Origami By Children

Every year Origami USA sponsors an exhibit of Origami By Children. You can learn about it here. The deadline for submissions is fast approaching, so last weekend I was able to get my kids to sit down and focus on coming up with something. Lizzy, who is 7 now, started to take an interest in origami 2 years ago, when she invented her first original model, a picture frame.

Last year she did the traditional Lily. It’s more complicated than it looks, but the hardest move in is a squash fold, and she’s good at those. I coached her, showing her the model and encouraging her to take is slow and fold neatly. She did a nice enough job that her model got in the exhibition, and OUSA donated some origami books to her school.

This year she’s had more exposure to folding and knows how to follow diagrams, so I let her decide what to do. She folded a bunch of things out of John Montroll’s Christmas Origami, including the candle, bell, and candy cane. I guess no time of year is the wrong time to think about Christmas when you’re seven. She decided to do the ring from the Twelve Days of Christmas, and put five of them together. Of course it’s not a hard model technically — the folding style is know as “Pureland” meaning it’s only mountain and valley folds, but there’s some art to it in terms of color and composition. I think she did a nice job. I hope she gets in the show again.

Michelle, at three and a half, wants to do everything her big sister does, so she was along for the trip. I tried to teach her the bell, but the reverse fold just blew her mind, and 11 steps is about 4 too many for a 3-year-old to handle. So I scaled back and taught her the classic cup, on which the bell is based, which was just in her range.

GE Music Player

My good friend Erik runs a recording studio and music production house in the city called GE Music, after him and his partner Glenn. Recently he asked me to design and build in interactive music browser / player as a way to present his scores and tracks to clients, potential clients, and casual listeners. It was a fun project because I could do all the development functions my self, including visual and interaction design as well as programming. As of last night the application programming is done, and the thing is pretty cool if I say so myself. Here’s a screen grab of a test deployment on my server.

Of course a static screen grab doesn’t really do it justice. The site integration and live deployment remains to be done. So watch this space, and soon I’ll post a link to the player living in it’s natural environment, serving Glenn and Erik’s awesome tracks!

Extreme Yes for Strings

If you’re anything like me, and I know I am, you’ll fondly remember Yes as one of the all-time great prog rock bands, known for their sweet harmonies and expansive, even epic compositions. Their radio-friendly sound served as a gateway prog band to turn kids on to other, weirder, edgier groups like King Crimson, and, well pretty much anything Bill Bruford has ever done.

Back in the 80’s I was in a prog rock band, Infinigon, that did our share of Yes covers. The bass player in the group was the inimitable John J. Neumann, who is also a recording artist and accomplished classical violin player. He recently completed an adaptation of Yes’s Tales From Topographic Oceans for string quartet. Unlike the original, which is a bit long and rambling, John’s version features only best parts. You can check it out here, along with a bunch of his other musical projects.

Enjoy!