Category: Music

More and Merrier

It’s been a couple weeks since I’ve posted, and I’ve been keepin’ on with my various projects and stuff. Work has been busy. It feels like everyone is waiting for spring to arrive now. The kids were originally supposed to have the whole week of for Prez day, but they had only two days off so they could make up days they lost to Hurricane Sandy. Jeannie and the kids and I went up for a quick visit to our friends Seth and Cathy in the Berkshires last weekend. Jeannie and Michelle went skiing with our hosts, but Lizzy and I hung around the cabin for the day. It was bitter cold and I didn’t think I’d enjoy it much. At least I had a nice day to relax, and I did go for a nice hike in the woods. Maybe there’ll still be a chance to ski in March.

I put up another big update to my web site a couple days ago. This one brings us most of the way to new origami presentation, with view-by-subject and view-by-year in place. It also updates the nav bars and headers to make the layout nicer and save space. And of course as I go, bit by bit I’m converting things to divs with style definitions to make it all more flexible and modular. The next update will mainly focus on the module items in the origami section. I want to put back multiple images per item, and I want to introduce some kind of inline image viewer. I also wwant to put up some new pages for my various books and publications.

The kids’ school musical was supposed to be two weeks ago was postponed because of a snowstorm. It was rescheduled for this coming weekend. I went to a dress rehearsal today, and there’s another Friday with shows on Saturday and Sunday. Lizzy is really good, and so are the other leads. The band consists of me on sax and two teachers from the school, one on piano and one of drums. I’m also doing a bit of guitar. The music itself is really fun. They still need to work out some of the logistics of getting the little kids on and off the stage in a timely fashion, and moving around the scenery between scenes, as well as getting a good mix from the wireless mics the leads are wearing. Hopefully it’ll all get ironed out.

Update Update

Been working on a bunch of things. Settling into the long winter and trying to be productive. Starting in or continuing on project that will take a while.

First off, my open mic the other night went pretty well. People told me I sounded good at least, and they like my songs. Before I’d played in a duo with Erik, but this was my first time as a completely solo artist. It’s not easy keeping both hands going and singing while no one is backing you up. Plus there’s always things on the stand the you don’t necessarily think about but you have to adjust to ont he spot: the sound and feel of the piano, the placement of the mic, the lighting. And there’s no sound check or warmup, you just go for it. Anyway I think I did pretty well.

I played two originals, Checker Cab and Get On Back 2 U. I’m trying to do one new song (as far as me performing it live is concerned) per show, and Checker Cab was it this time. On Checker Cab the left hand art in the chorus was a bit off one time thru, and I decided to skip the instrumental section in the middle for the safety of the groove. Still the vocals were strong on the groove was swinging the whole time. Get On Back 2 U went fine, no particular problems. I’m more comfortable with it, and maybe I should have opened with it but, ah too late now. When I debuted GoB2U live it was a bit shaky too, but now it’s solid and can focus on delivering a performance rather than worrying about messing up.

I can’t go to the open mic next month cuz of the kids’ school musical, but for the one after that the plan is to debut my version of Making Miles. Also gonna start looking for other open mics and try and find a rhythm section soon.

It looks like I’m mainly over the hump as far as moving into my new computer goes. It’s a Mac workstation with a great big screen, to replace my older mac workstation with a more moderately sized screen. Of course this means have to update all my software and everything. I really only use this computer for two things. One is software development on the days I work from home, and the other is music production on ProTools. The ProTools in particular took a while to migrate because of driver updates, and having to re-register all my plugins. But that seems to have all worked, and I can see lots and lots of channels in the mixer on the new screen. The last big thing remaining is to migrate my old windows partition to my new machine via VMWare. In fact I even started working on music on the new rig, add click tracks and stretching the chords on Lou’s songs. Soon hope to lay in the rhythms sections.

