It’s a Knockout!

The Left Hook debut show was last night, and it went great! I’m happy that all our planning and hard work is paying off. Everyone in the band is psyched too. It’s a great set, a great sound and a great group of musicians. I handpicked the lineup from the best musicians I know, all seasoned pros. It’s great that they all agreed to join, get along well, and are enthusiastic and onboard.

I’ve been with Gus, our drummer the longest. Really solid drummer, and loves old soul music in particular, just great with groves and pockets. It was just about a year ago The Relix broke up, and we’ve been trying to put together a new group ever since. Gus also has been handling the business side of things, for which I’m grateful, cuz I’ve been focusing on the music and sound side.

Meanwhile Ken came in just at the end of February and learned 40 songs in six weeks. Not too shabby. He was the bassist in the Day Trippers as well as 7 Jazz West, so it this point I’ve played quite a few gigs with him. Also known for his collection of vintage bases.

Mike Jefferson is our lead singer. He’s was in a band with Gus once before and joined us right after the Relix, and stayed on as we went thru a few bass and guitar players. A former heavyweight boxer, born and raised (partway) in England, he has a fondness for prog and folk rock, but can sing really well in a lot of styles. Very powerful voice. Just nails it on the Doors and James Brown, and all the soul stuff. He’s also a music journalist and beats us all hands-down in the music trivia walking encyclopedia department. And in true lead singer rockstar style, he was hitting on the ladies before the end of the first set.

Gary Bruce on guitar came in after sitting in with the jazz circle one day and before he got done with his first eight bars I knew he’d be great for this group. The kind of guitar player who loves Steely Dan and Rush! Right on.

Because this gig got rescheduled twice, we didn’t have alot of our own people come out. In fact it was just Jeannie, who was there to shoot video for us, and our friend Gary the trumpeter from the jazz group. But the place was half-full when we got there, and we had them by the time we finished the sound check.

It was a good test for a lot of things, including my new PA. I learned we need a good hour to set it up and soundcheck. I also learned it works really fucking amazingly. After the disaster Day Trippers gig last December I realized having control of the vocal sound is the most important thing for a club date.

The sound system has two 1000-watt main speakers. I optimized for lightness, since you gotta get ‘em in and out of the car and up onto poles. Then there’s a pair of 300 watt stage monitors. I didn’t know if this would provide enough coverage, especially for the drums in the back, but everyone could hear just fine. I was running the mixer from the stage, but once the soundcheck was over I literally didn’t have to do anything and could just relax and focus on performing. The mixer, BTW, I chose for it’s built-in compressors in the channel preamps, it’s onboard reverb/chorus/delay effects that saved us from having to schlep another piece of gear, and it’s separate monitor buss. All in all it worked great, and we got that fat live vocal sound I was really after.

Once we got underway it was pretty clear the people at the bar were really digging it. Must’ve been the right place for this kind of music. We opened with a couple funk numbers – Them Changes by Buddy Miles and I Got You by James Brown. Good horn tunes, right in our zone. Then it was some classic rock to show off our harmony singing – No Matter What by Badfinger and When I Saw Her Standing There. Next was the Blue Öyster Cult classic Burning for You, with yours truly on lead vocals. Then a couple of organ songs – Hush by Deep Purple and Magic Carpet Ride by Steppenwolf, followed by Gary doing a little SRV Pride and Joy. Then it was back to soul music with Knock on Wood and Get Ready. We ended the set with Can You Hear Me Knocking by the Stones, which turned out to be a real highlight.

The second set opened with We’re An American Band, and on to (Ain’t Nothin’ But a) House Party, and switching to sax for Domino. I sang lead on You May Be Right, and then Drift Away with Gary on lead vocals, and some random chick from the bar who looked and sounded a lot like Katy Perry sitting on background vocals. I guess she’d been hitting on Mike or vice versa, but she really could sing. Then it was Love Me Two Times, which was a bit rough for structure, and Pretzel Logic which was a bit rough for tempo and feel. We closed the set strong with a string of soul numbers – Devil With a Blue Dress/Good Golly, Dance to the Music, Hold on I’m Coming and Soul Man.

The first two sets ran an hour each, so the last set was shortened a bit. Songs included Come Together, Long Train Running with me on lead vocals, Rikki Don’t Loose the Number with Gary on lead vocals, Miami 2017 with me on lead vocals again, then In the Midnight Hour, Mustang Sally, and closing with Roadhouse Blues.

They invited us back to play again, and possibly do a regular gig there. So ya, good feelings all around. And we got it on video so we can put together some material for the web site and to try and get new gigs. Meanwhile we have a show in two weeks at Dudley’s in New Rochelle. Gonna spend the next couple rehearsals tweaking and tightening. Come out and see us on May 9!

