Category: Music

Jammin’

Last Saturday night I hung out and jammed with my friend Erik and his friend Thomas. It was a good time. I mainly played piano while they played guitars. Thomas had a bottleneck slide which was pretty cool. We covered a pretty broad range of material, which was quite satisfying. I realized somewhere in the second half, as I was starting to get tired, that it’s alot of work to cover the bass parts with my left hand and so my soloing was sort of limited as a result, especially on tunes I hadn’t played before. I mean it was alright, but I really wanted to take flight. I think I told them at one point I don’t know any jazz numbers on piano, which isn’t true, but I was getting tired and didn’t have anything mentally queued up that I knew I could pull off. If there’s a bass player that sort of thing becomes a lot easier, because you don’t have to hold down the bottom. Ah well, something to work on. It’s funny too, cuz I’ve gotten used to playing solo piano, so although the low end was solid, I haven’t spent a lot of time on comping or improvising lately. Even so, its good to stretch out in a different direction.

Here’s a partial list of songs we covered …

Martha My Dear (The Beatles)
I Shot The Sheriff (Bob Marley)
Locomotive Breath (Jethro Tull)
Isn’t It a Pity (George Harrison)
My Sweet Lord (George Harrison)
I Want to Tell You (The Beatles)
Little Wing (Jimi Hendrix)
Red Wine (?)
Blues Jam
I Wish (Stevie Wonder)
Sir Duke (Stevie Wonder)
Contusion (Stevie Wonder)
Canteloupe Island (Herbie Hancock)
Funk Jam
Blue Bossa
(some other Bossa)
(some Little Feet song)
Just My Imagination (The Temptations)
Raindrops Keep Falling On My Head
Don’t Let Me Down (The Beatles)
Oh! Darling (The Beatles)
Home at Last (Steely Dan)
Taking Care of Business (Bachman-Turner Overdrive)
Let It Rain (Eric Clapton)
Layla (Derek and the Dominoes)

It’s been a while since I’ve played out with a band, or even jammed with other musicians. It’s something I miss very much. I played in bands pretty much constantly from high school until a few years ago when I had kids. Now that they’re no longer babies I think it’s time to start looking into getting a regular jam going…

GE Music Player

My good friend Erik runs a recording studio and music production house in the city called GE Music, after him and his partner Glenn. Recently he asked me to design and build in interactive music browser / player as a way to present his scores and tracks to clients, potential clients, and casual listeners. It was a fun project because I could do all the development functions my self, including visual and interaction design as well as programming. As of last night the application programming is done, and the thing is pretty cool if I say so myself. Here’s a screen grab of a test deployment on my server.

Of course a static screen grab doesn’t really do it justice. The site integration and live deployment remains to be done. So watch this space, and soon I’ll post a link to the player living in it’s natural environment, serving Glenn and Erik’s awesome tracks!

Extreme Yes for Strings

If you’re anything like me, and I know I am, you’ll fondly remember Yes as one of the all-time great prog rock bands, known for their sweet harmonies and expansive, even epic compositions. Their radio-friendly sound served as a gateway prog band to turn kids on to other, weirder, edgier groups like King Crimson, and, well pretty much anything Bill Bruford has ever done.

Back in the 80’s I was in a prog rock band, Infinigon, that did our share of Yes covers. The bass player in the group was the inimitable John J. Neumann, who is also a recording artist and accomplished classical violin player. He recently completed an adaptation of Yes’s Tales From Topographic Oceans for string quartet. Unlike the original, which is a bit long and rambling, John’s version features only best parts. You can check it out here, along with a bunch of his other musical projects.

Enjoy!

New Recordings

So, skipping the style issue for the time being (I mean, it’s not too bad is it? At least its pretty minimal, mainly white and grey with a bit of red. The irony wanting to get rid of rounded corners and gradients…) Anyway, I thought I’d jump in to some actual *content*. I have some new songs I’ve recorded, in period of November – December 2006. I put up a page about it, but it’s a deep link, so you’d never know unless you had something like, well, this blog to point you there.

By way of background, I play saxophone, piano, synthesizers and other instruments, and have been in many bands and musical projects over the years, doing live performances and studio recordings. Over the last few years I’ve been mainly focused on writing and recording in my home studio. This effort culminated in the release of the CD Buzzy Tonic by the Brothers Zing in summer 2006. You can get it on iTunes, CDBaby, or directly from us via PayPal. Check it out.

Since then, I’ve begun work on a new set of tracks. It’s early in the process and the nature of the follow-up is still taking shape. Maybe it will be a solo project, or another collaboration with my brother, or it might involve other musicians. I’m developing new material but that takes a while. I’ve begun recording a new original called Heat Wave, so watch this space. Meanwhile I am working on a series of covers to investigate specific issues with the recording process. Maybe they’ll end up as bonus tracks or an EP someday.

The first of these is Martha My Dear, a Beatles song off the White Album. It’s a quirky Paul song, very studio-ish in style, with a brass and string orchestra accompanying basically a piano arrangement. I wanted to see if I could map the orchestra to sounds in my own sonic palette, and I re-interpreted it as a bit more electric and synth-y. I was also interested in capturing that “natural chorus” multitrack vocal sound that the Beatles used to such great effect.

As a companion, a B-side if you will, I did a version of Letter From Home by Pat Metheny. I picked this song for a few reasons. Like Martha it’s pretty short, about 2 and a half minutes, but that’s about there the similarity ends. It’s an jazz ballad, ethereal, yearning, and melancholy. I used to play a few Metheny tunes back in the day with Event Horizon, my jazz group, so this is also a bit of a nod to that. On a technical level, I wanted to see how proTools handled a tune that was completely rubato, and with meter changes, with it’s automatic beat tracking tools. It turned out to work OK, but a fair amount of manual assist was required. Now that I have the gist of it, the next one will go quicker.

Enjoy!