I’ve also been experimenting with recording video for my book. The idea is to demo folding the models. I’ve been learning more about my camera because I can use to shoot video in HD, so I want to try and use that rather than my miniDV camcorder. I’ve hooked it up to the computer and can see the viewfinder image on my monitor. I’ve also left the safety of fully automatic mode and am learning how to independently control the ISO, F-stop, exposure and focus, and started coming up with setups that work. It’s a bit tricky, because I need to be zoomed in pretty tight by still have a large depth of field. Adding more light helps. The next I’m gonna do is change my setup around so that the camera is looking down over my shoulder. For my first go I had the camera opposite me, but this made it harder to explain clearly because the audience POV was opposite my own. Also have to make sure I’m capturing good audio. I might add an external mic.

So look forward to progress on all of that and more in future updates.

Buzzy Third Music Site Update

I added some new pages to my web site, for my work-in-progress album, whose working title is Buzzy Third. There’s a page for the music and one for the lyrics. Check them out. These will continue to get updated as more songs are completed. While I was at it I made a bunch more updates to the main pages on my music and spew sections, and templatized and added style definitions to lots of second-level pages. There’s still a few things to do, most notably to come up with some album art for the new record, or at least a better placeholder.

Meanwhile, the new year seems to be off to a good start. The weather has been mild and my health has been good. January is always the roughest month of the year, and its too early to say the days are getting longer, but so far so good. We had a major deadline and demo at work earlier this week, and it went really well. All the bosses were impressed. I feel like all my hard work whipping my team in to shape is finally paying off. No random late-breaking bugs or snafus to contend with this time around.

At home, I got a new computer. More on that later. I started working on video for my book. I’ve been spending a good amount of time on music too. Started work on Lou’s EP, and getting back to working out the middle section of my song Black Swan. Been practicing sax and learning songs for the kids’ musical next month. Glad so say that since I got my tenor fixed it’s sounding great. Also been playing piano, concentrating on my originals. I’m doing an open mic tomorrow night a place called the Purple Crayon, in Hastings.

Strictly Commercial

I recently updated my web site’s main music page and Buzzy Tonic home page with big red links to buy my two albums. If you haven’t already done so you really should buy these records, either as CD’s or mp3’s. I’ve reduced price to $9.99, which is a fantastic value for such amazing music. I’d recommend getting them on CD cuz, you know, it’s a surefire future collector’s item.

Buy Now:
Face The Heat – Buzzy Tonic: CD Baby . iTunes
The Brothers Zing – Buzzy Tonic: CD Baby . iTunes

Celebration Day

Happy New Year everyone. We had a most relaxing and enjoyable holidays. Caught up with lots of friends and family, had some guests, did some traveling – hundreds of miles of it in snow – and got in some good partying too. Seems like we often go weeks or even months on end without having a chance to hang out with friends, but we made up for it this holidays. Played lots of games: Risk, Sorry, Carcosonne, the green screen door, the triangle game, one up/one down, open/closed, and even chess.

It seems upsizing your house this the thing right now. Mary and Lou have been putting a second story on their house out on Long Island, adding four more bedrooms. It’s almost done, they’re just waiting on a railing for the stairs and a countertop for the bathroom sink. That’s pretty amazing considering they only started work in November, and the contractor with doing lots of post-Sandy repair jobs at the same time. Meanwhile upstate, Larry and Jackie moved into a sprawling ranch house with a really cool glass-enclosed family room and loft, on a lot adjoining the woods. Very nice for all of them.

When Lou came over on Christmas day we managed to get a few minutes together for him to play and sing some of his new songs into a mic. I’m producing his new record, and these are the demos. My first step is to listen to the songs and learn them, then I’ll put together some arrangements and see what Lou thinks of them. So far he only has 4 or 5 songs – enough for an E.P. Should be a fun project. We’ll see how it goes.

Among the parties we went to was New Year’s Eve at Erik’s. I brought along my new bass to show him. It turned out the house was full of musicians, so it was a jam session. I spent most of my time on the bass cuz Erik was on the piano. There was a drummer too. The guitar player kept on calling songs that I didn’t really know but weren’t too hard, things like “About a Girl” and “I Wanna Be Sedated”. I found it wasn’t too hard to keep up and lay down a good bottom. Later on I played some piano but switched back to bass after midnight cuz we had to lower the volume. Next thing I knew it was 4 am. It was a great to chance to get a feel for the bass. I’m really digging it.

