New Song: Mo’bility

My new song Mo’bility is ready. You can listen at:

https://zingman.com/music/mp3/bziv/Mobility29.mp3


This sure changed alot since I wrote it. It was originally more of a Hank Mobley vibe. As mentioned before, now it’s sort of a hallowe’en cartoon-jazz jump stride swing thing, featuring the Hungarian minor mode and 7/8 meter. The arrangement is for soprano and tenor saxes, with some midi trumpet and vibraphone rounding out the melody instruments line. The rhythm section consists of piano, bass and drums, with bass being more-or-less double tracked fender electric bass and midi synth bass. Additionally there’s some mellotron strings in there for extra sweetness/spookiness. Finally, I wanted a gong sound but didn’t have a good sample, so I recorded hitting the cymbals of my drum kit with mallets and letting them ring. It turned out to sound great, and perfect for the part. Enjoy!

Also updated mixes of some previous songs.
https://zingman.com/music/mp3/bziv/HeavyWater37b.mp3
https://zingman.com/music/mp3/bziv/AutumnEyes32.mp3

Hippity Hoppity

Spring continues. The days are getting longer faster, and the nice weather appears more often than not. More and more people I know have gotten the vaccine and getting hopeful about life returning to normal soon.

We didn’t have much of a spring break this year, but it was enjoyable. Busy with work and stuff. Jeannie and I both took a long weekend off from work, and Lizzy came home for the weekend. Hard to believe she’s graduating college in just a month or so. We had family game night Friday night, which was lots of fun. On Sunday we went down to Queens to visit Jeannie’s parents, and Lou and my neblings came over too. It was good to see everyone in person, even if it was pretty low key.

We normally try to go to a museum or day trip this time of year. We haven’t picked a place yet, but we’re looking at next weekend. Most places are running at limited capacity and you have to get tickets in advance. Michelle has asked that we go Washington D.C, this summer to visit a few more museums. That might happen. We might even get back to Ohio for the Centerfold origami convention, and swing my the National Air Force Museum while we’re out that way.

I finished diagramming my Platypus model, called Gladys the Platypus, for the Origami USA 2021 Convention Collection. This is my first new diagram in some time, and hopefully I’ll get back into the groove with that. I hadn’t been that motivated to do much origami during the pandemic, cuz all the conventions were cancelled, and I don’t enjoy the online ones that much. But I’ve been involved in planning and setting up the 2021 OUSA, that includes a virtual gallery, and there may even be some live, in-person conventions later this year. So I’m starting to get back into folding again.

Project dirt continues. I’m up to thirty wheelbarrows of dirt, and have gotten maybe two-thirds of the way around the yard. I filled in one really big low spot on the north side of my house that took four loads by itself. It’s good to spend some time outside, and it’ll be really nice when it’s finished. I made a pretty good dent in my neighbor’s dirt pile, but he has a whole swimming pool’s worth, so there’ll be plenty left.

Smarch Smadness

We’re coming up on a year under the pandemic. Last year on February 28 was my last live gig with a band. At least the first hopeful stirrings of spring are afoot. A week ago I was a-shoveling snow, and it seemed endless. Then we had a few days of warm weather and rain, and vast quantities melted away. Now only the rump ends of the biggest snow piles remain. Only downside is we didn’t go skiing this weekend as planned. Ah well, it’s supposed to turn cold and snow tonight. In fact it’s storming out right now. Hopefully we’ll get back on the slopes one more time next weekend.

I’ve been working on my Computer Jazz record this whole winter. I’ve been mainly focused on Lift Off, but it’s taking a long time because it’s a difficult song and I’m trying to capture some subtlety in the arrangement. I got the organ part done, including the solo, and made some changes to the piano part to make them fit together better. Also been working on the drum solo and the overall form. Even laid down a first take of the sax part, which was not too bad. But it was starting to feel like hard work. So I took a break from that to focus on Mo’bility instead.

