Band Evolution

Winter lingers and we endure. It’s March already and there’s still a foot of snow on the ground, and it’s snowing heavily again right now. Apparently this February was the coldest on record in 80 years. Damn global warming. The Left Hook inaugural gig was cancelled due to a snowstorm last Saturday. It’s getting rescheduled for April, so hopefully the weather will be nicer by then.

Young Wolfgang Skywalker announced a few weeks ago he was going to leave the band after the gig, one week after he showed up for rehearsal dead-dog tired and lamenting about being buried under schoolwork. Ah well we knew it was a matter of time, and now’s a good time to make the break. We’re bringing in Ken “Dr. Pluto” on bass. He rehearsed with us last week. Hit fit right in, and already know a bunch of our songs, and knows Gary from the jazz circle. He should have no problem getting the set together in the next five weeks. So cool, onward and upwards.

We’re now starting to look for more gigs in earnest, so we need to put together a web site. I recently updated my music site with links and pages to my current bands Left Hook, 7 Jazz West, and The Day Trippers. I had started this as part of my ongoing wintertime upgrades to my web site, but once I was done, a realized that the new pages, even thought they the requisite band info and links to video and stuff, are pretty plain design-wise. So another round of updates in the offing. Unfortunately, I’m really buried under work for my day job right now, so it may be a while until I can circle back. Meanwhile we’ll be recording our next few rehearsals, so we can get some audio up so people can hear our sound. Watch this space for future updates.

And as luck would have it, The Day Trippers seems to have run it’s course. Between the question whether to add another singer, the logistical difficulty of getting together to rehearse, and the lack of upcoming gigs, this looks like the end, at least for the time being. Still it was a good experience and a lot fun, and gave me a great change to work on my vocals.

As one door closes another opens. I’ve been trying to get a project going to play my originals for some time now. I’d asked Ken to join, but he’d been busy with other projects. Now he has one less project (he was in DT too) and is very interested. Also this cat Charlie from the jazz circle, whom I approached in the fall, came back to me in January saying he now has some time and wants to get together and jam.

Charlie and I got together yesterday with me on piano and him on guitar. I showed him six of my tunes. He picked them right up and was really into them. He got down Checker Cab, Get on Back 2 U, and Ghost in the Machine. We also looked at Heat Wave, Your Dancing Shoes, and (IGBA) Beautiful Day. This is great news cuz a lot of guys can’t handle my songs; you need to be proficient in jazz harmony and odd meters. So hopefully we can get together soon with Ken on bass, and then all we’ll need is a drummer.

The Debut of the Left Hook

My rock band, the Left Hook, is playing it’s debut show later this month. This is a really smokin’ group, with a great sound and loads of great material including funk, soul and classic rock. I’m playing sax, piano and singing. We have three strong vocalists and lots of harmonies, plus a slammin’ rhythm section, tasty guitars, everything you need. Here’s the info:

LEFT HOOK
Music with a punch!

Westchester’s newest rock and soul party band appearing live
Saturday February 21 9:00 PM
at The Fisherman’s Net, 129 6th St. Pelham, New York

7JW – Caught on Tape Again

Tonight we’re settling in to wait out a “potentially historic” blizzard. A good time to catch up some random tasks.

Last weekend my jazz septet Seven Jazz West played a return engagement at the Bass Line in Mount Vernon. It was a really good night with a great crowd and the band was really smokin’. Consensus was we sounded tighter, with better energy and better soloing. So here’s a few videos from the show to share with y’all.

Soul Station
My Favorite Things
Tom Thumb
Invitiation
Willow Weep for Me
Joy of Spring
Better Git It in Yer Soul
Mercy Mercy Mercy
No Room for Squares
Hush
The Chicken

New Song: To Be a Rock

You’re probably asking yourself, what’s up with John’s recording project? It’s been a while since we’ve heard anything about it. Well, rest assured it’s still going on. In fact, I completed a demo of my new song, To Be a Rock, back around Thanksgiving. It’s not even that new; I’ve been working on this song off-and-on since the springtime. I started it around the same time as Your Dancing Shoes. In contrast to that one, which is light and upbeat, this one is heavy and anthemic.

