Category: Music

The Global Jukebox 2.1 is Live

I’m happy to announce that The Global Jukebox 2.1 is now live. Go ahead and check it out at:

https://theglobaljukebox.org/

This rev culminates many months of work, and contains quite a new features including an all-new Wheel View, an updated world culture and song taxonomy, and numerous enhancements to the content and functionality.

The Association for Cultural Equity, the organization behind The Global Jukebox is a non-profit foundation. Our funding is way down this year due to the worldwide pandemic. If you care about world folk music and its legacy, please consider making a donation so we can keep adding new content, features and improvements.

Romantic Warriors

Well the big news this weekend is that we went downhill skiing. It’s been seven years since the last time we went, for a variety of reasons. This year the stars aligned: I have no band and no gigs, Michelle had no robotics competitions, everyone is feeling healthy, and most of all, we had three or four good snowfalls in the last few weeks; it’s the first traditional winter we’ve had in a long time.

We all need some new kit. My old ski boots no long fit, so I got some new boots. They’re lighter and more comfortable too. As it turns out my skis are so old that the ski shop refused to service the bindings and set them up for my new boots. I didn’t know that was a thing.

Meanwhile Jeannie sent her ski pants, gloves and goggles up to Lizzy, who told us she was going skiing before we started to make our own plans, and asked if we had any equipment she could borrow. So Jeannie got new ski pants, gloves and goggles, and while she was at it, she decided to get a helmet. Luckily her boots still fit and her skis are in good shape. Last time Michelle went skiing she was maybe fifth grade, so she needed a new ski jacket, pants and gloves and goggles too. We decided to rent skis and boots for her on the mountain.

We went up to Catamount in the Berkshires, a mountain about two hours from here that we know well. Our friend Seth, who has a house nearby met us there. We decided to go night skiing cuz the tickets were much cheaper and we didn’t really know how it would go or how long we’d last. Plus we didn’t want to have to get up early and drive. It turned out to be the right call. We got there in time to get the first two or three runs in in daylight. We were all kinda wobbly and unsure but soon found our stride and gained some confidence. The conditions were great and by nightfall there were virtually no lines at the lifts.

I decided to demo skis at the mountain. It turns out skis have evolved in the time we were away. I still think of my old skis as my new skis, even though they’re at least fifteen years old. They’re parabolic, from when that was in fashion, and replaced a pair of much longer and straighter skis from the late 1980’s or early 1990’s. Modern skis are still kinda parabolic, but wider in the middle and wider overall, with rounder tips. The skis are almost like two narrow snowboards. I’m told they’re designed for stability and I must say I was really impressed with how they handled. Once I got used to them I found I was able to carve and hold my turns with less effort and energy than my old skis; I could just lean and let them do the work. Also they’re much more consistent in how they handle across moving from deep snow to the occasional icy patch. So yeah, looking at getting new skis now.

We ended up skiing 12 runs and stayed on the mountain for over four hours. Alot of these were spent a nice wide gentle run where we could practice and gain confidence. After a few of these I was basically pointing my skis straight down the mountain and going for it. We ended the last run going all the way up top and coming down some blue runs.

Couldn’t’ve asked for a better time. And now that we got all new kit we’re hoping to go again before the end of the season. Lizzy went skiing the same night as us, up at Holiday Valley. The package Jeannie sent arrived today.

…

On the drive up and home, we listened to a bunch of records by Return to Forever, the seminal jazz fusion group led by Chick Corea, the groundbreaking jazz piano and keyboard player who passed away last week. Chick is one of my big influences, and I’ve seen him live a few times, including with his Electrik Band, doing a Mahavishnu crossover with John McLaughlin, and in acoustic trio setting. He has over 100 albums across all styles of jazz from the 1960’s to last year, and has tons of stuff I’ve never heard. Of course he has lots of stuff I know really well. I decided to focus on Return to Forever cuz I only own one of his albums, although I used to have a few on cassette as well. I haven’t listened to it in a long time. It’s great stuff, really holds up. Lots of mind-blowing synthesizers, and the other players, Stanley Clarke, Lenny White and Al Di Meola are total monsters. They’re capable of a wide variety of expressive styles individually, and as a group come together as a singular force. At times it’s more prog rock than jazz, but without lyrics.