I wrote Mo’bility for my last jazz group and it always went over really well live, with it’s danceable gypsy-jump vibe. For the studio it was shaping up okay, but didn’t really have the tone and character I wanted. It needed a bit of Raymond Scott cartoon vibe. The other night at rehearsal we working on a different original of mine, and somehow the the feel shifted to 3/4 time. It was pretty interesting, and got me thinking about different ideas for the meter and groove for Mo’bility. I changed it to 7/8, and it was just the thing the song needed. The arrangement fell together pretty quickly, and is very satisfying, just a little unbalanced. I quickly got up to the point where it was time to record the live instruments, soprano and tenor sax, and bass guitar. Unfortunately it’s much harder to solo on and groove on now, so I have to practice it a bit. Still this song should be in the can pretty soon.

As I’ve mentioned, it’s been a long pandemic. We’ve been watching alot of movies on the weekends, and seem to have fallen into a zone that includes a good amount action-adventure-scifi-fantasy. In addition to a number of family all-time favorites, there are lots of great movies that Michelle has never seen and I haven’t seen in along time, and lots of great movies out there that I’ve never seen. So we’ve started making lists of movies we want to watch.

I tried to make a list of my 100 favorite movies. It ended up more like 70 or 80 all-time favorites plus an equal number that might or might not make the cut. Still there are some definite trends. The oldest movie is from 1940 (Fantasia) and the newest from 2017 (Thor Ragnorok). By decade so far there’s 8 from the 1960s, 12 from the ’70s, 30 from the ’80s, 8 from the 90’s, 21 from the ’00s and 5 from the ’10s. The most movies in any single year is 5, for 2003 (The Lord of the Rings: The Return of the King, Master and Commander: The Far Side of the World, Kill Bill Vol. 1, Big Fish, Underworld). Favorite directors (appearing more than twice) include Steven Spielberg, Quentin Tarantino, Peter Jackson, Terry Gilliam, Chris Nolan, James Cameron, George Lucas, Francis Ford Coppola, and Robert Zemeckis. For directors I counted multiple movies in the same franchise if I like them (e.g. all the LotR movies but none of the Hobbit ones). For actors I didn’t count them again if they reprised the same role in a sequel, even if both movies are favorites. Favorite actors (in 3 or more movies) predictably include guys like Arnold Schwarzenegger, Harrison Ford, and Samuel L. Jackson. Perhaps more surprisingly it also includes Billy Crudup (Princess Mononoke, Almost Famous, Big Fish, Watchmen), Keith David (The Thing, They Live, Princess Mononoke), Frank Oz (Star Wars, The Muppet Movie, The Blues Brothers), and Ian Holm (Alien, Brazil, Lord of the Rings).

Our newest hobby these days it to re-imagine a favorite movie as done by the Muppets, and try and and fill out the cast. Go ahead and try it. it’s lots of fun! Like I said it’s been long pandemic.

Bring on the Night

Winter continues. Cold and dark, but at least we made it thru January. Too bad the Bills did not win the AFC championship game, but KC and Mahomes were just really so good. We did enjoy watching a few games with wings and nachos and beers. Josh Allen is young and the Bills are up-and-coming, and at least they’ll avoid renewing the Super Bowl curse.

Meanwhile, we had an epic snowstorm the last two days. A good eighteen inches, maybe two feet, the biggest snow in probably five years. I went out yesterday around noon to shovel and there was already a good foot on the ground, but light and fluffy. By the time I was done another inch had fallen. Today the snow stopped and we went out to shovel again, and it was all wet and heavy. Ah well, it’s done.

In preparation for the storm we watched the classic 1982 John Carpenter movie The Thing. Still a great movie after all this time. Great soundtrack too.

We’ve reformulated our Thursday jazz group with a new piano player Josh. He used to be in a group with Ken and the old drummer from Haven Street, Dan. He fits in quite well in terms of playing, vibe and temperament. In addition to standards we’re doing jazz adaptations of rock and pop songs. So far we’ve hit You Can’t Get What You Want (Till You Know What You Want), by Joe Jackson, which is a favorite that we used to do in a couple rock bands. Also Walking on the The Moon, which works great and turns into something dreamy and ethereal, and Peg by Steely Dan, which also works great, bouncy and bluesy. Next week we’re gonna try Some Skunk Funk by the Brecker Brothers. I went back and listened to the record Heavy Metal Bebop, which I haven’t put on in quite some time, and it just blew my mind, just how far ahead of its time it was. I also forgot that the drummer was Terry Bozio, before he joined Zappa.

