Going Down

Today is the fifth Monday of January, almost certainly no one’s favorite day of the year.  I’ve been trying to shake the doldrums of winter.  Lots of rainy and sunless days. Work has been busy and my increasing load of meetings and random tasks means less time to focus on writing software. Michelle went back up to school yesterday, so the nest is empty once again.

Guess what, I’m in a D&D campaign again!  Our last one ended over a year ago when Michelle went off to college.  Last week out of the blue my friend Mark H. up in the Adirondacks asked me if I wanted to join his group.  So I came up with a few ideas for characters, all of them different kinds of fighter/magic-user combinations.  One was Fingongolfinger, an elvish fighter/wizard, an attempt to re-create the classic elf type from the original D&D game.  Fights with a sword and longbow, and casts spells like fireball and lightning bolt.  But the party already had and elvish wizard.  The second was Hiro Ünliikli, a Dragonborn barbarian/sorcerer. This would’ve been pretty wild and weird, but the party already had Teifling, which was weird enough.

The one they liked the best was Grimli Son of Groin, a dwarvish cleric whose deity is Thor.  He fights with a magic warhammer and axe and shield, and has spells like spiritual weapon, and other spell to boost his and party’s fight ability, endurance, and resistance.  He started at level seven and the DM gave him a bunch of cool magic items.  I’m very stoked.

We had our first session last week, over zoom, and I met the party, Mark’s friends, and the whole thing was fun and easygoing. They’ve been playing long enough to have their own tone and rhythm and in-jokes.  I came at a time when they were choosing where to go for the next major adventure, so there was alot of roleplaying and backstory, but no actual combat.  

Only problem is the group meets on Wednesdays, which is the night of my rehearsal jazz group. As luck would have it that was cancelled last week and again this week.  I’ve been thinking of leaving anyway since the group isn’t all that good.  It’s more like going to the gym for sax playing and improvisation over real book tunes than anything else.  But I kinda wanna find a new and better group to replace it.  I’ve been thinking of signing up for a jazz workshop in the city to maybe meet some new and better players.

Happily Spacecats, which rehearses on Thursday, is still fun and creative and sounding better than ever.  My new song Los Gatos de Cosmos, is developing nicely.  But I feel like we need to find some gigs.

In other news, they finally got some snow upstate, so on Saturday we went skiing for the first time this season.  Good to spend time outside doing something physical and get away from staring at the computer screen.  If you recall I took seven years off from skiing, and started again two seasons ago.  At the time I bought new boots and demoed skis on the mountain.  Last year we went skiing three times, up from one the year before.  This year we’re hoping to beat that.

I demoed skis last year but didn’t like them that much.  They were a little short, and while they were very maneuverable, they weren’t so fast on the straightaways.  This year the skis I got are longer, they’re stiffer and lighter than my old skis, and very controllable on different conditions, ice, powder, etc.  But they’re actually close to the length of my old ones.  I’m thinking maybe 5cm shorter would be perfect.

Anyway it was a great day skiing, and we did sixteen runs, which is good amount more then our first trip last year, when we did ten runs.  Michelle is way faster then Jeannie and me now, and just zips right down the mountain. Jeannie and I are thinking of taking a weekend up to the Adirondacks of Vermont or something in a few weeks. 

Don’t Ask Me Why

It’s January.  The darkest darkness has passed, and days are getting longer again.  At five o’clock there’s still some daylight.  We’ve had alot of rainy and overcast days too since the new year.  Up in Buffalo all the snow from the big Christmas blizzard has melted.  It’s been colder here again recently, and we even had a snow flurry or two over the weekend, which puts me in the mind of skiing.

Of course with the holidays over it’s back to work.  Things are off to a good start with both my main gig and The Global Jukebox, moving to grand strategy to operational tactics to writing and and deploying code.

