’s from a Stranger In a Strange Land or Mission to Mars set. Making Lego spaceships is fun because the subject is fantastic, so it’s more about how cool it looks than how realistic it is. Kinda like making dragons in origami.

New Song: The Nine — Rough Mix

I have new song called The Nine. It’s actually a new incarnation of a song that I had written years ago, but I liked it enough to want to revisit it. I had previously recorded it with the duo Flip|Hippo, but we did the recording under enormous time pressure and I was never really satisfied with the sax playing. Plus I wanted to do something new with it, much like the song The Beat Is Red on the Buzzy Tonic emerged from an older demo.

The Nine is based on a nine-note ostanato played by two pianos. The pattern phases every nine bars. On top of is layered the rhythm section and melody. It is both flowing and machine-like, sort of relentless and melancholy, but my new version highlights the dramatic tension of the song across the choruses. I added a break in the middle, and a lyric. I also double track the saxophone, blending in with the synth part.

The lyric was in a way inspired by the recent Led Zeppelin reunion. There was a time when the Zep was my favorite band of all time. I haven’t listened to them in years, but was inspired to go back and play all of their records, and they still sound awesome to my ears. There’s a lot of really subtle stuff going on that sets their sound apart from other 70’s bands that I never picked up on as a kid. >Still, I don’t play guitar like Jimmy Page or sing like Robert Plant, or drum like Bonzo, so there’s not much I can take and apply to my own work. Ah yes, there’s on thing. It’s cool to pepper your songs with references to Tolkien.

Actually, I just finished reading an unpublished novel my brother Martin wrote quite a few years ago. It’s quite good. It’s set in a swords & sorcery milieu, so I might write a lyric incorporating ideas from that. No one would know what it’s about but I don’t think that would matter. Lots of traveling thru the woods in the snow.

The other thing about this song is it’s kind of heavy on the synths and effects. I mainly use software synthesizers nowadays, but there were a couple sounds on my 90’s version I really liked. So I fired up my venerable Kurzweil K2000RS synthesizer/sampler and dialed up the a patches. I haven’t used that thing in years and have forgotten what a great sounding piece of gear it is. I’ll have to remember to use it in more of my recordings. I may go back and add some pads on Angel or Alien using that.

Meanwhile, let me say what an enormous pain is to do both midi and audio simultaneously on my set up. I was getting all kinds of hum and noise on the line in when the outboard midi was hooked up. I finally figured out that the problem was my port replicator. I do all my studio work on my laptop, on the USB ports on the dock are not properly shielded, or so it seems. When I moved the jack for the midi to a port on the side of the machine, the problem went away. Fortunately, I got a new Mac a month or so ago. The idea is to use it as the center of my recording studio going forward, but I wanted to wait until I was done with this song before I switched over. Hopefully the problem with the port noise will go away. But moving into the new machine is a whole ‘nuther project and a whole ‘nuther post.

Anyway, here’s the link.

Origami Site Update

I just finished updating the Origami Page of my website. 2007 Was a pretty good year for new origami designs, and I have pictures and CP’s for a bunch of new models since I last updated the page a year ago. These include a Hot Air Balloon, Armadillo, and Butterfly, as well as several versions of a Stellated Dodecahedron and a series of polyhedra based on sliced icosahedra, with faces consisting of equilateral triangles and regular pentagons. Additionally I added a some new pictures and larger thumbnails of existing models, and reorganized the whole thing so the polyhedra are now on their own page. Of course there are more new ideas in the works, and hopefully I’ll get a bunch of them completed in 2008.