In home studio land, I finished my guitar-driven rock song, Why Not Zed, back around Xmastime, and started recording another, All of the Above. I also hashed out the first few minutes, from the intro thru the verse and chorus and into the solo section, of the prog epic Plague of Frogs. But I put these all aside for a while to work on another jazz number. Lift Off was a song I wrote for Haven Street, inspired by John Coltrane’s Countdown, and featuring lots of half-step modulation inside ii-V’s superimposed on a harmonic structure borrowing tonal ideas from the standards Have You Met Miss Jones? and A Foggy Day. Gary brought his Wes Montgomery mojo, which fit the song perfectly and helped sharpen the arrangement.

For the studio version I’m recasting it for tenor sax and organ, with a typical rhythm section of piano, bass and drums. For bass I used an 80’s-sounding synth bass, just as scratch part, but then I like the sound of it and may very well end up keeping it. The tempo of the song is 210 bpm and I don’t know if I can walk that fast on the fender bass anyway. I’ve been experimenting with two bass parts (synth and bass guitar) for alot of this record, so I’ll come up with something else to do on the fender: counterpoint, accents and embellishments. Meanwhile I put down the piano track, which I really played. There’s an arrangement behind the head, then many choruses of comping, and a solo. I laid down the solo last night, and it came out well. even playing at the real tempo. Next comes the organ, which is key to the arrangement. I might end up swapping some parts between the piano and organ; we’ll see how it sounds. Then there’ll be a pass tweaking the bass and drums to give them more dynamics. There’s a drum solo in there too, trading fours with the sax and then just horn and drums for a chorus. Might add in a layer of live drums. Lastly, I’m really psyched to lay down the sax part. I feel like my playing has gotten alot better over the last year and I can really slay an uptempo bebop number.

At my new job I’ve been learning the Google Firebase platform. This is a so-called “serverless” suite of infrastructure components to run the backend of web and mobile applications. It seems to be just the thing we need, and includes services for hosting, auth, file storage, database, backend logic, and analytics. Saves us from having to spin up our own servers and databases and build it all ourselves. So far it all seems to be pretty good. There’s lots of admin controls and vast documentation; not surprisingly there’s alot to know to come up to speed. Still, after less than two weeks starting from zero I have a site with auth and file storage working end to end, and I hope to be talking to the DB tomorrow. Hopefully next week I’ll turn the corner into actual application development and figuring out how my piece fits in with our other products. I guess if there’s one thing Google is good at, it’s writing software. Nevertheless, it feels a bit like a deal with the devil you don’t know. They have their tentacles in so many pies, and the days of “don’t be evil” are long gone. Just this week I read about how they wiped out something like 100,000 negative reviews of the Robinhood app after it locked its users out from buying shares of some stocks, in order to protect some greedy hedge fund guys who way overreached. Interesting times, one thing for sure is they keep on a-changin’.

New Song: Heavy Water

The second of three new songs is nearly done. Listen at:

https://zingman.com/music/mp3/bziv/HeavyWater36.mp3


Heavy Water was originally envisioned as a funk-fusion thing a la the Headhunters, built on a riff played on the fender rhodes and clavinet, but it took on a more videogame vibe. Structurally it began with an idea of writing a song with four chords in a loop. This turned into two contrasting four chord loops alternating in an AABA pattern, with a middle section in a BBAB pattern, and then iterating in a fractal sequence. Layered on that are different levels of space and intensity to the groove.

Keeping with the whole computer jazz concept, the music explores the interplay between the human and the machine. There’s both a sequenced synthesizer bass and a fender electric bass played live. Similarly, there’s a synth in melody ensemble along with the saxophones.

I had a pretty specific idea of how I wanted two saxophones to weave in and out with the synthesizers. The middle part of the song features fugue-ish noodling in lieu of a more traditional solo section. It builds from being mainly tenor sax, to tenor and soprano together, and then all three. A breakdown and build before the final recapitulation of the head gives the return more momentum.

One great source of inspiration for the interplay of the two saxes came from a record called Two of Mind by Jerry Mulligan and Paul Desmond. I came across this record last year while listening to different versions of All the Things You Are. The way these two guys interact is just fantastic, a real joy to listen to, a forgotten gem of the cool jazz era. It turns of this is actually the second record they made together, and the first one is just as good, with a great version of Body and Soul.