With Michelle home on winter break for another couple weeks, we’ve been playing lots of board games, and as is tradition, watched entire extended edition of Peter Jackson’s Lord of the Rings, about four lads from Liverpool, er, The Shire, who have come into possession of a ring they want to get rid of, while singing songs and being chased by bad guys all over the world, er, Middle Earth to the Bahamas, er, Mordor.

Lizzy came for a visit last weekend, since she didn’t make it home at Christmastime.  We all had a fun weekend which started with going to Billy Joel at the Garden Friday night.  He still puts on a great show, has a great band, and does a fantastic job of mixing up the set list and keeping things fresh.  This night his band did two songs by Jeff Beck, including a stirring rendition of People Get Ready and an impromptu jam of I’m Going Down after the last encore.

The next night we went out to Long Island to Mary and her family, since we didn’t see them at all over the holidays.  We went to Benihana for fancy cook-at-the-table hibachi seafood, which was most excellent.  Haven’t been to one of those in years.  Sunday we watched the Bills game.  They made the playoffs and one the first round.  Two more to go to get to the Super Bowl.

I printed out a bunch of lead sheets for some Billy Joel songs to practice on piano.  Surprisingly, these can take some time to prepare, since chords found on the internet are often not accurate, and the charts always need formatting.  I want the song to fit on one page from start to finish and be as clearly readable as possible.

Lots more going on with music, origami, and other creative and artistic endeavors, but it’s all a work in progress right now.  Will share when the time is right.

In the Purple Circus

It’s been a few weeks since my last post.  Been busy with work, trying to wrap things up for the end of year, mainly lots of meetings with partners and stakeholders, a few key software commits, and lots of planning and strategy to set up the coming year of projects for our new R&D lab.  Plus, it’s been cold and dark and my energy level has been low.  On top of that I fell Ill with the covid a couple weeks ago, and so did Jeannie. Totally on brand for this time of year.  We’re all better now, but we didn’t get much done beyond the bare minimum for a little while.  We did manage to do most of our holiday stuff.  We put up a lovely tree, and new holiday lights outside, and wrote our Christmas cards, and got a fair chunk of gifts.  Been reading alot, and we watched alot of movies.  Among the better ones was the new production of Dune, although it only covers the first half of the book.

I’ve also been working on a new song in this season of darkness, called ‘In the Purple Circus’.  I wrote the lyric a while back, and earlier this fall set down at the piano and came up with pretty much the entire song, the main riff, the chords, the overall structure and various sections, pretty much all in one sitting.  (Actually also I wrote a song ‘Los Gatos de la Cosmos’ for my jazz group Spacecats around the same time.  It’s a nice little samba based on the harmony of a minor-major-seventh chord, and nice atmospheric spacy jam section in the middle.  It started as an attempt to get inside the head of Jobim, but owes more to Nica’s Dream by Horace Silver, and ended up taking on a direction of its own. More on that once we get the tune together.)

In the Purple Circus is in E minor (from a certain point of view) and the vibe emerged as dark, proggy and heavy. The main riff is in 13/8 time with a couple extra beats on the end after four repetitions so the complete phrase fills seven bars of 4/4 time.  This made it much easier to sequence in ProTools.  The riff uses a downward harmony thing, starting on a Dorian minor, moving to the half-diminished, then the suspended 4th and landing on a #9 dominant 7 chord.  Lots of buzzy tritones and semitones rubbing against one another.  The verse and bridge continue the rhythmic and harmonic motifs.  The time goes to straight 4, but there’s an overlaid 3-against-4 feel, with the downward harmony moving around, and the phrases work out to seven bars throughout.  Then there’s a middle section which takes the main riff and breaks it down, brings it down to a whisper, and builds it back up into a monstrous sonic maelstrom. 

