Category: Music

Jazz Season

We have more gig in our holiday season run with G-Force, at Chat 19 in Larchmont this Saturday night. I’ve never played that venue, but Gina seems pretty excited about it and says they always have a good crowd.

I’m thinking of upgrading some of my equipment to make load-in, setup, teardown and load-out quicker and easier. In particular I’m looking for a new lighter keyboard stand, a smaller stage mixer, probably eight channels instead of sixteen, and maybe a couple mic stands if I can find some where the legs don’t flop around after they’ve been collapsed. For the moment I’m thinking of putting a hair scrunchie arond the base of the mic stand to hold the legs shut.

Anyway, as it turns out, the first few gigs in the new year are for the jazz group, so it’s time to hype that.

Haven Street will be playing:

Sat Jan 12, 8pm – The Green Growler, Croton-On-Hudson

Fri Jan 25, 8pm – The Bean Runner Cafe, Peekskill

Fri Feb 1, 6pm – Silvana, Harlem

We’ve played the Growler before. It’s a fun and cozy place with a huge variety of craft beer, and the people who run it really like like music. Sure to be a great time. We might even come back for Sonic Thursday there on Feb 21.

I’ve never played the Bean Runner, but some of the guys in the band have. It has a reputation as a great place for jazz.

Silvana is a happy hour gig uptown Manhattan. That’s supposedly a good jazz venue too.

It’s been a little while since we’ve a rehearsal with the full group, so rather than honing our originals we’ve been exploring the world of standards with an eye toward adopting a few as our own to incorporate our own versions into our repertoire. We’ve also been taking the opportunity to get deeper into extended soloing and group improvisation. That’s been fun and interesting. For the Growler and Bean Runner shows we’re the only band on the bill, so it’s full sets including both originals and covers. So come on out and see us. Should be a really fun time!

Manic Mechanic

So last week the new G-Force made it’s debut at Dudley’s Friday Night, followed the next night by a show at Victors. Both gigs went well, with the second being tighter than the first, and with a bigger crowd too. There was a really entertaining drunk chick who stole Gina’s tambourine and ran around the bar shaking out the beat. Later sang a song with the band. I thought she was a friend of Gina’s but none of us knew her. She was a friend of the drummer’s sister or something. During the intermission she was hitting on me until I went over to the bar to get a drink and introduced her to Jeannie, who was sitting right there. Then she took off. Funny how that always seems to happen.

I must say Vinny is not only a really good guitar player, but he’s a great asset when it comes to loading and unloading, and setting up and tearing down the PA. He must have experience lifting heavy things, cuz he knows what he’s doing. Very efficient, always there at the right time with another pair of hands.

Monday night was maybe the first rehearsal ever where we didn’t learn any new tunes. Instead it was all tempos, endings and transitions. I’d say now most of the songs ought to be pretty damn tight. We have two more shows the next two weeks, and then we’ll learn a bunch of new songs when we come back in January.

We’ve also been having a series of really good jazz rehearsals. Unfortunately our guitarist Gary has been out sick, but we’ve been exploring cool new grooves and sounds as a quartet. Jay got genuine gut strings on his bass, which changes the tone considerably, making it much warmer and richer. Last Sunday we practiced at the drummer’s house. He lives right on the river near Croton-on-Hudson, straight across from where we went hiking last month. The next gig with the jazz group is in early January. Should be lots of fun.

Meanwhile on the home and auto front, it seems everything breaking down at at once and takes forever to get fixed. Nothing catastrophic but a series of minor inconveniences that by now are adding up.

First I’ve been meaning to get my car into the shop for an oil change and a new set of tires. The tires are not super urgent, but I’d rather get it done now than wait until springtime. I took it to the shop one day last week, but they only had 2 tires in stock. The said they’d order two more but now I have to take it back. And my car is full of amplifiers these days so I’d rather wait until after this run of gigs.

Next we have a fluorescent light fixture in our kitchen and ballast blew out on that. So that was an unexpected repair project. This is the second light fixture I’ve replaced this fall.