Bring on the Night

Winter continues. Cold and dark, but at least we made it thru January. Too bad the Bills did not win the AFC championship game, but KC and Mahomes were just really so good. We did enjoy watching a few games with wings and nachos and beers. Josh Allen is young and the Bills are up-and-coming, and at least they’ll avoid renewing the Super Bowl curse.

Meanwhile, we had an epic snowstorm the last two days. A good eighteen inches, maybe two feet, the biggest snow in probably five years. I went out yesterday around noon to shovel and there was already a good foot on the ground, but light and fluffy. By the time I was done another inch had fallen. Today the snow stopped and we went out to shovel again, and it was all wet and heavy. Ah well, it’s done.

In preparation for the storm we watched the classic 1982 John Carpenter movie The Thing. Still a great movie after all this time. Great soundtrack too.

We’ve reformulated our Thursday jazz group with a new piano player Josh. He used to be in a group with Ken and the old drummer from Haven Street, Dan. He fits in quite well in terms of playing, vibe and temperament. In addition to standards we’re doing jazz adaptations of rock and pop songs. So far we’ve hit You Can’t Get What You Want (Till You Know What You Want), by Joe Jackson, which is a favorite that we used to do in a couple rock bands. Also Walking on the The Moon, which works great and turns into something dreamy and ethereal, and Peg by Steely Dan, which also works great, bouncy and bluesy. Next week we’re gonna try Some Skunk Funk by the Brecker Brothers. I went back and listened to the record Heavy Metal Bebop, which I haven’t put on in quite some time, and it just blew my mind, just how far ahead of its time it was. I also forgot that the drummer was Terry Bozio, before he joined Zappa.

In home studio land, I finished my guitar-driven rock song, Why Not Zed, back around Xmastime, and started recording another, All of the Above. I also hashed out the first few minutes, from the intro thru the verse and chorus and into the solo section, of the prog epic Plague of Frogs. But I put these all aside for a while to work on another jazz number. Lift Off was a song I wrote for Haven Street, inspired by John Coltrane’s Countdown, and featuring lots of half-step modulation inside ii-V’s superimposed on a harmonic structure borrowing tonal ideas from the standards Have You Met Miss Jones? and A Foggy Day. Gary brought his Wes Montgomery mojo, which fit the song perfectly and helped sharpen the arrangement.

For the studio version I’m recasting it for tenor sax and organ, with a typical rhythm section of piano, bass and drums. For bass I used an 80’s-sounding synth bass, just as scratch part, but then I like the sound of it and may very well end up keeping it. The tempo of the song is 210 bpm and I don’t know if I can walk that fast on the fender bass anyway. I’ve been experimenting with two bass parts (synth and bass guitar) for alot of this record, so I’ll come up with something else to do on the fender: counterpoint, accents and embellishments. Meanwhile I put down the piano track, which I really played. There’s an arrangement behind the head, then many choruses of comping, and a solo. I laid down the solo last night, and it came out well. even playing at the real tempo. Next comes the organ, which is key to the arrangement. I might end up swapping some parts between the piano and organ; we’ll see how it sounds. Then there’ll be a pass tweaking the bass and drums to give them more dynamics. There’s a drum solo in there too, trading fours with the sax and then just horn and drums for a chorus. Might add in a layer of live drums. Lastly, I’m really psyched to lay down the sax part. I feel like my playing has gotten alot better over the last year and I can really slay an uptempo bebop number.