The piano track went down first, then midi drums.  It was starting to take shape with some real character.  Next was bass guitar, which features heavy use of chording on the top two strings while an open E rings out on the bottom.  That sounded pretty badass.  A low E is about 40 Hz.   Having seen Steve Hackett earlier this year, I was inspired by his prodigious use of Moog Taurus pedals to bring the really deep bass.  So I created a bass synth part, an octave below the bass guitar to really emphasize the E-ness on that 20hz tone.  This is right about at the lower limit of human hearing, to say nothing of the frequency response of one’s speakers.  Even on my high-quality but normal studio monitors it sounds pretty great.  I’d love to get a massive subwoofer and hook it into the system.

Next came the electric guitar.  For this record my goal is to put guitar on all the songs, and to develop an approach and guitar part for each song.  For this one the sound was a pretty full and distorted, and I worked out chord voicings both low and high in the range using open strings where I could, to bring out the dissonance and resonance.  I laid down the part and it was just overwhelming!  So now I’m rethinking both the guitar and bass parts to have a bit more space and interplay, to fit together as if they’re the left and right hand parts of some giant 10-string meta instrument.  And to practice the parts so I can lay them down tighter, with particular attention going to the jam/riff bits at the end of the phrases where it builds up over a B altered chord.

So the song is about halfway tracked, and I expect to finish it sometime in the new year, and it will be pretty killer.  Meanwhile, here are the lyrics.

In the Purple Circus
By John Szinger

Well I said, get that bidniz done by Christmas
But the Devil had his plan
So let’s get it thru here by the New Year
Can I talk to the weather man?

The purple circus is where the work is
Vanilla villain where you been?
Chances and changes, chases and cages
I don’t know where to begin

We traffic in majick
Grapple the facets
Conjure abjure and summon
Divination evocation
The mountain surely is a-comin’

She tells me you have the energy of a major enemy
Thick in the grip of crippling sickness n’all
So I vault into the firmament of the permanent tournament
Cuz after all we’re born to crawl

We’ll depart our hostess ‘ere the solstice
Alight beneath the new snow moon
We can check that box off by the equinox
But the lion in roars a day too soon

We traffic in majick
Package the tragic
Sensing seeing knowing
Equivocation declamation
The mountain surely is a-goin’

We traffic in majick, yeah traffic in majick
Yeah, can I talk to the weather man?
Chances and changes, chases and cages, woah
I don’t know where to begin
First there is a mountain then there is no mountain then there is
She’ll be comin’ round that mountain when she comes, yeah

Global Jukebox Plos One Article

Over at my other project as lead software developer on The Global Jukebox, I’m happy to announce our article in the peer reviewed journal Plos One has been published:

The Global Jukebox: A public database of performing arts and culture
Anna Wood, Patrick Savage, et. al.

https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0275469

Abstract
Standardized cross-cultural databases of the arts are critical to a balanced scientific understanding of the performing arts, and their role in other domains of human society. This paper introduces the Global Jukebox as a resource for comparative and cross-cultural study of the performing arts and culture. The Global Jukebox adds an extensive and detailed global database of the performing arts that enlarges our understanding of human cultural diversity. …

In the Spaceship, the Silver Spaceship the Lion Takes Control

It’s been a busy few weeks.  The weather has been alternating between mild and sunny and cold and rainy, so I’ve been getting in a few bike rides a week here and there.  Every time I do I think it might be the last nice day. It’s rainy again this week, and of course it’s getting dark earlier and earlier. A week ago Jeannie and I went for for a hike up a mountain called Anthony’s Nose, which looks down on the Bear Mountain Bridge from the summit.  That’s right folks, there are alot of great hikes in the area, but we picked the nose.

I transitioned in my job from consultant to full time lead staff engineer at the Innovation Lab. Last week was heavy on onboarding and strategic planning and roadmapping meetings, as well as tactical planning for the upcoming release of our mobile app in November.  Also got a new computer and been moving into that.  One night after work last week there was a dinner event hosted by one of our partners in the consortium, and I met some of their engineers and some of their customers, as well as an attorney named Havona who was “raised by hippies” and is now living in Spain so her daughters can train to be future tennis pros.  It’s the first time I’ve been to an event like this since before the pandemic, and it turned out to be alot of fun.

