And I Will Draw the Chart

Ok, lots to talk about here with music.  Before I dive in, I’ll mention that the weather has gotten a bit warmer.  It’s still down in the 20’s at night, but it’s creeping up above freezing for a couple hours in the daytime and last week’s snow is beginning to disappear.  Still, I’m not going start biking again until the roads are clear and clean.

First off, my jazz group Spacecats has a show coming up on April 2nd at a place called Jazz on Main in Mount Kisco.  We’re hoping to build on the momentum of our last gig, add a bunch of new material and sharpen up the songs already in our repertoire.  More on this as the date draws closer.

One of the songs we’re working up these days is Son of the Sun.  This is a fairly long and complicated song with lots of changes in meter and open jamming sections linked up with thru-composed parts.  I feel really lucky and grateful that the Spacecats want to tackle such a challenging song, and in fact we’re gonna knock it out of the park.  But I needed a better chart than my old hand-written one to get the music across to the group.  My drummer Rick suggested I try an app called MuseScore, a notation package from the sam people who make Audible.  In the past I’ve used Finale, which I found hugely slow and cumbersome although hugely feature-rich, as well as things like the built-in notation for midi in ProTools, which I found quick but not very good.  MuseScore hits the sweet spot in the middle, rich and full featured enough for jazz charts, but pretty fast too.  It’s not tied to a midi sequence or performance (although you can import a midi file); the focus is a hundred percent on the notation, and you can do things like add repeats, fermatas, a D.S, or coda, hash marks for soloing over, and chord symbols.  This is a big step up from writing out charts by hand.  Hopefully now I can write out and teach my band a bunch more songs that I’d been afraid might be too much to try and notate.  So here I present to you my very first lead sheet made in MuseScore. Enjoy!

Oh What Fun to Ride and Sing a Slaying Song Tonight

We’re in the midst of a long and languid holiday break.  I’ve been off work for a whole week and a day, and don’t go back until Thursday.  I finished off work on a high note, having successfully merged my R&D branch of the codebase back into the main branch, deployed it and all.  The project is turning the corner from R&D into productization, always a fun part of the curve.  Also lots of planning meetings for big ambitious new features and new R&D threads in the coming year.  After a long uphill slog into strong headwinds I now feel that the tide has turned, the wind is at our backs and filling our sail, and we’re gaining momentum as we cruise downhill.

Michelle came home from school a week before Christmas, and Lizzy a few days later along with Josh.  We even got snow a couple times and it remained cold enough for the snow to stick around for a white Christmas.  We did Jeannie’s family party the Saturday before Christmas, and went to Mary’s on Christmas day.  In between was lots of food and drink, movies and games, music, wrapping presents, opening presents, hanging out and getting things done at a relaxed pace.

We’re shaping up for a new release of the Global Jukebox in the new year.  Nick has come up to speed as my new second software engineer, which is great.  I still miss Martin whenever I work on the jukebox.  He wrote so much amazing code and did so much of the devops stuff too.  I’m always inside his thoughts and mind when I read thru the code.  Anyway, Nick is now filling that role and bringing his own approach and perspective.  The major new feature we’ve been working on converting the existing Cantometric codings for all the songs to a new simplified schema, to make it easier to train new coders and to eliminate some ambiguities in the original system.  Nick wrote the script to do the conversion, which required understanding alot of domain knowledge as well as the architecture of the web application.  Meanwhile I created the spec for the new schema and did all the UI and UX work on the client side.  Now it’s all on the staging server and we’re looking at finishing off some P2 features to get into the next release.

I bought a drum mic kit as a present to myself.  It’s bundle of eight microphones for all the different drums plus overheads, along with stands and cables.  I’ve decided I want to use more real drums on my next record (more on that soon) and so it’s essential to be able to mic it up.  Next step is to get it all set up and learn how to use it.  Oh, and I’m going to upgrade to a 16-input preamp/DAC unit as well.

Oh, and Jeannie got a Nintendo Switch, so I’m gonna get some games for that too!