At my new job I’ve been learning the Google Firebase platform. This is a so-called “serverless” suite of infrastructure components to run the backend of web and mobile applications. It seems to be just the thing we need, and includes services for hosting, auth, file storage, database, backend logic, and analytics. Saves us from having to spin up our own servers and databases and build it all ourselves. So far it all seems to be pretty good. There’s lots of admin controls and vast documentation; not surprisingly there’s alot to know to come up to speed. Still, after less than two weeks starting from zero I have a site with auth and file storage working end to end, and I hope to be talking to the DB tomorrow. Hopefully next week I’ll turn the corner into actual application development and figuring out how my piece fits in with our other products. I guess if there’s one thing Google is good at, it’s writing software. Nevertheless, it feels a bit like a deal with the devil you don’t know. They have their tentacles in so many pies, and the days of “don’t be evil” are long gone. Just this week I read about how they wiped out something like 100,000 negative reviews of the Robinhood app after it locked its users out from buying shares of some stocks, in order to protect some greedy hedge fund guys who way overreached. Interesting times, one thing for sure is they keep on a-changin’.

New Song: Heavy Water

The second of three new songs is nearly done. Listen at:

https://zingman.com/music/mp3/bziv/HeavyWater36.mp3


Heavy Water was originally envisioned as a funk-fusion thing a la the Headhunters, built on a riff played on the fender rhodes and clavinet, but it took on a more videogame vibe. Structurally it began with an idea of writing a song with four chords in a loop. This turned into two contrasting four chord loops alternating in an AABA pattern, with a middle section in a BBAB pattern, and then iterating in a fractal sequence. Layered on that are different levels of space and intensity to the groove.

Keeping with the whole computer jazz concept, the music explores the interplay between the human and the machine. There’s both a sequenced synthesizer bass and a fender electric bass played live. Similarly, there’s a synth in melody ensemble along with the saxophones.

I had a pretty specific idea of how I wanted two saxophones to weave in and out with the synthesizers. The middle part of the song features fugue-ish noodling in lieu of a more traditional solo section. It builds from being mainly tenor sax, to tenor and soprano together, and then all three. A breakdown and build before the final recapitulation of the head gives the return more momentum.

One great source of inspiration for the interplay of the two saxes came from a record called Two of Mind by Jerry Mulligan and Paul Desmond. I came across this record last year while listening to different versions of All the Things You Are. The way these two guys interact is just fantastic, a real joy to listen to, a forgotten gem of the cool jazz era. It turns of this is actually the second record they made together, and the first one is just as good, with a great version of Body and Soul.

Lastly I mixed in some machine noise. This was sort of a happy accident. I was down in my studio when Michelle fired up Jeannie’s 3-D printer to make something (a dice jail, I think). It made a really fascinating noise, kinda rhythmic but also melodic, kinda repetitive but also not predictable, in short very jazz-like. So I had to record it. It got me thinking about how one might print our specific shapes to make the printer play a melody. But that’s a whole ‘nuther project…

New Song: Autumn Eyes

The first of three songs I’ve been working on is pretty much done. All that remains is the final mixdown and mastering. You can listen to it at:

https://zingman.com/music/mp3/bziv/AutumnEyes30.mp3


I wrote Autumn Eyes for my former jazz group Haven Street in the winter of 2019. Lots of moody, modulating jazz chords and a strong, undulating melody. I originally called it Winter Wolf Whisper. I had the image in my mind of wolf cubs frolicking in freshly fallen, powdery snow, in gentle slow motion. Once I brought the song to the band the sound changed. I had envisioned it as a swinging mid-tempo number like Maiden Voyage, but as we developed it, the song pretty much became a ballad.

Of course doing it on the computer required changing the feel too. One big change was the drums. The main drum part is sequenced, and the playing is pretty minimal. I had the idea to augment it with a live drum part, mainly to get the sound of brushes, which I can’t to do with samples.

The spine of the tune is the piano part. The beginning has the sax and piano playing the melody in unison for eight bars. This was always a challenge to get tight playing live; maybe we should’ve changed the arrangement. But I wanted to use it in the studio version. For the sound, I blended a grand piano with a Fender Rhodes, to give it a bit more smoothness, fullness and shine. I did the bass part on the electric bass but adjusted tone to be jazzier. When we did this song live Jay played upright; the electric changes the character of the piece. I wrote the song with soprano sax in mind. I recorded a version on the tenor, but ultimately went with the soprano. It all hangs together nicely and gives a convincing illusion of spontaneity among a group of players. I tried to approach each solo differently in terms of melody, rhythm and pacing.