Lastly I mixed in some machine noise. This was sort of a happy accident. I was down in my studio when Michelle fired up Jeannie’s 3-D printer to make something (a dice jail, I think). It made a really fascinating noise, kinda rhythmic but also melodic, kinda repetitive but also not predictable, in short very jazz-like. So I had to record it. It got me thinking about how one might print our specific shapes to make the printer play a melody. But that’s a whole ‘nuther project…

New Song: Autumn Eyes

The first of three songs I’ve been working on is pretty much done. All that remains is the final mixdown and mastering. You can listen to it at:

https://zingman.com/music/mp3/bziv/AutumnEyes30.mp3


I wrote Autumn Eyes for my former jazz group Haven Street in the winter of 2019. Lots of moody, modulating jazz chords and a strong, undulating melody. I originally called it Winter Wolf Whisper. I had the image in my mind of wolf cubs frolicking in freshly fallen, powdery snow, in gentle slow motion. Once I brought the song to the band the sound changed. I had envisioned it as a swinging mid-tempo number like Maiden Voyage, but as we developed it, the song pretty much became a ballad.

Of course doing it on the computer required changing the feel too. One big change was the drums. The main drum part is sequenced, and the playing is pretty minimal. I had the idea to augment it with a live drum part, mainly to get the sound of brushes, which I can’t to do with samples.

The spine of the tune is the piano part. The beginning has the sax and piano playing the melody in unison for eight bars. This was always a challenge to get tight playing live; maybe we should’ve changed the arrangement. But I wanted to use it in the studio version. For the sound, I blended a grand piano with a Fender Rhodes, to give it a bit more smoothness, fullness and shine. I did the bass part on the electric bass but adjusted tone to be jazzier. When we did this song live Jay played upright; the electric changes the character of the piece. I wrote the song with soprano sax in mind. I recorded a version on the tenor, but ultimately went with the soprano. It all hangs together nicely and gives a convincing illusion of spontaneity among a group of players. I tried to approach each solo differently in terms of melody, rhythm and pacing.

I added in some synth strings and bells, just some subtle backing. Last thing was I recorded a live drum part to blend in with the electronics. It’s mainly brushes on the snare drum and a few tom fills and cymbal hits too. I used the Jimmy Page/Gyln Johns method of mic’ing a kit with two mics. One is overheard focused on the snare. The other is well out in the room in front of the kit focused on the kick drum. As a sound check I played some grooves and fills and hits, just to get a sense if how this might work for other songs. It came out quite well.

Na-Na Na Na, Hey Hey Hey, Goodbye

It feels like I’ve been so busy recently I have no time to get anything done.

The patio is all finished, and it came out great. I got the patio itself done before the end of October, finishing up on Halloween day by filling in the cracks between the stones with sand. The last week of October was kinda stormy and rainy but the first part of November has been mild and beautiful again. The leaves area all golden all around right now. But the days are getting short fast. Suddenly it’s nighttime at five o’clock.

After the patio there was some landscaping to do. The main thing was to use up the pile of dirt that I created digging out the area. Some of it went to fill in low spots in the yard, and the rest to making a slope from the edge of the patio into the existing yard.

I have a hydrangea shrub in my year, right at the edge of the patio where it meets the house. The last task was to move it a couple feet so it would have more room to grow. Unfortunately the thing has grown so big that I was unable to get it out of the ground. I dug around it but couldn’t actually get underneath, and it wouldn’t budge. So I filled it back in and that’s that.

With that done and winter coming, hopefully I’ll get a bike ride or two in before the end of the season. And get back to origami soon.

The recording project proceeds apace. I got my strings and bells in on Autumn Eyes, just a subtle of backing in a few parts. For the bells I’m going for an 80’s DX7 era ice chimes kinda sound. Still gotta track the drum brushes and mallets parts; been thinking that thru.

I did a first pass at a sax solo on Why Not Zed, and the mood is right but I need to get more facile on this changes. It’s an easy part on guitar but on sax it’s got alot of modulation. Kinda like Well You Needn’t by Monk. I added a synth part too. Each new voice is pulling it in a different direction. I like the chaotic effect but it might be a bit much.