And, I’m looking to hire software engineers with a combination of full-stack and R&D prototyping skills.  Ping me if you fit the bill.

Been folding tons of origami for some upcoming exhibitions.  More on that as it, uh, unfolds.

Also Jeannie got me a lego spaceship recently and I’ve been trying to find the time to build it. More on that as it, uh, comes together.

Lastly, been working on music.  I have two I’m working writing/arranging/tracking: In the Purple Circus, and A Plague of Frogs. Additionally, I have six tracks basically done, but the guitar sounds were all over the place.  Last weekend I went back and worked on putting them into some kind of tonal shape.  The main issue is that there’s lots of low end noise muddying up the mix.  EQ helps but not enough.  When I put it thru an amp simulator it cleans up alot of that but also alters the tone pretty radically into the treble range.  I ended up creating a signal chain with 2 buses, one for the raw guitar mix and another for the amp, then mixing the two of them for the right balance. It made a huge differenceI and I applied this to five songs.  Further tweaking can occur but they’re all in the zone.  Hopefully by the end of this record I’ll have something like “my” guitar sound, or at least a sound I can control.

Sun and Rain and Jazz

It’s been cold and rainy the past few days.   I got in quite a few good bike rides in September, but now summer is definitely over.  Been busy with work, new origami, the Jukebox, setting up new computers, and the recording project.  One plus side, I saw two excellent concerts last week.  

The first was The Levin Brothers at the Jazz Arts Forum, a cool little jazz club in Tarrytown.  The Levin Brothers are Mark on piano and Tony on bass, along with a drummer and, for this tour flute player Ali Ryerson fronting the group.  We were seated right up front, so close to the bandstand that I had to move Tony’s music stand and some cords on the floor so I had room to sit down.  They played a combination of originals and jazz interpretations of pop and rock songs, including Steely Dan’s Aja and the traditional Scarborough Fair.  The tone was mostly laid back and tasty, occasionally reaching out into more abstract and experimental territory.  The flute was unusual choice for lead instrument, and fit perfectly.  She was an excellent player, great tone, phrasing and soloing, and gave the group a unique sound and brought it all up to another level.  

Tony Levin is of course a world famous bass player, and equally famous for pioneering the use of the Chapman Stick.  For this gig, however, there was no stick.  He stuck to an electric upright bass, some kind of Steinberger I think, and and old Gibson bass guitar with a star-spangled paintjob that might well date from 1976.  His tone and playing were much more restrained than with some other groups, but sounded great and tasteful.

After the show the band was hanging out at the bar and we got to meet them.  Jeannie had a picture on her phone from when we saw King Crimson last summer.  Tony liked that and said it’s good we were there, cuz that’s probably the last time Crimson will play North America.  I mentioned the first time I saw Tony was with Peter Gabriel back in the 1980s’.  He said Gabriel is gonna be doing a major tour next year, very exciting.  I said to ask Pete if he’d do Carpet Crawlers.

The other show was Sungazer at Gramercy Theater in the city.  The venue was pretty cool, smallish but not that small, maybe a former vaudeville or movie theater with an open floor in the front half and raised seating in the back, and a bar on each side in the middle.  There was an opening act that I’d never heard of, but who were really good, called Childish Jibes, fronted by an attractive, dark-haired singer with a great voice and a sort of Amy Winehouse or Adele vibe, complete with a beehive hairdo and boots so high she could barely dance.  The band were sort of a blend soul funk and rock and pop with a unique sound.  Excellent players, great songs and arrangements, really polished.  I hope they make it big.