Then our furnace shut off one day and wouldn’t restart. We had go out to the garage and flip the breaker to get it to come back on. And just as it’s getting below freezing at night. After this happened two days in a row we called in a repairman. He fixed it temporarily, and now we’re waiting on a part.

It turns out the cause of this was that water got into our chimney pipe and dripped down into the furnace. The day it happened was windy and rainy and stormy. So now we need to get someone to go up on the roof and check out the situation, whether thing on top the chimney that’s supposed to keep the water out is intact.

And then to top it off, yesterday my car key broke in half. The metal key part separated from the plastic part that holds the electronics. What’s next?

Downtime

Ah, one thing I’m thankful for is a moment’s rest this weekend. It feels like we’ve been on the go since the beginning of September. Now we have a much needed long weekend off from work. Lizzy came home from college earlier in the week. We had an excellent Thanksgiving with family. Jeannie made a turkey and everything, and was an excellent time.

Today we did what was likely the major raking of the year: four cans and four more bags full of leaves. Now the branches are mostly bare. It seems a little late this year.

I’ve been spending alot of time this weekend playing and listening to music. We saw the Queen movie last week, which inspired me to go back and listen to some of the early Queen albums I haven’t heard in years. My college roommate Rich was really into them, particularly Brian May’s guitar playing. So I put on Queen II and Sheer Heart Attack. Such great stuff, a unique combination of heavy metal, vocal harmonies, and wonderful weirdness. I’d say I appreciate it more now than back in the day, especially knowing they did it all with analog circuitry and a 16-track tape deck.

I went thru and listened to the entire setlist for my rock band, about three hours of music, just to get it fresh in my head for next week’s gigs, plus a bunch of new songs we’re considering adding to the set. I’m at the point where I know all the songs well enough, and I know about half of them really well. But every time I listen I pick up nuances in the arrangement that we can use to make our version sound better.

I’ve also been listening to more jazz. The guys in my band have been raving about new stuff from Christian McBride, Brian Blade and Joshua Redman among others. I found Joshua’s new record and it was great. Now Spotify is walking me backward thru his entire discography. Each record is more enjoyable than the last. Lots of great ideas in there.

I’ve been writing new music for the jazz group too. For our last gig we had four new originals – Closing the Distance (Gary), Fever Dream (Jay), A Fat Cat (a.k.a. El Gato Gordo, by Rich), and Lift Off (mine), which is roughly enough for half an album. We have a bunch of other songs we’ve been developing. One of mine, Mobility, is coming along nicely. It’s been around for a while but as of late it’s taken on a sort of Raymond-Scott-meets-gypsy-jazz quality. So I reharmonized it to be in the Hungarian minor mode and to emphasize the diminished quality. Also add a heterophonic ensemble jam toward the end.

Another song of mine, Son of the Sun has been slower going. It’s a pretty intricate number that switches meter alot, mainly between 5/8 and 7/8. We started it way back when, but then we didn’t have a regular drummer for a while and it didn’t seem worth it to try and teach every drummer who sat in. When Erik joined full time we were focused mainly on the last gig. Now it’s back to developing new material. Some of the band seem to think it’s a bit to outside of “our sound”. I find this kind of thinking really limiting and frustrating, but it didn’t help that the demo recording I had was from my heavy-metal fusion band from the 90’s. So I think I’ll put together a new demo with a sound closer to what I have in mind for this group.

Meanwhile I have two new jazz numbers I’m writing. One is based on the idea of a four-bar loop, and has a working title of Heavy Water. The other one, which is further along, I’m thinking of as a “melody” song, a midtempo number with the general feel of something like A Foggy Day or Dolphin Dance. The song explores major seventh chords, and has a bright, spacious sound, and a fair amount of modulation. It kinda started with me exploring the middle section of Sun of the Son, trying to make is sound less heavy. But then it quickly developed in an unexpected direction and became something new. It’s almost there, but not quite; I’m still kind of experimenting and exploring. I want to get the turnarounds really working tight. A great melody has a feeling of inevitability about it, like once you hear it you can’t imagine it going any other way.