I added in some synth strings and bells, just some subtle backing. Last thing was I recorded a live drum part to blend in with the electronics. It’s mainly brushes on the snare drum and a few tom fills and cymbal hits too. I used the Jimmy Page/Gyln Johns method of mic’ing a kit with two mics. One is overheard focused on the snare. The other is well out in the room in front of the kit focused on the kick drum. As a sound check I played some grooves and fills and hits, just to get a sense if how this might work for other songs. It came out quite well.

Let’s All Give Thanks

Thanksgiving weekend came and went. Now we’re into December and soon it’ll be time to put up the holiday stuff and start playing Xmas songs on the piano. Back in the spring, I’m sure most people thought the pandemic would be over by now and life would be back to normal. As it is, it’s worse than ever and there’s no end in sight. Jazz rehearsal was cancelled last week and again this week, just to be sure not to spread it around. It remains to be seen when they’ll open up again. Michelle’s school closed too, and she’s back to taking classes online.

Still we did the best we could under the circumstances. Lizzy came home from college the weekend before. She and her roommates have been doing their best to socially isolate the last two weeks. It was nice having her home. I think Jeannie, Michelle and I have all kinda withdrawn into ourselves a little bit since we’re all home together so much. Lizzy added a dash of fresh energy to the mix.

And even if it was low key it’s still a holiday. Everyone was off work for a few days, and we hung out and played games and listened to music and watched some movies. Jeannie and Michelle did alot of baking and cooking, even though it was just the four of us. Pies and cookies, a full turkey dinner with stuffing, mashed potatoes, cranberries and everything. Lizzy contributed a charcuterie board full of exotic cheese and meats and crackers. I made a miniature model of Stonehenge out of sticks of butter, but it fell over once the butter became soft.

On Black Friday we had Jeannie’s parents and her sister’s family over to hang out on my newly expanded patio. As soon as the patio project was underway Jeannie said she wanted to get a backyard fire pit. So we did. We tested it out last weekend, and named it Brad. It worked out great for the party. The weather was mild and we kept the fire going well into the evening. And of course more food. It was very nice. Even though we play Dungeons and Dragons every weekend, I haven’t seen my nibblings face-to-face since last New Year’s Eve.

In fact the weather has been mostly pretty mild through November, and I’ve gotten in a few bike rides in the Nature Study Woods, and a couple weeks ago Jeannie Michelle and I took a hike in Pound Ridge, near South Salem. We spotted some bear caves.

In another sign of the times, I’ve been working with the Origami USA convention committee on planning the next convention. For a while it was looking like the 2021 convention was gonna be back in Manhattan, but now it’s most likely gonna be another online convention. But this one is gonna be bigger, with multiple streams of classes, so building the scheduling tool is back on the menu. We’re also looking to some kind of VR audio/video chat system to take the place of the hospitality room and allow for unstructured social interaction. So I’ve been learning about different tools and products in this space, and the companies that write the software for them.

Meanwhile, it looks like work on the Global Jukebox is going to be slowing down for a while. We have a major release to live coming up in the next couple weeks, the culmination of a year’s work, lots of great stuff. We did alot more done this year than expected because I was able to put in the time. But all good things must come to and end.

In the new year it’s most likely back to working on it part-time, even though there’s a ton of stuff still on the roadmap. You see, The Association for Cultural Equity is a non-profit foundation, and donations are down this year, because of the pandemic, and the economic and political chaos that’s been raging all over America this year. Ah well. It looks like it’d be alot of fun to work at startup doing VR audio/video chat software, so I’ve started talking to a few of them. Wish me luck!

Lastly, the studio recording project proceeds apace. Autumn Eyes is basically done. One day last week I went ahead and recorded a live drum part to blend in with the electronics. I’m mainly doing brushes on the snare drum since I have no way to recreate that using samples. There a few tom fills and cymbal hits too.