And the Cradle Will Rock

It turns out it’s alot easier to listen to all the Van Halen albums than all the Rush albums. There were only six of ’em back in the day with Diamond Dave, and many of them are barely over a half hour long. I guess I’ll try some of the Van Hagar stuff to, since I stopped following them after 5150 and only came back for A Different Kind of Truth. In other listening, I’ve been getting into Mingus, Gershwin, Ravel and Franz Liszt lately.

The patio project is on! Two weeks ago Friday I went down to the stoneyard and met with the guy and placed an order. A couple days later he called me saying he didn’t have all of the big 2’x’3′ stones in inventory (yeesh!), so I had to adjust my plan. A week ago Friday the stuff was delivered.

Last Saturday I started digging out the area, down 8″ or so. Shoveling is probably the hardest single job because dirt is pretty heavy and after hundreds of reps the stress accumulates on lower back. So I decided from the beginning to mainly work in sessions of a couple hours every day.

Since the project involves alot of heavy lifting, I’ve temporarily modified my workout to reduce the number of reps and amount of weights I’m doing. Unfortunately I haven’t been doing much biking recently cuz the time I would spend doing that is going toward the patio instead. Ah well.

Sunday I started laying in the stones to form the edge. I’m using 16″ x 8″ concrete pavers for this, and need 21 of them for my perimeter of 28 feet. The work involved more digging out, and lots of measuring, as well as actually seating the stones and packing them in with dirt and fill. So the first session I only got three done. Next day my pace improved and I got five in. The day after there was less measuring, just filling across in a straight line, so I got six done, and the last seven on Wednesday.

Thursday I took a day off. Friday I pulled out the old stones on the edge of the patio where I’m extending it, leveled out the bottom, and started filling in the fill. This was an extra long session, three or four hours. I got 10 wheelbarrow’s worth of fill in, probably half the total if you include what I brought in to seat the edging stones. Sunday I was hoping to finish the fill, but it got harder to shovel as the pile got lower, so I stopped after another nine wheelbarrows. I have about that amount remaining.

Today it rained all day, and it’s supposed to rain tomorrow too, so I’ll get back to it in a few days. After putting in the fill I have to tamp it all down, then start in with the sand and the actual stones. Finally there’s some landscaping, moving a shrub, grading the edges, filling in low spots in my yard with leftover dirt, putting down grass seed. I’m hoping to be all done by the end of October. Jeannie is already shopping for a fire pit to put on the new patio.

The weather had been super nice the last few weeks up to today. September just kinda slid into October without us even noticing. It’s been sunny, in the low 70’s and dry; we haven’t had rain in weeks. Last night was the first night it got cool and today I even ran the heat for a little bit. I’ll probably take out the air conditioners this week.

My recording project is proceeding apace. I tracked the bass parts for Why Not Zed? and Heavy Water. Once the bass part is down, the song feels reel because it’s the first audio (as opposed to MIDI) instrument. No more going back to change the tempo or key or structure or feel. I’ll usually practice and do a few takes over a few days, to really get a feel for the song. While I’m at I’ll tweak the drum part if necessary to make it groove better here and there.

This evening I also laid down the guitar part for Why Not Zed? Y!Z is a heavy rock song, while the others are jazz ballad and a sorta funky fusion number. A few months ago I did the guitar for The Story Lies. It felt so laborious and involved alot of experimentation before I got the setup right. This time it couldn’t have been easier. I split the output of the guitar and recorded one channel clean and the other thru my stomp box. I used preset #60, a basic heavy distortion, very meaty. The part went down just like that, in one take. I discovered a great voicing for a 7#9 chord to end the song on. I recorded a second take, even though I probably didn’t need to, just cuz I was having fun. I almost feel like the guitar is secretly easier than any other instrument, at least at a certain level. Maybe that’s why there are so many mediocre guitarists out there.

Anyway, next up is vocals for Y!Z, then it’s on to saxes on all three songs, and then whatever synths and keyboards I need to round things our.

Meanwhile, my drumming is continuing to improve. I’m up to 5- and 9-stroke rolls in my rudiments, and that’s also really improving my long roll. I can jam thru all kinds of basic rock grooves with different patterns on the kick drum, with more endurance, precision, dynamics and phrasing, and I can sustain faster tempos. Also learning my first Latin patterns, and some grooves in 5/8 and 7/4.