We went up to Buffalo for a few days after Christmas.  They had a ton of snow when we arrived, but while we were up there it got warm and started to melt. Kathleen and the kids came up too.  It was a little sad because we all felt Martin’s absence, but we also felt his presence. There was coming together and healing energy, and it was good to see everyone.  I’ve been trying to bond with the kids and get closer to them.  I took them out for a long walk around the neighborhood one morning to the park and the lake and all the local playgrounds.  Played some chess with Match and Abbie. We also had dinner with Larry and Jackie and place in Allentown called Mother’s which was really good.  To top it all off, the Bills demolished the Jets on Sunday.  Looking good for the playoffs.

I’ve started a D&D campaign with Martin’s kids as a fun way to try and be a presence in their lives.  We’ve had three sessions so far over the last three weeks.  The first week we rolled up characters, the second we did a warm-up wilderness encounter en route the the start of the main adventure, and this last weekend the party got the the base town, met some of the locals, stocked up on provisions and all that, and set out for the ruins of the Sunless Citadel, where the adventure begins in earnest.  They climbed down into a ravine and are now at the front door of the main dungeon (where a trap awaits, unbeknownst to them).  The party consists of the three oldest kids, Charlie, Matthew and Abbie, as well as their cousin Rylee, all aged 12 to 16.  Also joining in are Michelle and Jeannie.  It’s a good mix of races, classes and alignments.  Rylee is and Elfin Fighter, and Charlie and Elfin Ranger.  Match is a Dwarven Barbarian, and Abbie a Gnomish Bard who rides around on a giant rabbit.  Michelle is playing a Halfling Cleric and Jeannie a human Sorceress.  I’m DM’ing, which is something I really enjoy.  Everyone is first level, and their alignments are centered on chaotic neutral, which fits with their general attitude. 

We’re using a combination of software.  It’s amazing how all this stuff has advanced since I first started playing D&D online twenty years ago with Nick.  We’re using google meet for the video conference.  This mostly works great by the call only lasts and hour, so I have to start a new meeting halfway thru.  We’re using DND Beyond for the character sheets, stats, and related stuff like spells, weapons, bonuses, modifiers, and hit points.  And we’re using Owlbear Rodeo for maps and combat.  All free apps that run in the browser, very convenient. 

So far it’s lots of fun, and good to be able to spend time with everyone in a casual, semi-structured way.  They’re all definitely enjoying it.  My plan is to keep it going thru the winter at least, and maybe longer if everyone remains into it. 

Be of Good Cheer

Well this is my last week of work before a well-deserved break for the holidays.  I’m trying to lean in to the spirit of the season this year, even though we haven’t gotten any snow down here.  The most snow I’ve seen was at the Bills game a couple weeks back.  Tons of fun.

We put up our tree a week ago, and started listening to lots of Christmas music.  I’ve discovered all the great jazz singers like Ella Fitzgerald have Christmas music that’s much better than your typical pop radio fare.  I guess the big problem with Christmas music is there’s only 50 or maybe 100 songs, so it gets repetitive fast.  We watched the movie Elf, as well as The Hogfather, neither of which I’d seen before, but were recommend by Kathleen and her kids.  Both fun and charming in completely opposite ways.

I should mention the Origami USA holiday tree at the American Museum of Natural History, since I contributed some Flying Fish models to it this year. Go check it out if you haven’t yet! https://origamiusa.org/holidaytree/2024

I also saw not one but two rock shows in Brooklyn over the last week, at a venue call the Kings Theatre, which I’d never been to before.  It’s a big, beautiful, ornate, overwrought art-deco kind of place, similar to the Beacon in Manhattan.  I guess it’s been completely restored recently and now they’re having cool acts play there.  Predictably, drinks are way overpriced.

The first show was Beat, a King Crimson isotope featuring Adrian Belew and Tony Levin from the original lineup, along with Danny Carey from Tool on drums, and Steve Vai on guitar.  They did 80’s Discipline-era Crimso, and in fact played most of the three classic albums that Belew and Levin made with Bill Bruford and Robert Fripp.  The show was most excellent.  The band was tight and energetic and really delivered new interpretations of the material.  Probably the most interesting thing was how Steve Vai, legendary guitar shredder that he is, sort of pointed up the amazing complexity and difficulty of Fripp’s original parts.  Vai covered some parts exactly, and interpreted others; he did alot of stuff tapping that Fripp originally did picking, and skipped some of Fripp’s parts entirely, such as the intro/bridge to Frame by Frame.  On the other hand, Vai was able to impart a bit of a slinky greazy bluesy feel to Fripp’s very mechanical-sounding parts, and that lifted everything.  His solo on Sheltering Sky was one of the high points of the night.