I used the Jimmy Page/Gyln Johns method of mic’ing a kit with two mics. One is overheard focused on the snare. The other is well back in the room in front of the kit focused on the kick drum. As a sound check I played some grooves and fills and hits, just to get a sense if how this might work for other songs. It came out quite well. The sound is good, but obviously recording the whole kit together limits one’s options for shaping the sound in postproduction, so you’re gonna haft want that live feel. Also I’m not a tight enough drummer yet to play along to a click track consistently.

Heavy Water is getting close. The main part of the song features fugue-ish noodling by two saxophones and a synthesizer in lieu of a more traditional solo section. I had to be careful things didn’t get too muddled or chaotic to lose the mood, so a bit of editing was in order. I also put in a sort of breakdown and build section before the final recapitulation of the head. All that’s left here is to add some sound effects. I have a recording of the noise made by Jeannie’s 3-D printer that’s perfectly mechanical and quasi-musical sounding. I’m going to fade that in behind the intro, outro and breakdown sections.

Why Not Zed? is close to complete as well. I’m still experimenting with distortion effects on the sax solo. Even a little is pretty overpowering and drastically alters the tone. I’m gonna create a sub out channel for an overdrive amp to mix back in with the normal sax tone.

These songs should all be finished in the next few weeks. Then it’s back to figuring out what songs to work on next. I wrote a new song on guitar called All of the Above. It’s kind of a love song.

Na-Na Na Na, Hey Hey Hey, Goodbye

It feels like I’ve been so busy recently I have no time to get anything done.

The patio is all finished, and it came out great. I got the patio itself done before the end of October, finishing up on Halloween day by filling in the cracks between the stones with sand. The last week of October was kinda stormy and rainy but the first part of November has been mild and beautiful again. The leaves area all golden all around right now. But the days are getting short fast. Suddenly it’s nighttime at five o’clock.

After the patio there was some landscaping to do. The main thing was to use up the pile of dirt that I created digging out the area. Some of it went to fill in low spots in the yard, and the rest to making a slope from the edge of the patio into the existing yard.

I have a hydrangea shrub in my year, right at the edge of the patio where it meets the house. The last task was to move it a couple feet so it would have more room to grow. Unfortunately the thing has grown so big that I was unable to get it out of the ground. I dug around it but couldn’t actually get underneath, and it wouldn’t budge. So I filled it back in and that’s that.

With that done and winter coming, hopefully I’ll get a bike ride or two in before the end of the season. And get back to origami soon.

The recording project proceeds apace. I got my strings and bells in on Autumn Eyes, just a subtle of backing in a few parts. For the bells I’m going for an 80’s DX7 era ice chimes kinda sound. Still gotta track the drum brushes and mallets parts; been thinking that thru.

I did a first pass at a sax solo on Why Not Zed, and the mood is right but I need to get more facile on this changes. It’s an easy part on guitar but on sax it’s got alot of modulation. Kinda like Well You Needn’t by Monk. I added a synth part too. Each new voice is pulling it in a different direction. I like the chaotic effect but it might be a bit much.

Stone Free

I’m still in the middle of mostly the same things. The dude abides.

The patio project nears completion. Just two more big stones to place, and three little ones. I been working an hour or two a day most days, sometimes more. The first week I got alot done, but the second week was slow due to several rainy days. I put in the fill but had to tamp it down and wait for it to dry and tamp it down again.

Last week I got back up to speed, putting in the bed of sand over the fill and laying the stones on top of that. I had originally estimated the amount of sand I’d need based on it being about and inch to an inch and half deep, but it was more like an inch and half to two inches. On top of that, the existing patio had sunk a bit over time on the side away from the house. I had to lift up and level off a bunch of old stones along with the new ones. I didn’t really count on the extent of this so it added a few days and I had to go back and buy more sand.

I should be done this week if the weather is good.

…

I’m close done two of my songs – Autumn Eyes (formerly Winter Wolf Whisper) and Why Not Zed.