The intro is a bass solo which took me a while to be able to play cleanly. Now I have all the basic parts tracked, the piano, bass drums and vocals. But it’s missing something. I’m not quite sure what. Maybe guitars, or synthesizers, or horns, I dunno. But rather than just start slathering on layers I’m gonna let it simmer on the back burner for a while. Looking at my list, I have four or five more half-written songs — enough to complete an album. So I’ll work on fleshing out some of those for a while, and circle back once I have them up to a comparable level of completion. Next up: Plague of Frogs.

Meanwhile, here are the chords and lyrics.

To Be a Rock
by John Szinger

(bass intro) Dm
(chorus) Am (G/B) C Dm (C/E) F Am (G/B) C Dm (C/E) F Gm (F/A) Bb
(verse) AMaj7 FMaj7 EbMaj7 Bm D7#9 AMaj7 FMaj7 EbMaj7 Bm D7#9 E (D/F#) Gm

Man of steel man of stone
But what man can stand alone?
And even as you love them too
The ones you love will one day look to you —
Man of motion holding fast
But what man is built to last?
Like water be, take on the form
To find inside you’re solid to the core —

Dark night of gloom
Red sun of doom
Gotham metropolis
You know I never asked for this
Can you stand the day you stumble?
Can you bend or will you crumble?
Oh, to be a rock!

Every day another trial
How many steps to climb a mile?
Push that stone back up that hill
A thousand labors only to stand still —
Men of stone men of steel
But what kind of man is real?
Man of motion never rests
Each day put your mettle to the test —

Red sun of doom
Dark night of gloom
I never asked for this
Gotham or metropolis
Will you crack the day you stumble?
Can you stand or will you crumble?
Oh, to be a rock!

Day Trippers Video Montages

I’ve been going thru a bunch of video over the winter break. I cut together a couple montages of the last two Day Trippers shows, at the Crossroads back in October and at Lexington in December, to give y’all an idea of the sound in under three minutes. The Day Trippers are John Foote on guitar and vocals, Ken Mathews on bass, Rob Cassels on drums, and Yours Truly on piano and lead vocals. Enjoy!

Crossroads
Lexington

7 Jazz West – Caught on Tape

Here’s some video of the last 7JW gig back in November. I must say it’s a darn good perfomance. The sound and picture are really good considering it’s a smartphone camera, and it still looks kinda underground and edgy. Musically there are some moments where everyone in the group really shines. Mercy Mercy Mercy, Better Git in Yer Soul, Willow Weep For Me, ah, heck they’re all good.

Seven Jazz West are: Gary Trosclair on trumpet, Rich “The Hurricane” Ferricane on alto sax, John (Yours Truly) Szinger on tenor, Rich Paginello on piano, Steve Spitz on guitar, Ken Mathews on bass and Mike Oliva on drums.

Mercy Mercy Mercy
Willow Weep for Me
Better Git It in Yer Soul
All Blues
Chameleon
Joy of Spring
Blues for Wood

7 Jazz West Returns to The Bass Line

My jazz septet, 7 Jazz West is returning to The Bass Line:

9pm Friday, January 16
130 E 1st Street, Mt Vernon, NY 10550
(across from the Mt. Vernon East Metro-North parking lot)
(914) 433-1052

This septet plays a variety of modern, straight-ahead, hard bop, Latin, and funk jazz, ranging from Miles, Monk and Mingus to Jaco Pastorius, Horace Silver, Wayne Shorter, Hank Mobley, Clifford Brown, Joe Zawinul and more.

The Left Hook

Great news! My rock/funk/soul band now has a name. We’re calling ourselves Left Hook. Music with a punch, ya! This actually went down a few weeks ago but I’ve been busy with other things. Right now we’re on break until the new year, as are all my other groups. With Left Hook we’re getting close to having three sets of material down, and it’s shaping up to be a really smokin’ sound. So happy to be in a group where everyone is a good musician. Now that we have a name, we’re putting together a web site, and gonna record a demo of 8 or so of our best/tightest songs in the new year. Gonna do that off the board in the rehearsal studio, and come home and fly it into ProTools to mix. Oh and I gotta write a bio too.

And to top it off we have our first gig Left Hook coming up in February at a bar in New Rochelle. More on that as the time grows nearer. For now, we have maybe 6 rehearsals and gotta add 6 or 8 more songs to round out the set. Mostly soul and Motown classics that we all know already.