Less than a week later we were back to see Brooklyn’s own They Might Be Giants.  Their music is also pretty complicated, but the vibe is complete opposite, being wacky humor rather than wacky seriousness.  Needless to say the show was alot fun, with a horn section and lots of moments showcasing all the players.  I realized the song Particle Man perfectly describes the graphic novel Watchmen, whether by coincidence or by design.  Dr. Manhattan is Particle Man, Ozymandias is Triangle Man, and Rorschach is Person Man.  Small world, go figure.

Next up: D&D

Autumn Leaves

We had a very nice Thanksgiving weekend.  I was ready for some downtime, since it had been a pretty busy couple of weeks.  The week before I hit a major milestone for my project at work, so now life got a bit easier just in time for the holiday season.

Biking season is over now because it’s too cold and too dark, but I did manage to get a few rides in the first few weeks of November.  Looking forward to starting again next spring.  Meanwhile we have ice skating and skiing to look forward too, and I’ve switched back to the Nordic Track on what used to be biking days.  On the plus side, I can listen to tunes while I do that.  Meanwhile, my shoulder has been hurting off and on the last few months, no doubt from using the computer too much.  So I’ve been going up and down on the amount of weight I’ve been using on weightlifting days.  This is the time of year when I usually start to feel generally tired and achy and low energy anyway, and I often go down in weight for the winter and back up again in the springtime.  In any event, I seem to have stabilized at a level that’s close to my nominal maximum for everything but bench press, which is about 20 lbs. less.  If I continue to feel okay, I’ll probably go up in a week or two.

November is the time of year for raking leaves, and we’ve been out and at it every weekend since we got home from our trip out west.  Most of the leaves are down now, and this last time we filled up only two cans, compared with 6 or seven cans and bags a couple weeks ago when it was peaking.  We also put up fresh new holiday lights outside.  I like to keep them up over the winter, and last year I just never got around to taking them down, but they all burned out over time. 

Lots of people in our neighborhood go in for big Hallowe’en and Christmas displays on their lawns.  Some of them even do Thanksgiving, but compared the other holidays the choice of imagery is kind of thin.  Pretty much you can have an inflatable turkey, and that’s about it.  If I ever do a lawn display, I want something that will last the whole season.  Start with a scary dragon, then give him a pilgrim hat, then a Santa hat.  Something like that.

Michelle came home from school to visit for a whole week.  The weekend before Thanksgiving we went up to Albany to visit Kathleen and the kids.  Now Michelle and I are planning a D&D campaign with them as a fun way to get more regular face time with everyone.  More on that as it develops.  Michelle spent Monday and Tuesday baking up a storm – cookies, sós kifli, more cookies. 

On Thanksgiving day we had a whole lot of family over: Mary’s family, Denis’s too, and Jeannie’s parents.  She made a turkey and all the things – stuffing, potatoes, gravy, and our guests brought lasagna, sweet potatoes, Brussel sprouts, pie, lots of great stuff, and a really good time.  Good to be around family. 

The next day, which in our house we’ve dubbed Slack Friday, we normally stay home and strive to nothing at all.  This year, however we went out to Long Island to visit Mary, since Denis was in town, as well as her cousin Carla.  After that we went over to visit Nick and Lisa, who live just ten minutes away.  The motivating excuse was to sync up with Nick on his progress on the Global Jukebox, but we ended up staying and enjoying Nick’s homemade bread and talking well into the night.

As for Nick’s progress on the Global Jukebox, that’s coming along nicely.  He’s been ramping up and doing his first major chunk of feature work, so we had a code review and I was able to explain to him a bunch of things he wasn’t ready for before, but now that he’s in the problem space he can grok.  He’ll make a good partner going forward.

Saturday was the Spacecats gig up at the Green Growler.  It went amazingly well and was alot of fun.  Thanksgiving weekend is a bit of a wildcard for playing in bars.  Sometimes it’s dead because everyone is out of town or doing family things.  Other times is packed because people are home visiting family and also want to go out and see their friends.  This night the place was really packed, the most crowded I’d ever seen the place because it turned out thee was a group having an informal ten-year high school reunion.  And everyone seemed to really dig the music.  They’d come in, notice the band and start bobbing their heads or doing a little dance.  We also had a good number of family and friends of the band, including a couple of the guys from my Wednesday group.