Sungazer is sort of a jazz-adjacent jam band like Lettuce or Galactic, but less funky and way more proggy, with elements of metal, techno and jazz fusion.  They favor dense, complex arrangements with out meters and multilayered polyrhythms and subdivisions of time.  The drummer and leader of the group is a virtuoso of this kind of playing, and his solo was just mind blowing.  The synth player had his own devil’s mellotron with samples from videogames and cartoons and things.  The bassist and guitarist were prone to unison shredding, and the bassist augmented the low end with a sub-bass synth reminiscent of old Genesis.  The sax playing resembled something like Morphine or King Crimson more than what you’d typically recognize as jazz. 

All in all totally my kind of weird.  It’s funny, Jeannie and I were very likely the oldest people in the crowd.  I wonder how a band like that finds an audience in this day and age.

Los Endos

We ended the summer on a chill note for the long weekend.  We’ve been doing alot of traveling the last few weeks, including our recent tour of Cape Cod and Boston, followed by a trip up to Buffalo a week ago to take Michelle to school.  

This was our third trip up to Buffalo this summer (Jeannie’s fourth).  We got a car for Michelle this semester, so she and Jeannie drove her car and I followed in mine.  The move-in went smoothly and Michelle’s new dorm is quite nice.  She’s in a suite with three friends from last year.  Very much echoing the pattern of Lizzy four years ago.  

Lizzy met us on campus and gave us all a ride in her new car, and took us thru the Delta Sonic car wash.  I’d forgotten how much of a thing Delta Sonic is up there.  It’s a fun ride but maybe could use an animatronic Johnny Depp in a pirate outfit at the end. Afterwards we went out to dinner at a Mexican restaurant that used to be a Denny’s where I worked as a dishwasher for a couple weeks as a teenager.  

I also spent a bunch of time talking with parents, which is nice.  One day I went for a walk around the lake with my dad, and he told me a bunch of stories about how his first few years living in Canada, how he decided to go to college at age 25, and what it took to apply and what happened when he got in.  It turned out him and a German fellow named Siegfried got the two highest scores in English on the entrance exam, despite both of them being non-native speakers (English is actually my dad’s third language).  When the professor asked him how could this be, my dad said, “Well, I studied.” Also something about the French being salty about the Concorde many years later.

Back home, we caught a show at the Blue Note last week, with Jeff Tain Watts on the drums and Daryl Jones on bass with members of the Rolling Stones touring band doing a tribute to Charlie Watts, mainly jazz and blues interpretations of Stones songs.  Many were more enjoyable than the actual Rolling Stones versions to me.  The great Randy Brecker was the special guest on trumpet.  I haven’t seen him play in many years, probably since the Return of the Brecker Brothers in the 1990’s.  He’s looking old and rotund and when he came up on stage maybe even not sure what he was doing there.  But when he put the horn to his lips, he’s one of those guys who just lifted the whole band to another level.  It’s like have Kate Blanchett in your movie playing and elf queen.

So after all that running around we decided to mainly stay at home over Labor Day and catch up on random tasks.  We went on one day trip, out to Fire Island, condensing a whole beach weekend into a single day.  It was cool in the morning, so we parked near the beach and went on a nature trail swamp walk up to an historic light house and climbed up to the top, which gave us an excellent view of Long Island and the ocean.  The next leg of the walk took us to a quaint little town called Kismet, which feels like a real-life Hobbiton.  It’s full of little beach cottages but has no roads, only sidewalks, because it’s only accessible by foot, bicycle or ferry.  We had an excellent lunch of seafood and frozen drinks and lingered a while.  When we got back the beach the weather had warmed up so we hung out and went for a swim in the ocean.  The threat of sharks was gone, but there were some dead jellyfish floating around.  I got stung by one, just a little on my arm.  After that it was time to go.

For some reason I’ve been listening recently to alot early 90’s alternative metal and ska bands like Fishbone, No Doubt, Mr. Bungle, De La Soul, Soul Coughing, Cibbo Matto, and Soundgarden.  Not all the same genre I know, but there does seem to be some kind of center of gravity there.