…

The big news on the music front is I had to buy a new computer last week. Down in my recording studio I have a Mac workstation that’s a few years old. It’s connected to a MBox Pro III and runs a particular version of ProTools. I should also mention that since the release of the third Buzzy Tonic album, Elixr, I went back have been remixing the previous Buzzy Tonic record, Face the Heat, originally released in 2011. I was never fully happy with the sound of that record, and since then I’ve become much better at mixing so I figured it was worth it. And it’s is been coming along here and there late nights and weekends. I was almost done, seven of nine songs in the can.

A couple of months ago the screen on the computer started flickering and then it froze, and I had to reboot. The problem went away and didn’t come back until last week when it started happening repeatedly, until finally wouldn’t come back at all after rebooting. Luckily I have everything backed up on time machine and only lost about an hour’s work from my last session.

So I was all set to buy a brand new IMac Pro, but then I got to thinking about how it would integrate with the current rig. There’s no obvious upgrade path from my current version of ProTools to one that would run on a new OS. And that’s to say nothing of my numerous plugin, some of which have licenses tied tot the machine I’m pretty sure. It just seemed like a potentially bottomless hassle and expense.

So Jeannie stepped in and helped me out. She found a used/refurb computer of the exact same model as mine on Ebay for like five hundred bucks, about ten percent of the cost of a new one. It arrived just two days after we placed the order. And all we had to do was plug in my Time Machine drive and restore the last backup and Viola! Back in business! The computer was able to launch ProTools and talk to the MBox and I was able to continue with my mixing right where I left off. All the plugins I needed were still valid. It looks like I may have some issues with SampleTank, a software synth/sampler which I’ll need when I get back to tracking. But I’ll cross that bridge later.

For now, I’ve finished my penultimate mixes for all nine tracks. This is basically the final mix before mastering. My workflow nowadays doesn’t really include a mastering phase. I’ll sequence the CD and make sure all the levels match, but all the tracks have a dynamic compressor on the main out, so if I need to make any adjustments I’ll just go back to the track. So I have to listen them all together, and A/B them against the old mixes, and against the newer album. I may end up tweaking the level of a compressor, or raising or lowering something by a dB or so, but that’s about it. I was hoping to get this project done by end of Thanksgiving break, but now the goal is by the end of the year. Then in 2019 I’ll start in on BZIV.

…

Just a couple random things during my downtime. Michelle and I finished Avatar: The Last Airbender a few weeks ago, and now we’re watching Firefly. She’s hooked. Shiny! And I’ve been reading Robert Lang’s newest magnum opus Origami Twists, Tilings and Tessellations. I’m well over a hundred pages in and only midway thru chapter two.

G! Force Gigs

You may be wondering whatever happened to the rock band since we had to kick out our old guitar player. Well, the new guy Vinny has been jamming with us a few weeks now. He’s really good and is a nice and fun guy too, and has learned the whole set. So it’s all systems go! Next rehearsal we’re gonna start in on some new tunes, mostly Xmas carols. We have a run of gigs coming up between now and the end of the year. Hope to see y’all at one or more:

November 30 – Dudley’s in New Rochelle
December 1 – Victors of Hawthorne
December 8 – Barney Mc Nabb’s in Tuckahoe
December 15 – Chat 19 in Larchmont

Boston and Brooklyn

It’s been another busy week. The change of the seasons is arriving with rapid fury. First off they changed the local timezone settings last weekend. It’s been getting darker and darker but now it’s nighttime before five o’clock. Still getting used to that. I did get the Mustang out one last time, but today we had our first snowstorm. Got maybe 5 inches of wet heavy snow, enough to seriously mess up traffic. Now it’s raining and it’s all supposed to melt. Hopefully the morning won’t be too bad.