Why Not Zed is a post-punk rocker. It now has the guitar and vocals down. All that’s needed is a solo, probably a sax, and maybe some noisy synths back there and some extra background vocals.

Autumn Eyes is a jazz ballad I wrote for the group last year. My recording is another experiment in computer studio jazz; I’d say it’s pretty successful. I played all the instruments, including a piano solo and bass solo, and all hangs together nicely and gives a convincing illusion of spontaneity among a group of players. I tried to approach each solo differently in terms of melody, rhythm and pacing. I was thinking asking Jay to do the bass part, but he wanted to play to a more-or-less completed track and I wanted to have a bass track laid down pretty early, so I did my own, and kept it cuz I like it. Now I’m experimenting with effects to get a good jazz tone out of a fender bass. Lots of treble and chorus.

I wrote the song with soprano sax in mind. Somewhere along the line I played it on tenor and the guys in the group said they liked that better. I recorded it both ways cuz I can’t decide. Each is good in their own way but changes the character of the song.

I still wand to add a little 80’s style string-synthesizer and maybe a few other background instruments for sweetening. Also gonna try some real drums, particularly snare drum with brushes and cymbals with mallets.

My third song Heavy Water is coming along. It was originally gonna be a 70s-ish funk-fusion thing a la the Headhunters, but its evolved into a more videogame vibe. Today I laid down a rough take of the sax. I have a pretty specific idea of how I want two saxes and a synth to weave in and out. But boy, I’ve gotta learn how to improvise on those changes. The original idea of the chord progression was to just have a four-chord loop, but I ended up using two contrasting chord loops, alternating in a complex pattern that catches me off guard from time to time.

In any event, I’m on track to have all these done before the end of the fall. That’ll put me at about 25 minutes of produced music this year – a new record!

And the Cradle Will Rock

It turns out it’s alot easier to listen to all the Van Halen albums than all the Rush albums. There were only six of ’em back in the day with Diamond Dave, and many of them are barely over a half hour long. I guess I’ll try some of the Van Hagar stuff to, since I stopped following them after 5150 and only came back for A Different Kind of Truth. In other listening, I’ve been getting into Mingus, Gershwin, Ravel and Franz Liszt lately.

The patio project is on! Two weeks ago Friday I went down to the stoneyard and met with the guy and placed an order. A couple days later he called me saying he didn’t have all of the big 2’x’3′ stones in inventory (yeesh!), so I had to adjust my plan. A week ago Friday the stuff was delivered.

Last Saturday I started digging out the area, down 8″ or so. Shoveling is probably the hardest single job because dirt is pretty heavy and after hundreds of reps the stress accumulates on lower back. So I decided from the beginning to mainly work in sessions of a couple hours every day.

Since the project involves alot of heavy lifting, I’ve temporarily modified my workout to reduce the number of reps and amount of weights I’m doing. Unfortunately I haven’t been doing much biking recently cuz the time I would spend doing that is going toward the patio instead. Ah well.

Sunday I started laying in the stones to form the edge. I’m using 16″ x 8″ concrete pavers for this, and need 21 of them for my perimeter of 28 feet. The work involved more digging out, and lots of measuring, as well as actually seating the stones and packing them in with dirt and fill. So the first session I only got three done. Next day my pace improved and I got five in. The day after there was less measuring, just filling across in a straight line, so I got six done, and the last seven on Wednesday.

Thursday I took a day off. Friday I pulled out the old stones on the edge of the patio where I’m extending it, leveled out the bottom, and started filling in the fill. This was an extra long session, three or four hours. I got 10 wheelbarrow’s worth of fill in, probably half the total if you include what I brought in to seat the edging stones. Sunday I was hoping to finish the fill, but it got harder to shovel as the pile got lower, so I stopped after another nine wheelbarrows. I have about that amount remaining.

Today it rained all day, and it’s supposed to rain tomorrow too, so I’ll get back to it in a few days. After putting in the fill I have to tamp it all down, then start in with the sand and the actual stones. Finally there’s some landscaping, moving a shrub, grading the edges, filling in low spots in my yard with leftover dirt, putting down grass seed. I’m hoping to be all done by the end of October. Jeannie is already shopping for a fire pit to put on the new patio.