Elixr (2022 Remix/Remaster)

Among my recent musical projects has to be remix and remaster my 2018 album Elixr.  I was listening to it back in the spring, and although it was a big step forward for me in terms of musical production at the time, my mixing chops have improved substantially over the last few years and I decided I could do it better.  In the end I decided to get a small batch of CD’s made, and so it took some time to do the artwork and get it printed and all that.  Now the new version of the record is on all the major streaming services, so go ahead and check it out!

Spotify . iTunes . Amazon

New Song – My Ol’ Broke Down Truck

I wrote a country song!  Well sort of at least.  The second in my guitar singer-songwriter experiments, My Ol’ Brokedown Truck is pretty much a traditional country song, although with different lyrics and chord voicings it might be something like a jazz standard from the great American songbook.  I wrote it around Christmastime when I was visiting my parents and my Mum asked me to explain to her Nashville notation.  I did so by way of demonstration, starting by writing down the title and eight bars of chord changes, and then a bridge, and suddenly I had the beginnings of a song. The lyrics also came quite quickly and naturally, and I liked it well enough to to finish it.

I recorded a basic track with guitar, bass drums and vocal. The guitar sound may take liberties with the conventions of the genre, bringing in some energy of bands like Cake or the The Black Keys. The vocal has a low and high harmony part, and I decided it’d sound better with a female voice doing the high harmony. I asked my sister-in-law Mary, who has been in a number of singing groups over the years, if she’d like to do the part. She came in and nailed it, and lifted the song to a whole ‘nuther level.

The hardest thing was to get the right sound for the solo on the intro and middle eight. A sax was definitely not appropriate, and I don’t play pedal steel guitar or fiddle, or banjo or mandolin, and the chords modulate so a harmonica won’t work. I experimented with various synthesizer sounds, trying to harken back to a rare moment in pop music where pedal steel guitars played side by side with analog synths, as exemplified by songs Gordon Lightfoot’s The Wreck of the Edmund Fitzgerald, Billy Joel’s The Great Suburban Showdown, or Jackson Browne’s The Load-Out. But the right tone eluded me. I ended up using a melodica (a funny little keyboard instrument that you blow into) run thru a boxy amp simulator, spring reverb and tremolo effect.

Enjoy!

My Ol’ Brokedown Truck

My brokedown truck and my rotten luck
Have left me here stuck by the side of the road
With my bleeding heart I will make a new start
But first I must get my body home
We’ve made many miles together
Sure in sunny and stormy weather
Well I could trade ‘er in for some shiny new tin
But you’ll never find peace while you roam

(solo)

We’ve rode many roads together
Fast through foul and fair weather
And I might go far in a brand new sports car
But then how can I carry the load?
So I’ll wait here stuck with my rotten luck
And my ol’ brokedown truck

– John Szinger, 2022

New Song – Slope

Slope began life as a jazz song with my pre-pandemic group Haven Street, written by our bass player Jay, and appeared on our record.  I wrote a lyric for it, but we didn’t do vocals in that group, and I’ve never been much of a fan of vocalese anyway, unless it’s Ella Fitzgerald.  So for this record I changed it from a jazz style into an old-timey blues, with a drop-tuned guitar now carrying the main riff rather than a standup bass. 

The arrangement is fairly sparse, with just a single vocal, guitar, bass and drum.  To finish it off I added a bit of Fender Rhodes, and of course a smokey bluesy sax.  I also added real drums doing brushes on the snare, since I have no way to create that using midi and samples.

Enjoy!

https://zingman.com/music/mp3/bzvr/Slope27a.mp3

Slope

(D minor, drop D tuning)

Just when you think that life’s looking up
And you might drink from that flowing cup
Then comes the day when it all turns around
Just then you think that life’s looking down

Climbin’ up that slope
Slidin’ down that slope

Just when you think that life’s looking up
Just then you think that life’s looking down

Scamblin’ up that slope
Tumblin’ down that slope

And you might drink from that flowing cup
Then comes the day when it all turns around

Holdin’ on to hope
Ridin’ on up and down that slope

– John Szinger