We went up MIT last weekend for their annual origami convention. I taught my Dirigible and it went over well. The class was very full and there were a couple people in the class who weren’t quite at the level required, so that slowed things down a bit. Despite my providing diagrams everyone didn’t quite get to the end of the model. I also see I need to explain the collapsing of the nose better in the diagrams.

The other model I folded was my Platypus. I haven’t folded one of these in a while, and it’s not diagrammed, so I did it entirely from memory. It went just fine, and we even finished on time.

This is the most technical of the origami conferences that I regularly attend. Alot of these people were at BOS and 7OSME in Oxford at the end of the summer, and now I kinda wish I could have gone. Ah well.

I did reconnect with Robby from rabbitear.org, who is writing origami software in javascript. I want to find a way to collaborate and contribute to the project, despite my being busy with so many other things. Also Adrianne Sack gave a lecture on the parallels between origami tessellations and certain kinds of fabric and textile pleating and folding techniques. Very cool. Of course Jason taught his crazy complex dragon, and despite it being a four-hour class he had to finish up during the evening free-folding.

I saw alot of my origami friends, and it was a good hang, and a bunch of people gave me good advice about planning our trip to Japan next year. Still, these things are always over too soon.

Back at home the next day we were back in Brooklyn, to see Kamasi Washington and his band play at a place called Brooklyn Steel. You may recall we saw Kamasi at the Montreal Jazz Festival back in June and it totally floored me. Well this time we came in knowing what to expect. The show was excellent. And restored my streak: now 8 of the last 9 shows we’ve seen have had a trombone. I think they’ve been touring pretty much continually since the last time we saw them. They did about half the same songs and half different. And some of the songs have evolved. The opening band, Butcher Brown were good too. Only downside was the venue was a cavernous warehouse space suitable for raves, with no seating and the acoustics could have been better, and the drinks very very expensive. Still it was a great concert and a fun time. I even got a t-shirt.

Bridge’n’Tunnel

We had a really fun and interesting weekend full of music and visiting the old neighborhood. First off, my jazz group Haven Street played a gig a club called Shapeshifter Lab in Brooklyn. The gig was on a Friday evening, so getting into the area took about two hours for a trip of fifteen or twenty miles, going thru, as Jeannie put it “all three boros”. We took the route down the FDR drive which was at least fun and scenic since I rarely go that way.

It turns out the club was only a few blocks away from where we used to live in Park Slope in the year 2000. Fun and intersting to see how the neighborhood has changed. It still seems lively as ever. We found a great pizza place right around the corner form the club.

Shapeshifter is a very nice place to play, with a big stage, grand piano, drums and PA already set up, and even a professional soundman. You can tell they care about the music and the musicians. It’s run byt the son of the bassist Jimmy Garrison, who is famous for playing the classic John Coltrane quartet among many others.

Our set went well. As mentioned previosuly, the band has been sounding better and better, and the songs getting freer and more interactive. Everyone’s playing was in top form and the set was all originals, wide-ranginng and expressive. We had only and hour and we focused on getting more songs in rather than stretching out. We played eight songs, four from our first record, and four from our upcoming future record.

The second band that night was a big band doing avant-garde material. They were very good musicains, and intersting music. But when the main idea is to eschew traditional melody, harmony and song structure, there’s only so much one can take. Still I’m happy they kept alive my streak: the eighth band in a row I’ve seen with a trombone player.

After the show Jeannie and I decided to drive past our old apartment in Brooklyn to see how the neighborhood had changed. Driving home we went across the new Kosciuszko bridge, which was pretty neat. Then we decided we might as well drive past our old apartment in Queens from the mid 90’s since it was pretty much on the way.

Saturday it rained all day. In the evening we went out to see Ravi Coltrane at the Village Vanguard. Wow, what a sax player! A very high level of vrituousity, and very expressive. He has alot of his father in his sound, but is doing his own thing, very modern and up to date. The thing that impressed me probably the most of anything is his tone on the soprano sax is so full and fierce it’s actually baddass! He also had a great group with him: piano bass and drums.

