Category: Music

Lots happening on the music front these days. My jazz group, the Haven Street Five, has been working on a bunch of my originals. We’re up to five or six of them now. The most recent, King’s Hex, is an uptempo waltz with voicings based on stacked fourths. The chart is four pages long, which is a break from my pattern of only doing songs that fit on a single sheet, and it’s a definite step up in terms of complexity. Still the guys in the band are really digging the material I’m bringing in and happy to put in the work to learn the tunes and make something out of them. In fact last rehearsal Gary suggested we record a CD of my originals and one or two covers.

I had planned on bringing up this idea in the new year when the Juke Box work is substantially done. We only have half an album’s worth of tunes right now. I have three more ready to go, but it takes a time to make demos and write out charts, and more time for the band to really learn the songs. I suggested everyone else in the band write one song each, and if you don’t have idea for a song just take a blues and write a new head. Gary came back and told me he tried that but ended up rewriting a Miles song.

I’ve also been doing some jazz jams with friend Charlie. Last Friday I sat in with his trio at a community center in Yonkers, a combination of his originals and some standards. They’re trying to get some kind of scene happening there, and although it wasn’t heavily attended, I think it has some potential. Charlie says he plays there once a month or so. Next Friday I’m playing with him at an art gallery in Hastings. This time we’re gonna go a rehearsal first, and I’m bringing a couple of my originals too. And the drummer is Ed B. from the bandshell gig I did with Lucas back in the summertime. Should be lots of fun.

I’ve been out seeing some of my friends bands lately too. A few weeks back I saw Sue and Fun Ghouls at a bar up in Mamaroneck. They’re a rock’n’roll bar band like the LEFT HOOK, but they’ve definitely leveled up since the last time I saw them, about a year ago, shortly after Sue and George joined the band on vocals and drums. Now they have a new bass player who also can sing high songs like Bon Jovi and the Outfield. Overall their sets have gotten much tighter, with basically wall-to-wall backbeat the whole time, one number into another, to really keep the crowd moving. Much improved vocal harmonies too.

Another night I saw my friend Jay playing bass backing up a vibes player at a local club Infusion. They’re looking to get some kind of jazz scene going there, so I’m hoping to get a gig with the Haven Street Five.

Saturday nite the LEFT HOOK played at Fisherman’s Net down in Pelham. It was a good show, especially considering we haven’t played for a few months. We had a good crowd and played our full third set since the people stuck around. Still, we’re trying to level up ourselves, get the beginnings and endings tighter, the tempos more consistent, and flow better from one song into the next. Trying to hook up songs into string of three or four to keep people dancing. Last go around we added a few funk/soul numbers like Vehicle and I Just Want to Celebrate. Next round of songs we learn are gonna be some 80’s pop-ish hit by band like INXS, the Fixx and the Cars.

One highlight of the show was, since it was Jeannie’s and my wedding anniversary, and she always likes to come to our gigs, the band learned Thank You by Led Zeppelin, and I sang it to her cuz it was our wedding song. She seemed pretty knocked out, and it went over quite well with the crowd too, especially considering we only rehearsed it once and never even got the whole way thru. Now we have a Zeppelin song in our bag, although probably not the one anyone would expect.

So the jazz concert last week came and went, and it was a really fun time and a good show. A few friends showed up, which is great for a Monday. The only downside was that it rained, so the show was moved to the local community center. The outdoor venue was apparently right near the train station, so we would have gotten a good crowd of passers-by. Ah well.

The music itself was really great. Great group, great selection of tunes. I felt like my playing was really on, and it was good to have a good group of players to bounce ideas off of. As I mentioned before the show was put together by Lucas, a.k.a young Wolfgang Skywalker, from the LEFT HOOK. He’s eighteen now and going to college for jazz bass in the fall, and his playing has gotten better. His soling in particular has more purpose and melody.

The piano player was his friend Gabe, who’s also starting college in the fall for jazz. The two of them play really well together and have a great rapport and interaction. Gabe is heavily influenced by Bill Evans and Herbie Hancock, to give you an idea of his sound. The drummer was this dude Ed, who’s about my age, and playing and teaching drums is his day job too, so he’s really excellent. Great, fluid sense of time, groove and pocket, plus really creative sense of sound and alot of dynamics and even melodic ideas stirred in there all at once. Plus a really cool cat too. Rounding out the group was Ava, a singer who’s a friend of Lucas and Gabe with a sweet and strong voice.