I’ve been learning Drupal for the OUSA web project. Recently it’s been alot of reading documentation cuz there’s alot of baked-in concepts, and bit of poking around and experimenting. Then the other day my friend Mark up in the Adirondacks called me up (yes they’ve already had snow) and asked if I wanted to help him with a freelance project. It’s in Drupal too, so this gives me a chance to sink my teeth into something way less complex, leveraging what I already know. The timing couldn’t’ve been better.

Lastly, Jeannie and actually left the house to do something social. We didn’t feel like going to a restaurant or anything for our anniversary. But then my friend Nick out on Long Island had an Oktoberfest party. He usually has a few parties a year, but not so much this year. This one was greatly scaled back, just a dozen or so people, and was all outside. We ended up staying late and talking half the night. Good to catch up with friends, but these are strange days and lots of people are going thru different things.

Party on the Patio

As sometimes happens, I’m in the middle of a number of things, all of which are at a point where there’s obstacles to moving forward.

Fall is here, the days are getting shorter and nights are turning colder. Soon the season for biking and rollerblading will be over. We ran the heat for the first time yesterday morning. Jeannie is back to commuting into the city, at least for the next few weeks. Michelle has started school. Last week she attended classes online; this week she’s going into the the school. She’s pretty happy and excited about that. I’m picking her up in the afternoons, since we don’t want her taking the bus or train under the current circumstances. I have the house to myself in the daytime for the first time since March. I’ve started getting up early again.

I narrowed down the number of songs I’m actively recording to three. They’re all coming along. This is the most satisfying thing I’m doing at the moment. Mostly it just takes time, but it’s fun to spend time on it. Doing creative work of any kind means a certain amount of thinking and exploring, which to an outsider can look an awful lot like doing nothing, and of course there’s always has the risk of coming up empty, or with an unsatisfactory result. So one must keep trying or move on to something else. Then, once in a while and idea comes together and way forward is clear, at least until the next obstacle.

For Why Not Zed? the chords and song structure came together pretty quickly and I’ve laid down a basic track with midi bass and drums. I’m practicing the bass and guitar parts to lay down fairly soon. It’s a fairly heavy, rocking uptempo number. I originally envisioned it as something like They Might Be Giants might come up with, but it’s leaning more toward Crimso Astronomy Domine with a pop-punk edge.

Heavy Water is also coming along nicely. I have the song structure, the piano part, a synth bass, and a sketch of the melody, which will weave between the sax and synthesizer. Also practicing the bass guitar part, which I’m gonna lay down at the same time as Why Not Zed?

Autumn Eyes (a.k.a. Wolf Whisper) is further along. The main thing it needs is the sax part, which I’m gonna record when I do the sax for Heavy Water. I took my midi drum part and sliced up up so I can control the level of the different elements of the drum kit, but the drums are pretty minimal on this one. I’m thinking of recording some live drums on it too, to get sounds I can’t get from a drum machine, like brushes.

Plague of Frogs and the others are on the back burner for now. I’ll continue to work on the arrangements while I track these three.

I’m improving playing the drums. I can do a roll now, although there’s room for greater speed and evenness. Working on that and a handful of other rudiments. I can play more and more beats with more solidity and consistency at different tempos. Working on solid kick drum and building up endurance, especially for double and triple hits. In addition to the grooves I’m reading out of books, I’m putting together a few in 5/8 and 7/8 time with different feels.

And – this is potentially exciting – I’ve put together a new jazz group. I think I mentioned I started playing back in July at Lagond, with Mike O. and Rich F. and a new version of the old jazz circle. I haven’t played with them for over a year, so it’s good to be back and nice the group is finding it’s sound and seems to be hitting pretty strong. We’re doing an interesting mix of material, some of which is new to me.

But that’s just a rehearsal band. So in addition, back in August I hooked up with a piano player named Steve, who was looking to get together and jam. I invited Ken on bass and Steve on drums (it seems there’s always two guys with the same name) and we had a quartet. In addition to jazz standards we’re doing some fusion things like Metheny, Joco, Michael Brecker, Chick Corea and Weather Report. Well dig prog rock too. We’ve gotten together three or four times. So far it’s pretty fun, sounds good, and it seems like everyone is on the same wavelength. Too early to really tell, but it may have legs. Or wings. On the downside, the piano player seems to have to travel alot for his job, so that may make it hard to get a weekly thing going.