We hadn’t been in the Village for a while, and it was just a few blocks away from where I used to live in the early 90’s. It was Saturday night of Halloween weekend when we got out of the show, so it was extra fun to watch the people all dressed up and going out to party.

There’ll Be Spandex Jackets One for Everybody

It’s been another busy week. Last Friday my piano guy finally came by with my adjusted pedal board. If you recall, way back when I bought my piano I had them make some casters to raise the height of the keyboard 2″. This is because I’m tall and me knees need to fit underneath. However the pedals were quite high. Close inspection revealed it looked like they had been raised previously. So had them extend the pedals again to be lower. But they didn’t follow my directions and they made them too low, so that I would never be able to take the piano off the casters. I had to have them raise them back up again partway. This is all custom work and it took a long time, and I’ve been without my pedals the last few weeks. Now at last it’s at the right height and all is well. Ah happiness.

I’ve been trying to get out to see more live music. Jeannie and I saw Steely Dan at the Beacon in NYC last weekend. It was a great show. They do complete albums nowadays, a different one each night, and for us it was The Nightly. Technically it was a Donald Fagen solo record, produced by Walter Becker, but I guess now it’s part of the Dan cannon. Of course it’s a great record, opening with the retrofuturistic classic I.G.Y., and naturally the band played the heck out of it. It was a big group, with Donald on vocals, piano and melodica, two guitars, another keyboardist, bass and drums, three backup singers and four horns. When I’ve seen the Dan in the past the horn section was all saxophones, but this time they added a trumpet and trombone, extending my streak to seven of the last seven bands I’ve seen have had a trombone player.

The second set was a bunch of hits and deep tracks from throughout their career, all great stuff. In a group of top-notch musicians doing complex arrangements, the drummer really stood out over all the rest, with Neil Peart level chops applied to nonstop funk and soul grooves. At the end of the set he did a drum solo. Just wow.

The opening act was an unexpected treat: the Peter Bernstein trio with Jimmy Cobb on drums and some old guy whose name I didn’t catch on organ, just amazing.

As mentioned a few posts ago we had to get rid of the guitar player in my rock band cuz he was always too loud, wouldn’t stop playing between songs, was generally unprofessional and just didn’t get along with the others in the group. But we have a whole string of gigs coming up between Thanksgiving and Christmas, so we need a new guitar player fast. This week we got a new guy Vinny who came in. He seems like a nice guy, learned a bunch of the tunes, and he’s a good player. So it looks like we can move ahead again. Looking forward to the new lineup coming together.

I had to go the music store this week to get a box of reeds. We have a jazz gig coming up Friday in Brooklyn and I was down to my last one. While I was there, they had for sale the Real Book, Sixth Edition in Bb. So I finally replaced my old 5th edition which I bought out of the trunk of some dude’s car my freshman year of college, before they were legal, and is so deteriorated it can longer properly even be called a book.

One other thing they had for sale in wind section – a melodica! I picked one up, inspired by the Dan, and also Michelle has been asking for one. I brought it to jazz rehearsal, thinking i might try it out. I told Jay about it, and he asked “Is the the instrument with the little keyboard that you blow into? I hate those!”

So that was that. Nevertheless the jazz group continues to sound better and better, tighter and more free each rehearsal. We’re starting to plan our next record. I’m totally psyched for our gig on Friday.

Haven Street in Brooklyn

Here’s announcing my jazz group Haven Street will be playing at Shapeshifters Lab in Brooklyn, Friday October 26 at 7 pm. Should be a good show, featuring half originals of our debut record, half new stuff, and maybe a standard or two.

Spoiler alert: I’ve been getting deep into All the Things You Are. It was Gary’s idea to do an original arrangement. It’s a song I’ve played a million times, but recently I realized I was just kind of riding my way along the changes without having much to say, so I decided to really learn it. With a song like that the melody and the harmonies are so strong it’s kinda hard to go a fresh new way when you solo, but the material is so rich it’s really worth it to explore. I found a really cool version by Paul Desmond and Gerry Mulligan that I’m kind of using to influence my approach.