Also watched about half of the Godfather trilogy, and got some new records including the abridged Ella Fitzgerald songbook (the three-CD set, not the 16-CD one), and Celebration Day by Led Zeppelin. BTW, when we up in Buffalo visiting my parents, Led Zep were on TV receiving an award. My dad turned and asked me “Have you ever heard of these guys? That guy has really fast fingers.” I’m like, “You told me to turn down their damn music so many times when I was kid!” You’d think he’d remember. Ah well, he’s certainly mellowed out.

Going to the Mall

I’m on winter break now. Woo-hoo!

There’s a big new mall in Yonkers that Jeannie and the kids have been to a bunch of times already but I’ve been avoiding because they make you pay to park. But Lizzy needed a new winter jacket, and we all wanted to see The Hobbit, and the Michelle wanted to do so xmas shopping for Jeannie, so we all went last weekend. Figured we’d get dinner as long as we’re there too.

The mall has a Guitar Center, and I’ve been toying with the idea of buying a new guitar for a while now. I’ve kinda narrowed it down to some kind of semi-hollow-body or a Les Paul. But since I don’t know really and new guitars are expensive, I’ve taken to checking whatever they have used for sale whenever I go into a music store to see if anything calls out to me.

So that night I found a used bass made famous by Geddy Lee back in the day: the Hentor Barbarian. No, just kidding, it’s a Steinberger! It’s not an 80’s vintage, but 21st century, and in like-new condition. It has that famous headless, minimal body design. It feels and sounds great. My p-bass is like a truck in comparison. The Steinberger has a much cleaner sound, and is faster, with lower action, a flatter neck, and flatter frets. Plus it has a second pickup near the bridge, so there’s alot more control over the tone. And cheap too, a real bargain. So I picked it up. I’m really happy with it.

I played it for a while the next day. Alot of things I’ve been working hard to articulate came easy. It took me a while to realize I should play with a much lighter touch than the p-bass. I don’t know if it can really replace the p-bass for everything, but it adds a whole new area to my bass sound. I’m thinking down the line somewhere I should trade in my p-bass for a fender jazz, and that might be the one bass.

The Hobbit was for the most part amazing. The acting was great, esp. Martin Freeman as Bilbo, and it has the Peter Jackson lush locations and over-the-top helicopter shots and all that you’d expect after LotR. It feels great to be back in Middle Earth with a new movie. Riddles in the Dark absolutely stole the show.

We saw the 48 fps version and I thought it looked great. I can’t understand the controversy. You raise the sample rate it’s gonna look better. There was one shot in particular where I thought the 48fps really shined. It was a made-for-3d shot, with the camera looking straight down on the Company of Thorin as they made they way down thru a cleft of rocks to the hidden valley of Imladris. It was a dolly shot, and looked absolutely virtuosic. However, the film did actually skip and pause unexpectedly a couple times, like there was a buffering problem. That was pretty bad.

My only criticism with the movie itself is that where they deviated from the book to add new material, alot of it was focused on pumping up the action with bluescreen/CG set pieces that came off as increasingly improbable toward the end. They also altered a few important plot details. Everyone I’ve talked to who doesn’t really know the book doesn’t seem to mind, but to me it was unnecessary. If it were up to me I’d have hewed closer to the book, and started with a simpler-and-more-innocent-times vibe, and brought the party to the foot of the Lonely Mountain by the end of the picture. Then I’d have closed by following up on the where-has-Gandalf-gone question, circling back to meeting with Saruman and Galadriel and dropping the bomb that there’s something much bigger and scarier going on here!

They did have two musical numbers, both by the Dwarves, none by the Elves.

Catching Up

Busy these days with work and lots of stuff. So here’s catching up on a few random things. Work has been busy and problematic, and I’ve putting in extra evenings and fixing other people’s bugs to keep things on track. I think we turned a corner mid-week last week. We have a release coming up this week, and now we’re in good shape.

My book has been done for a couple of weeks, but now I’m waiting on the publisher to get back to me.

We got our xmas tree up today. A nice wide bushy one. Lots room for ornaments. Went out to pick one up in the rain. Always a nice feeling to have the tree up.