The Return of the Debut of The Return of the Debut of the Left Hook

I forgot to mention, our cancelled gig at the Fisherman’s Net has been rescheduled yet again. Now it’s on for this Saturday, April 25. I guess that means they’re open for business again. I wonder if the bar owner is gonna give the boys in the band a 1099.

So once again, Left Hook remains a really smokin’ group, a real knockout. We have a great sound and loads of great material including funk, soul and classic rock, and are even better rehearsed than before. I’m playing sax, piano and singing. We have three strong vocalists and lots of harmonies, plus a slammin’ rhythm section, tasty guitars, everything you need. And now we have another two weeks rehearsal. Here’s the info:

LEFT HOOK
Music with a punch!

Westchester’s newest classic rock Funk & soul party band appearing live
Saturday April 25, 9:00 PM
at The Fisherman’s Net, 129 6th St. Pelham, New York

and if you can’t make that come see us:

Saturday May 9. 9:00 PM
Dudley’s Bar & Marina
94 Hudson Park Rd. New Rochelle

Springy Thingy

Another spring break come and gone. After working hard all winter, and the bitter cold weather, we really needed this one. Spring came late this year. Two weeks ago there was still snow on the ground. Things have finally just started budding and turning green.

This weekend was the first really nice weather of the year. Sunny and in the 60’s. We washed and waxed Jeannie’s car, and I put a new battery in the Mustang and started it up, and went for the first ride of the season. Woo-hoo!

On Saturday the Left Hook gig got cancelled again. This time due to the bar owner’s wife called the Dept. of Labor over him paying employees off the books, so he’s shut down for the time being. Ah well we have another gig coming up. Jeannie and I went out to Dudley’s Saturday nite, where our next gig is at. Nice place, right on the water in New Rochelle, Long Island Sound. Have a good stage and PA. Also the jazz group has gig the following weekend. So May is getting busy fast.

Rewinding a bit, at the start of spring break I took the girls to the Metropolitan Museum of Art in the city. That was a really good time. We hadn’t been in five years or so. Michelle was really interested in the Greco-Roman wing, from having read Percy Jackson, so we spent some time there. We actually saw quite a bit of the place: the Egyptian wing, some modern and art deco paintings and sculptures, some Dutch masters, some medieval and renaissance stuff, some Asian art, the hall of arms and armor, and the hall of musical instruments. This last one was extra fun because they had a special exhibit on Adolph Sax, inventor of the saxophone, the saxhorn, the sarousaphone, the six-valve trombone, and lots of other weird brass and wind instruments that never caught on. The exhibit featured two extreme saxophones built by Sax himself. One was a contra-bass, in the key or Eb, twice as deep as a bari and about 7 feet high, even with all sorts of extra turnbacks. The other was a sopranino, also in Eb and twice as high as an alto.

We spent Easter weekend visiting with family. Martin’s came down on Saturday, and we went to Queens on Sunday to visit Jeannie’s family. Good to catch up and to know that everyone is well.

Tone Row

A few weeks ago Michelle was watching a video online by that girl who does those online videos about Fibonacci numbers and fractal dragons, but this one was about Schoenberg-style tone rows. I was exposed to serailism in college, but never thought it was particularly tuneful or interesting, although I must say the girl did a really haunting Mary Had a Little Lamb based on the idea. Anyway Michelle and I had a good discussion about music theory and composing, and I gave her a few straight triadic ideas to play around with.

Recently I’ve been going updating my web site so the whole thing uses style sheets. This is a long overdue endeavor and I’ve dusted off some old pages I haven’t looked at in a long time. One was about The Perfect Shuffle, so naturally I wrote a tone row based on the perfect shuffle sequence of a twelve-card deck. I kinda always thought all tone rows were more or less the same, but I played this one on the piano and it sounds pretty compelling. It goes like this:

C Db Eb G D F B Bb Ab E A F#

It has the interesting property that the second half of the pattern is the same as the first half, but flipped upside down. It also has the property that the intervals between the notes are pretty varied from narrow to wide. In fact I think just about every interval from a semitone to a Major7 appears once, and a tritone appears twice.

Now I’m thinking about how to use this riff compositionally. One idea is to generate a bunch more patterns based on perfect shuffles of different sized decks, and arrange them into a kind of phase fugue. I wonder how that would be to listen to.

Leftier Hookier

Left Hook is announcing it’s second show coming up on May:

Saturday May 9. 9:00 PM
Dudley’s Bar & Marina
94 Hudson Park Rd. New Rochelle

This is a cool place down by the water, with really good food too. Should be a great time.

Meanwhile here’s a reminder to come see us this Saturday April 11 at The Fisherman’s Net in Pelham.

Also, I’ve updated out web site at lefthooknyc.com and created a new facebook page at facebook.com/lefthooknyc so you can go and like us an receive info about upcoming shows.