We did combination of straight-ahead jazz and more rock-funk oriented stuff, including eight songs off our record Los Gatos Del Cosmos, and a new song by Josh called Getaway Car.  We also had our drummer’s wife Robyn sitting in on vocals.  She’s sort of a theatre and show tunes type singer, but can do some standards and pop stuff.  She’s really good.  So we had her sit on on three songs each set, plus accompany the sax on the melody of Kamasi Washington’s Street Fighter Mas.  Having a singer provided a different kind of energy that helped the overall package I’d say.  We’ll probably ask her to sit in again.

The only downside is we were supposed didn’t have quite enough material to cover three hours.  We ended up spending more time rehearsing with Robyn than I’d planned because we wanted her songs to sound good.  We tried a good bunch of songs with her before we settled on the ones we chose, and there was just some getting to know one another musically and work out the arrangements.  A few of her songs had rubato beginnings and endings and we had to get a feel for how to do that together as a group.  This meant there were a few other new things that weren’t adequately rehearsed that we decided to skip.  Ah well. We ended up closing the second set with an extended jam of John Coltrane’s Mr. P.C., which went over great, and did a short third set that included a couple repeats from the beginning of the night.  No one in the audience seemed to mind, and the bar invited us back for another gig.

Sunday we finally had a day to sit at home and relax.  The Bills game was on TV.  The week before they defeated our arch-rivals the Kansas City Chiefs, which was great to see.   This week they played the Forty-Niners, and it was a lake-effect snowstorm the whole game.  Buffalo showed their cold weather prowess and won handily while SF totally fell apart, and the Bills clinched the AFC East championship.  Woo-hoo!

Spacecats Live at the Green Growler November 30

My group Spacecats is going to be making a rare and much-anticipated live appearance at The Green Growler in Croton, NY on Saturday, November 30 from 7 to 10 pm.  The group features John Szinger on saxophone, Josh Deutchman on piano and synthesizer, Ken Matthews on Bass and Rick Arecco on drums, with special guest Robyn Ferracane on vocals.  We play a blend jazz and funk, originals, standards, and pop songs with our own unique twist.  Come out and enjoy!

Spacecats – Jazz and Funk
Saturday, November 30, 7 to 10 pm
at
The Green Growler
4 Croton Point Ave., Croton-on-Hudson, NY 10520

Plutonium Dirigible is Live!!!

Here it is at long last, Plutonium Dirigible, the new album by Buzzy Tonic, available on all your favorite streaming services. Buzzy Tonic is my home studio project, and the new record features nine new original tunes.

This record is dedicated to my brother Martin, who started Buzzy Tonic with me years ago, contributed a song to the record, and will always be a part of the creative spirit of the project.

Spotify
https://open.spotify.com/album/5zyYCVFrVi6U4BYPKD8PDW

Apple Music:
https://music.apple.com/us/album/plutonium-dirigible/1777655404

Amazon:
https://www.amazon.com/dp/B0DLLMJ657

For more info, check out the album’s web page at:
https://zingman.com/music/plutoniumdirigible.php

Enjoy!

And the Wonder Will Set Me Free

This past weekend Jeannie and I went up to the greater Berne area, in the hills between Albany and the Catskills to visit Kathleen and the kids and participate in a benefit concert in Martin’s honor.  We had to get up early Saturday so I could be there for rehearsal.  I hadn’t used my rock keyboard setup in a while, so Friday night I plugged everything in and turned it all to make sure it still worked and sounded good, and if I still remembered my way around the controls of my synth.  Then I tore it all down, figured out what to pack, and pre-loaded the car.

The rehearsal was at the East Berne Band’s drummer John’s house.   He has a nice rehearsal space, set up a bit like mine in that you come in thru the garage and don’t have to go up or down any stairs.  I’d met the guys in the band briefly once before, and had been texting and emailing them, so I felt pretty good about the situation.  John sent me a list of tunes to learn a few weeks ago, then last week sent me a mostly different list.  One thing that was for sure was that we’d be doing two of Martin’s original songs.