I’ve been starting to get back into the music recording thing, picking up my half-finished third Buzzy Tonic album. So far the focus is on playing. I have a backlog of half-written songs, so I think I’m gonna work them up to play and sing live before I get back into tracking. Ought to go faster with the arrangements worked out and under my fingers.

The other day I was showing Michelle how to hammer-on on the bass. I’m kind of a lazy bass player and will often hammer-on or pull-off when I’m doing a fast chromatic riff, just so I don’t have to articulate the note with my right hand. I use my thumb on the right hand alot, especially on the bottom two strings. I generally switch to fingers-only as a tonal effect, from rounder to punchier. So my hammer-ons and pull-offs on the bass are really quite solid, which is weird since I’ve never really consciously worked at it.

One of the most amazing musicians I’ve ever played with was this cat Jim Wynne, who was a master of the two-hand tap technique on the bass. I little two-handed-tap blues improvisation for Michelle to demonstrate his style, playing the bass line in the bottom two strings with my left hand and tapping the 3rd and 7th on the offbeats on top two strings with my right. To my surprise it came out sounding really good! I guess it’s not that different than piano. I’m gonna have to work a part like that into one of my songs.

The girls are having a good fall. Yesterday they had the holiday show at the performing arts group they belong to, Young at Arts. Michelle has been working out Do a Deer from The Sound of Music by ear on the piano. Talented girl. Meanwhile Lizzy is enjoying being in 8th grade and her grades are up, and that comes at a good time. She’s finally getting algebra. She was cast as one of the leads in her school play this winter. The theme of the play is New York, and the songs are all taken from classic shows, with an original story to string them together. She has six songs. Her character is British, so she’s been having fun practicing her accent. I’m going to be playing in the band again this year. I got the list of songs and put together a playlist. It’s a fun set. We listened to it as we put up the tree today. It has two different songs called New York New York.

By The Book

Last weekend I finished the intro text for my book, and the stuff for the symbols and basic folds. Now that my origami book is done I’m looking to start in on some new projects.

I was at the music store last week to buy some clarinet books for Michelle, and bought a couple really good music books for myself too. One is Bach for the Electric Bass. This is great fun to play so far. The first two pieces in the book are the two parts of a two part invention. The first has regular notation and tab, and the second only notation. It’s really good for practicing reading in the bass clef, and also works really well as a source for riffs for walking bass lines. The lines lay really well.

The other book is called Metaphors for the Musician by Randy Halberstadt, and its a jazz piano theory and practice. I already know lots of theory, and while in theory there’s no difference between theory and practice, in practice that’s not always the case. This will be a good book to help me get it together playing-wise and take it to the next level as a performer. Just what I’ve been looking for. The need was inspired by my desire to take a solo at the end of Checker Cab, while still holding down the bass part. I have to come up with a melodic right hand approach that works with the in-the-pocket bottom, sounds good, and is possible to play.

Right now I’m reading thru the book, but it’s designed to be used at the piano, so once I’m done I’ll start over at the keyboard. It will take a few months. Lots of deep harmony theory, very well laid out, and more general stuff about how to approach comping and improvising that transfers into playing in general. One thing he stressed early on is the importance of playing slow and keeping good time. I know I tend to rush, and I don’t play with a drummer that often, so I’ve started practicing with the metronome again, and in general just taking everything down a few BPM to work on a more relaxed feel. That alone is already making a difference. Especially on a song like Heat Wave or Steppin’ Out.

I also got a book of arrangements of songs from the various Mario video games. Some of them are pretty hard. And a Soundgarden songbook. They were my favorite of all the grunge bands of the ‘90’s and I recently got turned on to them again. Chris Cornell is a genius with his singing and his use of melody and out meters. Unfortunately the book is in guitar tab, so it’ll take a pretty good amount of work to make piano adaptations. Still, it’s faster then doing it by ear.

Martin came over last weekend with the family, and we had a little time to jam. Matrin always has a knack for picking interesting covers, and so now I’m working up Breaking Us in Two, which I knew once a long time ago but forget. Perfect song for me to sing on.