The weather had been super nice the last few weeks up to today. September just kinda slid into October without us even noticing. It’s been sunny, in the low 70’s and dry; we haven’t had rain in weeks. Last night was the first night it got cool and today I even ran the heat for a little bit. I’ll probably take out the air conditioners this week.

…

My recording project is proceeding apace. I tracked the bass parts for Why Not Zed? and Heavy Water. Once the bass part is down, the song feels reel because it’s the first audio (as opposed to MIDI) instrument. No more going back to change the tempo or key or structure or feel. I’ll usually practice and do a few takes over a few days, to really get a feel for the song. While I’m at I’ll tweak the drum part if necessary to make it groove better here and there.

This evening I also laid down the guitar part for Why Not Zed? Y!Z is a heavy rock song, while the others are jazz ballad and a sorta funky fusion number. A few months ago I did the guitar for The Story Lies. It felt so laborious and involved alot of experimentation before I got the setup right. This time it couldn’t have been easier. I split the output of the guitar and recorded one channel clean and the other thru my stomp box. I used preset #60, a basic heavy distortion, very meaty. The part went down just like that, in one take. I discovered a great voicing for a 7#9 chord to end the song on. I recorded a second take, even though I probably didn’t need to, just cuz I was having fun. I almost feel like the guitar is secretly easier than any other instrument, at least at a certain level. Maybe that’s why there are so many mediocre guitarists out there.

Anyway, next up is vocals for Y!Z, then it’s on to saxes on all three songs, and then whatever synths and keyboards I need to round things our.

Meanwhile, my drumming is continuing to improve. I’m up to 5- and 9-stroke rolls in my rudiments, and that’s also really improving my long roll. I can jam thru all kinds of basic rock grooves with different patterns on the kick drum, with more endurance, precision, dynamics and phrasing, and I can sustain faster tempos. Also learning my first Latin patterns, and some grooves in 5/8 and 7/4.

…

I’ve been learning Drupal for the OUSA web project. Recently it’s been alot of reading documentation cuz there’s alot of baked-in concepts, and bit of poking around and experimenting. Then the other day my friend Mark up in the Adirondacks called me up (yes they’ve already had snow) and asked if I wanted to help him with a freelance project. It’s in Drupal too, so this gives me a chance to sink my teeth into something way less complex, leveraging what I already know. The timing couldn’t’ve been better.

Lastly, Jeannie and actually left the house to do something social. We didn’t feel like going to a restaurant or anything for our anniversary. But then my friend Nick out on Long Island had an Oktoberfest party. He usually has a few parties a year, but not so much this year. This one was greatly scaled back, just a dozen or so people, and was all outside. We ended up staying late and talking half the night. Good to catch up with friends, but these are strange days and lots of people are going thru different things.

And the Cradle Will Rock

It turns out it’s alot easier to listen to all the Van Halen albums than all the Rush albums. There were only six of ’em back in the day with Diamond Dave, and many of them are barely over a half hour long. I guess I’ll try some of the Van Hagar stuff to, since I stopped following them after 5150 and only came back for A Different Kind of Truth. In other listening, I’ve been getting into Mingus, Gershwin, Ravel and Franz Liszt lately.

The patio project is on! Two weeks ago Friday I went down to the stoneyard and met with the guy and placed an order. A couple days later he called me saying he didn’t have all of the big 2’x’3′ stones in inventory (yeesh!), so I had to adjust my plan. A week ago Friday the stuff was delivered.

Last Saturday I started digging out the area, down 8″ or so. Shoveling is probably the hardest single job because dirt is pretty heavy and after hundreds of reps the stress accumulates on lower back. So I decided from the beginning to mainly work in sessions of a couple hours every day.

Since the project involves alot of heavy lifting, I’ve temporarily modified my workout to reduce the number of reps and amount of weights I’m doing. Unfortunately I haven’t been doing much biking recently cuz the time I would spend doing that is going toward the patio instead. Ah well.