We only rehearsed twice, and neither time with the full group, so when we got on the stand there was alot of spontaneity. The songs in the set were of three kinds: Bird, Miles and standards. We opened with Cherokee at a suitably brisk tempo, with Ava singing the vocal. This was a really fun one to solo over, and the rhythm section really kept it together. On the reprise of the head Lucas and Ed did a cool half time thing. Next up was Billie’s Bounce, which I knew a long time ago on alto, but don’t think I’ve ever played on tenor. We’d never rehearsed this one and it was a complete surprise when Lucas called it, but still I was able to fake my way thru it no problem.

We did In a Sentimental Mood as a funk song, with vocal, and it worked surprisingly well. Ava stretched out more on this than any other of her numbers. I had to learn it in F (it’s usually in D) to accommodate the singer. We did a pretty straight rendition of There Will Never Be Another You, which also came out quite nice and is right in her zone. We closed the first set with Nardis, which got suitably out-there.

We continued in the vein in the second set, playing Footprints with a bunch of embellishments to the arrangement by Lucas, including a drum solo over an ostinato that lead back into the reprise of the head. Very cool. We did Blue In Green, a beautiful ballad which Gabe and Lucas knew well, but I’d never played or studied before, even though I’ve listened to Kind of Blue a million times. It’s a surprising subtle and deep song.

Switching gears again Ava came back on for Misty. I haven’t played this song in many years, but it felt great and I played a whole chorus for the solo. After the show someone in the audience told me I sound like Coleman Hawkins, which is high praise indeed.

We finished with Donna Lee, another fast bop number which I learned once on alto. At least for this on I had the music, although once more it was unrehearsed. Lucas started playing the head Joco style and then into solo, and we went on from there. Ed took a really good solo too. We played the out head in unison.

So all in all a great show. When it was over and we were leaving, a huge rainbow appeared in the parking lot, from horizon to horizon. Hopefully we’ll get a chance to play another gig this summer.

Announcing a Jazz Concert:

Mon July 25 6:30 PM
Henry Gourdine park at the Ossining waterfront

Featuring yours truly on tenor sax, Lucas Saur on bass,
Gabe Faden piano, Ed Bettinelli drums, and Ava Bradlow vocals

We got together last night to rehearse and sounded great. Doing some Miles, Wayne Shorter and a bunch of other stuff. Ed is a great drummer and young Lucas has a ton of ideas.

Should be a great time, hope you can come out and see it.

Lots going on around here. Really enjoying the summertime.

Last weekend was full of shows from the kids. Friday evening Lizzy’s choral group gave their spring concert at their church. I think I mentioned this before when I saw them do Lessons and Carols back around Xmastime, but it’s a proffessional-level singing group (and indeed the memebers make more than I do with my rock band). The group is twenty singers, four each of bass, tenor, alto, soprano I and soprano II. The church itself is a medievalesque stone building with amazing reverb. You can listen to them blend or focus in and pick out an individual singer. Particaluarty the lead soprano and the basso profundo. Their voceis can really fill the hall.

The program was largely classical choral works, Handel and that sort of thing, with a few lighter works and feature for the organist and the great big pipe organ as well. Thier conductor and music director is also a serious choral composer, from London and apparently of some repute, and they did three of his works. Lizzy says its her favorite stuff in their repetoire.

All of it was very good. Lots of great supsensions and movement in the inner voicings. Just gives you chills. Really a great show.

The next two nights, down in the chuch basement, the kids theatre group put on their production of You’re a Good Man Charlie Brown. They actually did two complete productions with different casts, one for the middle school kids on Saturday and one for the high schoolers on SUnday. Michelle was in the younger group as Charlie Brown. They split all the roles among two or three (or sometimes more) kids so everyone would have at least one featured scene or song. The show worked quite well in that format. Michelle had a bunch of scenes, and is getting to be quite a good singer, lound and clear.

The high school version was at a whole ‘nuther level. There was just one kid for each role, and much more coherence, chemestry and commedy. Lizzy played Lucy, and she and the girl who played Sally stole the show. Afterwards I said to Lizzy “I knew you could sing but I didn’t know you could act!”