Alas, the original-oriented rock group remains grounded for want of a guitar player, even though Ken and Steve are into it.

In other news, my origami book got to be far enough along that I’ve begun looking into publishing options. I have diagrams and page layouts done for nine models, and was working on the table of contents and planning out how many photos I’d need and of what models. The book was looking to be around sixty to sixty-four pages. I reached out to my friend John M and Marc K, who have a lot more experience publishing than I do, and they both had some good advice.

The main thing is I’ve decided to bring my book up to 120 to 128 pages or so, because that seems to be more commercially viable sweet spot. This of course means adding more models. In addition to the nine I already completed, I have five more diagrammed and ready to go; I just need to do the page layouts. Then I have three of four more designed and partially diagrammed, and another five or so that are partially designed but not yet fully worked out or diagrammed. So we’re looking at a few months at least. In the meantime I’ve decided I’m going to take some of the models and put them together in groups, essentially like a chapter of the book, and sell them as digital downloads on the Origami USA web site. So watch this space for that.

Speaking of the OUSA web site, I’ve signed on to create a new scheduling app for conventions and such, and began actively working on it in July. I’ve been working with Robert L., our webmaster, to get up to speed. The level of software to install and configure is pretty heavy. There’s Drupal, Drush, CiviCRM, PHP, a bunch of custom scripts, and whole host of other technologies on the stack. I’m the first person Robert ever tried to onboard, so we worked our thru issue after issue until I finally have the whole web site running on my local machine. Whew, it only took about six weeks.

Now I’m starting in the actual design and development. So far that’s been reading the existing code, the Drupal User’s Guide and Developer’s Guide and discussing thins with Robert. I’ve never written a Drupal module before, and the requirements are only partly clear. Ah fun.

Elsewhere in software development, the Global Jukebox proceeds apace. We’re looking to do another push to live in a few weeks, so it’ll be all shiny for the school kids using the classroom module. I recently put in a new piece of UX/UI to browse the new world taxonomy. It’s called the New Wheel, and unlike the Old Wheel, which radiates out from the center, but became too dense wit the introduction of the new Taxonomy, this one winds inward like the tumblers on a combination lock. It’s built entirely out of javascript, svgs and css and features cool animations. Very informative, intuitive and beautiful, plus the code itself is really quite good if I say so myself. After my last job at that chaotic startup, it’s so nice to able to have control over the codebase and actually write high-quality, well thought-out and well structured code.

Now we’re in the long tail of of random little bug fixes and usability issues, plus we want to get in a couple more minor features. I spent the last few days tweaking icons and going back’n’forth with Anna and Kiki about what everything things looks good and communicates the right idea.

Meanwhile Martin’s been looking at the backend, where our creaky old django/python app is in danger of being made obsolete due a pressing need to upgrade to a newer version of linux on our servers, in order to fix a timekeeping issue. Long story, big headache. Anyway he’s been doing alot and we’ll get there.

And lastly, the topic that was the point of this whole post, the Patio Project. Well this is actually Patio Project part II. Back when Michelle was a baby and our house was new I built a stone path around the side of the house and patio in the back yard. My dad came down and helped me with the patio part. It’s made of bluestone flagstones on a bed of compacted sand over crushed stone. It took us five days if I recall, and one of those days was making a concrete step.

Well now I want to enlarge the patio to go deeper into the yard, so I’m adding an extension of 4′ x 20′. There have been a few delays getting going on this project. I first started thinking seriously about it last summer, but it was too hot to work on it then. The fall came and went I was too busy with other stuff. Then I figured I’d do it in the spring, but then it was the pandemic and the lockdown, and suddenly building supplies were scarce and I was sick for a month anyway. Then it was summer and too hot again. But at least I made a plan and figured out what materials I’d need.

Shortly after Labor Day looked up the place where I got the stones and other supplies for the original patio. But they’re out of business, and the lot is now a parking lot for school busses. So this weekend I researched where else I might get stones and sand and all that. I found three places within a reasonable distance and sent them each an email describing the project, listing the materials I think I need, and asking for a quote. Two of them got back to me and were both helpful, although one forgot to actually attach the quote to his reply.