The band consists of John on drums and vocals, Dan on bass and vocals, Chris on guitar and backing vocals, Jim on keyboards in the summertime, and sometime vocalist Lorissa, who wasn’t at the practice.  They’re all excellent musicians, who sound really good together, and the vibe was very relaxed and friendly.  They’re very versatile and can handle everything from the E Street Band to Brittany Spears.  We ran thru a good part of the setlist they’d given me, focusing alot of the time on Martin’s songs, which they asked me to sing.  Everyone said I sound just like Martin.  I guess that’s not far from the truth.  I’ve been going over some old recordings we did together and can’t always tell who is singing what part.  I was playing sax as well as keyboards and singing.  I’ve been playing more and more on Martin’s old sax, a Selmer Mark VI tenor from the late 1950’s and really growing to love it.

After that I went back to Kathleen’s house and hung out with her and the kids.  We’re trying to spend some time with them, be more of a presence and get to know them better individually.  This time it was mostly Charlie and Abbie I was talking with, with Match interjecting now and then.  I also seem to be their dog Gus’s new best friend, having played countless rounds of fetch with him.  I spent some time talking with Kathleen’s father Charlie too.  We went for a hike later in the afternoon in some nearby woods overlooking the escarpment and, at the furthest point out, offering a scenic view of Albany.  Apparently it was one of Martin’s favorite hikes.  Kathleen and Jeannie and I went out to dinner with John and his wife Linda, who had been raising alpacas for their wool.  Abbie and Ellie and their cousin Bailey came too.

Next morning we spent more time with the kids.  Jeannie taught Abbie how to fold Sonobe modules, a kind of geometric origami system that’s very popular.  I helped organize some stuff in Martin’s studio.  I found a notebook of some of his older songs.  He never seemed to write down his chord progressions, but sometimes there were hand drawn tabs in the margins.  He liked to explore patterns alot and figure out the names of the chords later.  The concert was out at a brewery about a half hour from the house.  I got there around 1:30 to set up.  The stage was out at the edge of a big lawn behind the brewery, bordered by wildflowers all around.  Out in front was a bunch of picnic tables and a shelter.  A very nice scene.  With four bands on the bill the stage was pretty full: two drum sets, three keyboard rigs, multiple guitar amps.  The bass player Dan was in all four bands, so we pretty much front and center the whole time.  The first two bands did a mixture of covers and originals, all very good.  The overall vibe was a cross between the Grateful Dead and the Barenaked Ladies.  I spent the time meeting and talking to alot of Martin’s friends.  He definitely made an impact on people.  Alot of people seemed to be part of extended family clans, like Martin and Kathleen.  Also a whole networked scene of musicians.  There was a food truck there that served dumplings.  Very yummy.

The East Berne Band went on third, and we started with Lorissa singing, doing a bunch of songs which we hadn’t rehearsed and I didn’t know about.  So they called out the key (sometimes) and I followed along by ear and watching the bass player’s fingers.  I sang Martin’s songs, One of These Days and Making Miles, and both went well.  I almost made it thru without breaking up, but then I looked out into the crowd and there was Jeannie and Kathleen crying.  Still, overall a fun and joyous occasion.  At the end of our set, a bunch of musicians from all the bands came on stage for an epic jam session to close out the day.  Tons of fun.  Lots of good feeling and healing energy.  I hope they do it again sometime.  Meanwhile we’ll be back up there to visit again before too long.

Making Miles for Martin

This coming weekend would have been Martin’s birthday. On Sunday afternoon his rock group, the East Berne Band, is putting on a benefit concert in his memory up at the Wayward Lane Brewery in the greater Berne area, in the hills between Albany and the Catskills Albany where he used to live. I might also be sitting with another one of the bands on the bill, One Wing Duck, which I as understand it is sort of a jam collective of which Martin was also a member. I haven’t played a rock show since before the pandemic, so I’ve been learning a bunch of new songs and practicing real hard. We’re doing a couple of Martin’s originals, including one I hadn’t heard until a few weeks ago. It should be a fun time with some great music.