In case you’re wondering, the last Beatles gig was a bit of a mixed bag, due to problems with sound and power. We set started well enough, with good energy and musicality. The place was only half full but the people were into it. Got in some new songs that sound quite good, including Taxman, Rain, Hello Goodbye and Come Together. But as we went on the volume got louder until it was hard to hear the vocals onstage thru the primitive PA. Toward the end of the first set the power went out on the stage. I guess we blew a fuse. It took a long time for the bar to fix it, and after that the vibe just wasn’t the same. We ended up skipping the Abbey Road medley, much to my disappointment. Ah well.

Between the two groups, as well as the 7 Jazz West, this means I’m now looking to buy a PA to fill a small to medium sized room: something like a pair of 12” mains at 300-500 watts each, with a premium on lightness for the schlep factor; a 12 to 16 channel mixer (we need at least five XLR ins for microphones – four singers plus a sax in the Left Hook, even more if we wanna mic the drums) with built in reverb and compression so we can get a fat vocal sound live; maybe as many as 4 monitors so ensure coverage on stage. Right now I’m leaning toward powered speakers because then we can daisy chain them together for more power if we ever need it. Also non-powered mixers seem to have more flexibility in terms of bussing. So we’ll see how that goes.

Also, 7 Jazz West has a gig coming up in a few weeks and we’re doing My Favorite Things, with our interpretation based mainly on the John Coltrane version. During the Xmas Cabaret I played my soprano sax for the first time in a long while. It has a problem with the joint between the neck and body being loose. I think it may be even be a little leaky cuz its hard to play certain notes softly. So I’m looking to get a new soprano sax too. Hello Craigslist!

Day Trippers this Saturday!

My Beatles tribute band, The Day Trippers, will be playing this Saturday night, December 13, at the Lexington Grille, just over the Tappen Zee bridge in Bardonia, NY. This is our third gig and our ever-expanding repetoire is up to about 30 songs, two solid hours of material covering everything from the early Bealtemania pop to psychedelic blues and everything in between.

Show starts at 9:00. Looks like they also have good food there.

Christmas Cabaret

I’ve been really busy the last couple weeks with the Xmas Cabaret, a big fundraiser at Michelle’s school. Learned like 35 songs on sax and (one on) ukulele. It was a ton of fun. Last time I did one of these shows was three years ago, and I remember working my ass off because I hadn’t played a live show in years and needed to get back into playing shape on the sax, plus learning the tunes while transposing, skipping around the songs, and making my sound fit in with the group.

This time it was alot more relaxed, mainly cuz I already knew the people, and knew what to expect, and also cuz my chops are up and I can sight read and transpose and all that no sweat. Since Michelle L., the director, also runs the school choir, for this show she picked less traditional songs, by artists like Bruce Springsteen, Stevie Wonder, Harry Connick Jr., Billy Squier, and some more mellow stuff like The Carpenters and Bing Crosby. It was the same crew, and great to see them all and perform together again. Mike L. on piano and musical director, his wife Michelle as show and vocal director, Brian and Kristen running the stage and props and sets and tech and all. Plus a dozen or so singers. The band was rounded out by George on drums and Shredder on guitar, both excellent musicians. They even let me sing the Clarence Clemons part on Santa Claus is Coming to Town. Six words, twice! They drafted Lizzy to do the sound, so she got some good experience running a mixing board.

It was a week solid of rehearsals, with performances Friday and Saturday night and matinee Sunday. And in between I taught an origami event at the Museum of Natural History in the city. I had been thinking of bagging it, but alot people signed up so I went. Even had a chance to check out the OUSA holiday tree before my class started. I’ve been donating models to them for a few years now and they have assembled quite a collection. In addition to my new stuff this year, I my stuff from previous years was well represented. The class itself went well. I was teaching models from my book Origami Animal Sculpture, starting with the Octopus since that was prominently displayed under the tree. Also got to the Common Loon and the Narwhal. Not bad for two hours. It’s funny, though, the more I teach the more I find ways to simplify the models to make them easier to get a across. I think if I had to do this book over it’d be that much more refined. Ah, well, a lesson to apply to the next one.

And, as you can imagine, tonight I’m pretty tired so I’m catching up on my rest.