In any event, it looks like it’s on! Hopefully this week I’ll go to one of these places and pick out the actual stones and arrange the delivery. I figure it’ll be three or four full days of work on my own, all though I’m more likely to break it into several sessions of a few hours each spread out over a few weeks. I figure I should get done pretty easily by the end of October.

The Summer of George

We just got back from a mini vacation upstate. One can’t really do big traveling in these pandemic times. We couldn’t do camping this summer, and we couldn’t go down to Ocean City, things we do almost every year. So instead we planned a trip that was sort of a morph of the two. A few days of lakes and woods and mountains, and a bit of a beach resort, albeit on a lake. It was fun to get a break from our daily routine, and good for the soul.

The first day we drove up to visit Martin and his family, whom we hadn’t seen since Xmas. Good to say they’re all doing well. Charlie is getting good at origami. They have alot more ducks and chickens than they used to. We basically hung out on his porch and talked the whole time. Martin had just finished reading a book on prog rock called The Show That Never Ends, and by coincidence Jeannie and I were listening to Pink Floyd and Supertramp on the the car ride up, so there was some fun discussion around that.

We spent the next couple day at Lake George in the Adirondacks. Lake George village is a tiny town on the edge of a lake in the middle of a vast forest. And although it seems pretty dense locally, there’s only a handful of hotels, and it attracts people regionally rather than from further away. Walking around, the density of people is more than I’d seen in a long time, but the main drag is only one street, a few blocks long and it was easy to maintain distance.

We stayed at hotel called the Georgean which was like a mini resort. The rooms were like a motel and opened directly to the outside, so we felt a bit safer over that. Down by the lake’s edge was a area with a swimming pool and an outdoor bar with food, overlooking the lake, so we were able to eat outside and enjoy the view. The food was really good; we all had burgers and fancy drinks.

The hotel also has a little strip of private beach. Jeannie and I noticed they had sailboats that you can rent, so the next morning we went down to do just that. Only problem was there was no wind. So instead we got some kayaks, which was lot of fun too. In the afternoon we went around the opposite side of the lake and took a hike up to a ridge with some great views. It was a beautiful day to spend outside.

That evening we ate in the fancy restaurant attached to the Marriot across the street. All the places had a long wait for a table so we walked around town and spotted chainsaw bears. This place had outdoor seating too, and it started to get cold at night for the first time since the spring. They had a fun drink: a Manhattan with bacon and maple sugar. Yummy.

Next morning we got up and it was raining. We went out to breakfast and headed home since there was nothing to do outdoors. On the ride home we listened to Pink Floyd The Wall, an album that I haven’t heard since the 1980’s because it was just so overplayed. I must say it stands the test of time pretty well, and in some sense is surely a masterpiece with alot of great songs. David Gilmour’s guitar solos are just out of this world. On the downside, it’s a concept album about wallowing in self-pity. Roger Waters’ shrieking and quavering vocals are not exactly pleasant to listen to, sort of the polar opposite of someone like, say, Billie Holiday bringing beauty to dark emotional territory. Luckily he only does about half the singing.

Being a double album, it’s also kinda long. Sides 2 and 3 definitely drag on. (I think just about the only double album I can listen to straight through is Songs in the Key of Life.) There’s probably a great 3-sides of music in there, and someone should just cut out the all connecting bits and semi-songs where it’s just Roger and a piano or a synth and some sound effects. While they’re at it, they should edit Animals down to 22 minutes or so and put that on side four.

Since we got home earlier then expected I read that prog rock book that night. Over all pretty interesting, except the author made some pretty obvious errors describing the ELP album Brain Salad Surgery. Ah well.

Now we’re coming down to the end of summer. I must the weather in August has been really nice, especially compared to the heat of July. Lots of mornings in the 70’s and afternoons in the low to mid 80’s. Enough rain that I didn’t even have to water the lawn. Everything has been growing like crazy and I did lots of extra trimming in the yard the last few weeks. Now the days are getting shorter and the nights cooler. Michelle starts school next week.

There’s stuff going on these days with music and origami, and the Global Jukebox, but I’ll save that for another post. Also coming soon: the patio expansion project.