The Brothers Zing

Martin and I have been making music together from the time we were little kids. I’d always dreamed of putting together a live band with him someday to perform our original songs. With the upcoming release of the fifth Buzzy Tonic album, now is a good time to look back the first Buzzy Tonic album, called The Brothers Zing, a collaboration between Martin and myself. Actually, the album was originally called Buzzy Tonic and the name of the group was The Brothers Zing. (I retconned it just like certain film directors add a subtitle like A New Hope to their movie after it’s been out in theaters a while, then years later try and play it off like the subtitle has always been the actual title. But I digress …) I should mention that Martin came up with the name Buzzy Tonic, meaning both a description of the sound, consonant yet distorted, and also some kind of intoxicating libation that staggers the mind.

Back in 2004 or so, twenty years ago now (wow!), I was in a sort of musical hiatus and looking to do something new when Martin approached me. The idea was to do a virtual collaboration, which was unusual at the time. We built matching ProTools based recording studio setups, and we’d send files back and forth, building up a song track by track, changing things around and refining them as we went. We wrote, arranged, preformed and produced eight original songs in a period of about a year.

For me it was a big step forward in many ways. It was the first time I’d really written rock songs with a lyric (I’d previously written mainly jazz instrumentals up to that point, and I’d done a whole lot of computer and electronic music) and focused on an actual album of songs, with the aim of producing a professional quality record. He gave me alot of confidence to step up with my writing and singing. He also wrote a computer program called Guitar George to help him figure out how to play guitar voicings for all the crazy jazz chords that appeared in my songs!

Obviously it was fun and successful, and I’ve kept on making records, getting better with each one. Martin had to drop out of the second record due to other commitments, and I sort of took it over as a a solo project. He remained very generous, contributing one song for every album (except the jazz instrumental one), and often adding vocal or guitar parts to my songs, and giving constructive critical feedback along the way. In fact, I kind of think of all the Buzzy Tonic records as being in a way by The Brothers Zing. And don’t worry, we’ve done other project before and after, so there’s more music from the two of us in the offing.

Meanwhile, you can hear the songs here:
https://zingman.com/music/#BeeZee

And learn all about the the songs and making of the record here:
https://zingman.com/music/beezee.php

Enjoy!

Plutonium Dirigible

It’s been another fun and busy week for music.  Last Thursday I saw the current touring versions of the classic prog bands Yes and ELP at the Capitol Theatre.  It was a really good show.  The only surviving member of Emerson Lake and Palmer is Carl Palmer, and he did an ELP tribute show that combined live musicians with canned tracks and video from ELP’s 1992 tour.  It was pretty effective.  They opened with Karn Evil 9 1st Impression Part 2.  Both the bass player and the guitarist had midi pickups on their instruments.  Once the singing part was done the bass player played the organ solo, and then the guitar player did the synth solo.  Very impressive.  They did one new tune with no legacy tracks, a pretty cool instrumental prog jam.  The only thing I didn’t love was using vocals from old fat 90’s Greg Lake rather than from the 70’s when the band was in their prime, but I guess they didn’t have isolated tracks they could use from way back then.

Yes was actually Jon Anderson with The Band Geeks, a Yes tribute band he apparently saw on the internet and asked to tour with him.  They were very good, actually better than some versions of real Yes I’ve seen.  The bass player and and guitarist in particular leaned heavily into the classic sounds of Chris Squire and Steve Howe, with the the same instruments, and every nuance of every riff lovingly memorized.  The set was entirely the big numbers off The Yes Album, Fragile, and Close to the Edge, with one new song that fit right in.  Jon can still really sing and lead that great vocal harmony sound.  And, sitting on 12-string acoustic guitar for And You And I was special guest John McLaughlin!

Then on Saturday night I saw my friend Erik play a set of rock covers on the patio of a bar next to parking lot in Hastings.  I haven’t seen him since before the pandemic.  Good to get together and talk, even if only briefly.  I’ve been trying to connect with friends again recently.

Also, I biked twenty-six miles in an hour and forty-five minutes on Sunday, a personal best for the season.

But the big news for tonight is the tracks for the new Buzzy Tonic record, Plutonium Dirigible, are complete! 

You can hear the tracks here:

https://zingman.com/music/#beezeevee

And learn more about all the songs and the whole project here:

https://zingman.com/music/beezeevee.php

All that remains is the album artwork and to submit it for publication. So watch this space for the release of the album on CD and streaming services in a few weeks.