Sunday I started laying in the stones to form the edge. I’m using 16″ x 8″ concrete pavers for this, and need 21 of them for my perimeter of 28 feet. The work involved more digging out, and lots of measuring, as well as actually seating the stones and packing them in with dirt and fill. So the first session I only got three done. Next day my pace improved and I got five in. The day after there was less measuring, just filling across in a straight line, so I got six done, and the last seven on Wednesday.

Thursday I took a day off. Friday I pulled out the old stones on the edge of the patio where I’m extending it, leveled out the bottom, and started filling in the fill. This was an extra long session, three or four hours. I got 10 wheelbarrow’s worth of fill in, probably half the total if you include what I brought in to seat the edging stones. Sunday I was hoping to finish the fill, but it got harder to shovel as the pile got lower, so I stopped after another nine wheelbarrows. I have about that amount remaining.

Today it rained all day, and it’s supposed to rain tomorrow too, so I’ll get back to it in a few days. After putting in the fill I have to tamp it all down, then start in with the sand and the actual stones. Finally there’s some landscaping, moving a shrub, grading the edges, filling in low spots in my yard with leftover dirt, putting down grass seed. I’m hoping to be all done by the end of October. Jeannie is already shopping for a fire pit to put on the new patio.

The weather had been super nice the last few weeks up to today. September just kinda slid into October without us even noticing. It’s been sunny, in the low 70’s and dry; we haven’t had rain in weeks. Last night was the first night it got cool and today I even ran the heat for a little bit. I’ll probably take out the air conditioners this week.

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My recording project is proceeding apace. I tracked the bass parts for Why Not Zed? and Heavy Water. Once the bass part is down, the song feels reel because it’s the first audio (as opposed to MIDI) instrument. No more going back to change the tempo or key or structure or feel. I’ll usually practice and do a few takes over a few days, to really get a feel for the song. While I’m at I’ll tweak the drum part if necessary to make it groove better here and there.

This evening I also laid down the guitar part for Why Not Zed? Y!Z is a heavy rock song, while the others are jazz ballad and a sorta funky fusion number. A few months ago I did the guitar for The Story Lies. It felt so laborious and involved alot of experimentation before I got the setup right. This time it couldn’t have been easier. I split the output of the guitar and recorded one channel clean and the other thru my stomp box. I used preset #60, a basic heavy distortion, very meaty. The part went down just like that, in one take. I discovered a great voicing for a 7#9 chord to end the song on. I recorded a second take, even though I probably didn’t need to, just cuz I was having fun. I almost feel like the guitar is secretly easier than any other instrument, at least at a certain level. Maybe that’s why there are so many mediocre guitarists out there.

Anyway, next up is vocals for Y!Z, then it’s on to saxes on all three songs, and then whatever synths and keyboards I need to round things our.

Meanwhile, my drumming is continuing to improve. I’m up to 5- and 9-stroke rolls in my rudiments, and that’s also really improving my long roll. I can jam thru all kinds of basic rock grooves with different patterns on the kick drum, with more endurance, precision, dynamics and phrasing, and I can sustain faster tempos. Also learning my first Latin patterns, and some grooves in 5/8 and 7/4.

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I’ve been learning Drupal for the OUSA web project. Recently it’s been alot of reading documentation cuz there’s alot of baked-in concepts, and bit of poking around and experimenting. Then the other day my friend Mark up in the Adirondacks called me up (yes they’ve already had snow) and asked if I wanted to help him with a freelance project. It’s in Drupal too, so this gives me a chance to sink my teeth into something way less complex, leveraging what I already know. The timing couldn’t’ve been better.

Lastly, Jeannie and actually left the house to do something social. We didn’t feel like going to a restaurant or anything for our anniversary. But then my friend Nick out on Long Island had an Oktoberfest party. He usually has a few parties a year, but not so much this year. This one was greatly scaled back, just a dozen or so people, and was all outside. We ended up staying late and talking half the night. Good to catch up with friends, but these are strange days and lots of people are going thru different things.