Also I should mention that Eric Puente is now our full time drummer. He brings a great energy and swing to the group, and it’s great having him on board.

What Keeps the Planet Spinning

Been busy. A week ago we went upstate to visit my parents, and also Lizzy at college. It was a fun trip, and Lizzy is doing well and having a good semester. While we were up there we took a trip to my uncle Ron in Welland and celebrated Canadian Thanksgiving along with that side of the family, including my cousin Tom, whom I haven’t seen in years.

We all caught Lizzy’s cold on the trip and been trying to shake it off ever since. Meanwhile back home Gina caught cold too, so we had to cancel our gig last weekend. We also had to kick out our guitarist, so now we’re looking for a new guitar player again. We don’t have any gigs for about six weeks, then it’s a run of four gigs in a row in late November thru mid December. Hopefully we’ll find someone.

The weather is turning cooler and it’s dark in the morning when we get up and in the evening by suppertime. We finally took out the air conditioners and had to start running the heat in the morning. And there’s been a ton or rain. At least Sunday was nice and clear. I took the Mustang out and Jeannie and went for a hike, first up around Kensico Dam and then a woods nearby called Cranberry Preserve, which has a stone quarry that looks to be where they got the stones to make the dam.

OrigamMIT is fast approaching. I’ve been diagramming my new Blimp, which I’m going to teach there and contribute to their collection, and is going to go in a future book.

The Debut of G! Force

Last Saturday night was the debut of my new rock pop dance party band, G! Force. It was a fun and successful night. The venue was Victor’s of Hawthorne. I’d played there a couple times before, but never got a huge crowd (once was a snowstorm, the other the day before Thanksgiving). But this night the place was packed. The music went over well, and the band was reasonably together, considering we learned 40 tunes in about six weeks. The bar even invited us back for another gig in November.

We played two long sets, about an hour and a half each. We do a mix of tunes from the 80s up to the present, with a few reaching back to the 60’s and 70’s. To give you an idea, the first few sung by Gina were Exes and Ohs by Elle King, Mercy by Duffy, Domino by Jessie J, Valerie by Amy Winehouse, and No Roots by Alice Merton. Gina has a powerful voice and pulls off that kind of stuff of really well. She also sang lead on a number of rock numbers like Any Way You Want It, Working for the Weekend, and Hit Me With Your Best Shot, as well as some disco tunes like I Will Survive, Boogie Oogie, and Hot Stuff. I sang lead on a bunch of numbers including You Can’t Get What You Want (Till You Know What You Want) by Joe Jackson, I Want a New Drug, Cheap Sunglasses, Drops of Jupiter, Closing Time, Vehicle, and I Just Want to Celebrate. I’ve really been working on my singing and it’s definitely been been improving. Some of the best songs we do are duets: Stop Dragging My Heart Around, Get Lucky by Daft Punk, and Tub Thumping by Chumbawumba.

There were a handful of good sax tunes in there as well. And unlike in previous bands, I’m playing a bunch of synthesizer sounds in addition to the usual piano and organ. It’s fun and a throwback to the 80’s when these songs were new. Right now I’m just calling up various presets but I’d like to put some time into crafting the sounds on some of the tunes.

Gina of course is polished and professional, has a fantastic voice and uses it well. Ken on bass is awesome, especially on the funk and disco numbers. He even had a few solos. Andy on drums is not the steadiest drummer I ever played with, but his playing earnest and powerful. Walter on guitar is versatile and can pull of all the parts in a variety of styles, and had some really good solos. He was the last to join and got it together very quickly. He seems most at home with the hard rock numbers. Unfortunately he tends to turn up his amplifier too loud, and he and Gina don’t seem to get along very well. Ah well, we’ll see how everything plays out.

Now that we have the basics together we’re gonna work on refining things and getting tight. Our next show is in two weeks. After that we have a few weeks to maybe learn a few more songs, then a run of shows from mid November thru mid December.

Come check us our at:

Barney McNabbs on Tuckahoe Rd in Yonkers, Saturday October 13.