Taking the Easy Way Out

A bunch of news on the music front. First, it’s time to say goodbye to the Day Trippers, at least for the time being. Here’s one last video from our inaugural gig last August at Heights Fests in Berkeley Heights, NJ.

http://zingman.com/music/daytrippers/DT_HF_montage01.mov

Second, it looks like originals band, Buzzy Tonic is actually getting off the ground. I jammed last weekend with Charlie Guitar, and brought in young Wolfgang on bass. We got thru four songs together and all agree the songs sound good and the project is worth pursuing. Charlie calls Heat Wave “the crazy one”, but Wolfgang had no trouble keeping up. Now it looks like we may have a drummer to complete the lineup. Charlie reached out to a friend of his who listened to my demos and likes the songs, and agreed to come by next session, which will be next week. Not sure how long it’ll take to get a set together, but it’ll be fun. I suppose to really do justice to the records I’ll need to add a sax player, but that’s still down the line a ways.

Third, with Left Hook now getting our set together and looking for gigs, I put together a web page for the group:

http://zingman.com/music/lefthook.php

This part of a new round of updates to my site. Much more exciting stuff soon!

Talent Time

Last weekend was the talent show at Michelle’s school. This was in lieu of the usual musical production that they’ve been putting on the last few years. The main difference is that this format doensn’t have the pre-K thru 4th grade, so logistically it’s much easier. For the older kids it’s not that much different; they have to audition, but then they can do an act of their choosing. Most are music, some are comedy or dance.

Michelle sang Don’t Cry for Me Argentina with her friend accompanying her on piano. The did really well and I was amazed how high the vocal part goes on that song. Some of the other acts were really good, and some sort of just there, but everyone had a great time. This year there was no orchestra, just either piano or karaoke depending on the song. I did the sound mixing for the event, which was a good chance to try out some of my new PA equipment.

Then on Monday Lizzy’s song a theatre group did a show with a rock band theme with a similar format. A bunch of kids, including Lizzy and a group of her friends, did songs with various adults (professional musicians) accompanying them, and were really good. Some of the other kids did full-on rock bands, but they weren’t ready for prime time, and worse they had three songs each!

At least the time was well spent for me. I’ve been thinking about ideas for my next origami book, but I’ve been too busy to fold anything lately. One idea I had was to expand the Origami from Space concept into a full book. So I came up with a model I’m calling Space Probe or maybe Radiosatellite. It’s a spaceship with a radio dish, boom antenna and some solar panels. A bit like V’ger but not quite. I folded one out of the program, and then last night while I was working on code, during compile time. Pics coming soon.

The Return of the Debut of the Left Hook

The debut show of my rock band, the Left Hook, was scheduled for last month but postponed due to the weather. We now have a new date: Saturday April 11. We also have a new bass player, Ken “Dr. Pluto”, replacing young Wolfgang Skywalker.

Left Hook remains a really smokin’ group, a real knockout. We have a great sound and loads of great material including funk, soul and classic rock, and are even better rehearsed than before. I’m playing sax, piano and singing. We have three strong vocalists and lots of harmonies, plus a slammin’ rhythm section, tasty guitars, everything you need. We have a new poster too. Here’s the info:

LEFT HOOK
Music with a punch!

Westchester’s newest classic rock funk & soul party band
appearing live

Saturday April 11, 9:00 PM
at The Fisherman’s Net, 129 6th St. Pelham, New York

New Song: Soul on Fire

I realize that I never shared the rough mix of my last song, To Be a Rock. That’s because I sort of parked it once I got the vocals down. It still needs some synths or guitars or something to really make it work. Still not sure exactly what, so instead I decided to put together the next song and bring it up to rough mix too, and then finish them off together.

This one is a jazzy, dancy number, sort of hybrid of swing, funk and disco. The main musical ideas I’ve had hanging around for a while; it just had to be hammered into shape. I did teach myself to play a pretty groovin’ walking bass line for the middle section. The lyrics are just something to sing that sounds good over a song that sounds like this. More or less about watching someone in the audience dance to the music while you’re playing sax at a gig. Inspired I suppose by the funk bands I was in in California. Still, I laid down the vocal track the other day and the performance brought the whole thing up a level. I did three takes straight thru with no overdubs, took less than an hour. Now of course this one needs the arrangement fleshed out too before I can share the track.

Soul On Fire

She don’t wanna hear no DJ
She wanna come and see the band play
Ah listen what the man on the stand say

She like a dancin’ and a bumpin’
Ah the room is really thumpin’
Listen then man on the stand tell you somethin’

Spirit in the night
Blinded by the light
In the midnight hour
When my soul’s on fire

She dance till dawn and the devil himself may care
Smoke in her eyes and fire in her hair
Spice in her smile and snakes stare in her glare

She got the groove
Yeah she got the moves
She got the legs
She even got the shoes

I got the horn
And I got the news
I got the sound
I even got the blues

She don’t wanna see no DJ
She wanna go and hear the band play
Listen what the man on the stand say