Rush In Brooklyn

Last night Jeannie and I went and saw Rush play at the Barclay Arena in Brooklyn, named after basketball great Charles Barkley, although I don’t think he ever played for the Nets, and I can’t say why they got the spelling wrong. The arena is brand new and only a few blocks from where we used to live. This site was formerly a train yard, an open pit on a triangle of land that was sort of a dead zone in downtown Brooklyn, something you’d have to walk around. I hadn’t been back there since they broke ground on the arena, but it’s good to see it finished. Apart form the overbright animated jumbotron marquees, it’s a very nice arena.

The show itself was great. Rush has a new album out, Clockwork Angels, which is full of great material. The first set concentrated on material from their 80’s synthesizer phase, song like Subdivisions, Big Money, Force Ten, The Body Electric, Territories, and The Analog Kid. I think they played about half of Power Windows over the course of the night. For the second set they brought out an 8-piece string section. They opened the set by playing most of Clockwork Angels, 9 out of 12 songs. The string players had some good rock’n’roll headbanging choreography in addition to filling out the sound on the new songs. The CA material ranged from complex and ripping metal to much more layered and gentle stuff. “The Garden” was a standout and closed that part of the set. The string ensemble stuck around as they hit a few more classics with the strings taking on what was formerly the synthesizer part. These included Manhattan Project, Red Sector A, and YYZ. Then the power trio wrapped it up with a few of their greatest hits, including Spirit of Radio, Tom Sawyer, and 2112, parts I, II, and VII.

Alex’s guitar broke down in the middle of Temples of Syrinx, so he improvised a goofy little dance while his roadies scrambled to provide a replacement. Meanwhile Ged and Neil carried on and it worked just fine. Alex came back in just in time to do to solo leading into the finale.

I really enjoyed the selection of music. Even though they skipped a lot of songs you might expect, they played a lot of great stuff you didn’t expect, and besides, I heard those other songs last tour. It’s good they’re continuing to present new things. The new material is great, and the rest put an interesting focus on a sometimes-overlooked phase in their career. It was the phase where I first started seeing the live, as it happens. As musicians, these guys just keep getting better. Geddy’s still got it in voice, and his bass chops are flawless. Alex Lifeson has such range, diversity of styles he can play, and roles to fit in with the music. And of ocurse he’s a world-class soloist. Plus all those pedals. Neil Peart’s playing is fast and precise as ever, but he’s also found a new level of fluidity. You can hear the way he pushes and pulls the groove in different songs, and for all his speed, he somehow looks like he’s moving in slow motion. Put them together and they’re great ensemble players, and the songs really bring that out.

It was a fantastic show. I sure hope they put out another album and come around again.

More of the Same

Am I in a groove, or in a rut? Who knows? On the book front, all the photos have been cropped, color balanced, edited, retouched, mastered and delivered to the publisher. 140 pictures, 12 GB upload. Thank you Bob! My last two diagrams are the Giant Squid and the Turkey. I’m to step 50 on the Squid, which is the tricky part. It looks like it’ll be about 65 steps. I hope I can finish it tonight. I’m up to step 65 on the Turkey, and I’m estimating 80 steps and hope to finish that within the week. These are the two most complex models in the book, but the light is at the end of the tunnel.

But even though I’ve been working hard, other interesting stuff is in the offing. The fall weather has been beautiful. Been getting to spend some time outside, although it’s getting light late and dark early already. The kids are alright. Work is mellow at the moment, and I’ve been working out and my health has been better again lately.

I’m planning on going to the MIT Origami Conference later this month. It should be a great time. I’m teaching and exhibiting, and it’ll be great to see the MIT origami people. Got to work out the travel logistics, which really means finding a hotel room.

Been working on learning some new songs. I’ve taken a break from writing and recording until my book is done, but I’ve been practicing. I can now sing and play eight of my own originals on piano. Recently added “Fine Red Wine” and “Angel or Alien” to the repertoire. Plus a couple new covers: “Stepping Out” by Joe Jackson and “Thunder Road” by The Boss. At least a few of them are pretty hard songs to play but I’ve gotten to the point where I know them well and continue to sharpen the arrangements and performance.