Origami Animal Sculpture at Kinokuniya and OUSA

It’s on! Advanced copies of my book Origami Animal Sculpture will be on sale at the OUSA convention at the end of June in NYC and at Kinokuniya bookstore in Manhattan. Trying to get some buzz going. At the convention I’ll be teaching models from the book: the Moose, the Fox, maybe some others, and at Kinokuniya I’ll be doing a book signing event on Saturday June 28 at noon. This is during the convention but not at a time when there are classes or other activities, so I hope I get a good turnout. The good people at Kino are also making available some exhibit space. So watch this blog for further announcements.

It’s All Part of My Rock’n’Roll Fantasy

Lots going on these days. I finally had a long weekend to relax and catch up on some stuff. Went up up to see Martin, Kath and the kids. That was very nice. Martin is in his mountain man phase now, working on a ZZ Top beard. Also got himself some ducks and chickens and honeybees, and is thinking of getting a cow. Wow. Abbie is now old enough that she’s walking and starting to talk and is a full-on little person. Charlie and Match are happy and energetic and sweet and curious.

My scala class remains really cool but is also a huge time sink. I’ve talked to a few people including my friend Nick, and no one I know who’s taken this course has completed it on the first try. I’m now more than halfway thru – up to week 5 of 7 on the lectures and homework. My last homework was the first on where I got less than a perfect score cuz I ran out of time. Couldn’t do it during the workweek due to deadlines, nor over the weekend due to visiting Martin. Ah well, this week’s lecture seemed pretty easy, but the homework is to implement Huffman encoding. On the plus side my team at work completed our second perfect sprint in a row.

Unfortunately the lowest thing on my todo list is working on origami. The convention is coming up in just a month and I want to have some cool new stuff. Since I gave my one-and-only Stellated Dodecahedron to Uwen for the Copper Union exhibition, I undertook to fold another one. It’s been sitting ninety percent done on my table for three weeks now. On the way I came up with another idea in the Dodecahedron series. I’m calling it the Dimpled Dodecahedron and it closely resembles the Archemedean Icosidodecahedon. It’s sitting there ninety-five percent done. Ah soon.

Speaking of origami, my publisher is trying to arrange an event at Kinokiyuma bookstore during the OUSA convention, and also drop-shipping a shipment of my book to them and to OUSA in time for the convention. I’d be great if that works out.

But the main monkey business this days is with music. First off, my jazz combo invited me to join them as the main tenor man. Of course I accepted and am looking forward to attempting to channel John Coltrane and working on my soloing skills. Also thinking of dusting off some of my originals from Event Horizon and seeing how they go over.

Also, after weeks of just practicing, I’ve gotten back to recording. Worked on Your Dancing Shoes last night, got down a solid take of the piano part, which forms the backbone of the song.

But, you must be asking, what about the Relix? Last we heard the group was on a positive upswing. Well, all human organizations are fragile, and the Relix is entering a, um, transitional phase. First our guitarist Lee gave notice. Lee was the 12-string and hollowbody guy and added a perfect complement to Frank’s straight-ahead rock sound. The good news Lee agreed to lay down a guitar track on Your Dancing Shoes, which is right in his zone.

Immediately after Lee our singer Paul gave notice. Paul is going thru a tough time right now, but it still came as a shocker since it seemed that music was the main source of joy in his life. Of course not having a lead singer is a bit larger problem than losing a second guitar, plus Paul is also a great harmonica player and guitarist too. So we’ll see where it goes from here. We’ve got some replacement singers lined up to audition, but even they’re good, chemistry is important too. The guys in the rhythm section have both mentioned the idea of starting something new and have independently asked me to join them. I think if I start something new I think it’s gonna be Buzzy Tonic live, doing a mixture of my originals covers that showcase my singing and piano playing and reinforce the style I’m going for. Kinda getting back to what I was trying to do with Erik, but not so unplugged. Not sure if I’ll be able to fit the sax in, but that’s a secondary concern. The minimum viable product would a be a power trio – me with bass and drums, but I’d prefer a guitarist as well as a co-lead singer (Mike and Gus both sing backup) and preferably someone who writes. Even so, I have 20 or more songs ready to go, including 6 or 8 of my originals. Like I say, we’ll see how it goes.

Functional Programming in Scala

Lots stuff going on these days. I mainly finished the spring cycle of work on the cars, washing and waxing and getting ‘em into the shop for routine maintenance. The only thing remaining is to get the Mustang in for an oil change and the fluids topped off. Also started mowing the lawn a week ago. All our flowers are doing really nicely and the trees are all a-blossoming. The weather has been getting up into the 70’s fairly consistently, although we’ve had our share of rainy days. Ah, spring at last.

I’ve been taking a Scala course from Coursera, taught by Martin Odersky, the language’s inventor. This is after having read a Scala book over the last few months. It’s in the second week of the class now and it’s pretty intense. The lectures and books are easy enough to understand, and in fact very illuminating and even deep. But when it comes time to the assignments it feels like starting over, between the overhead of getting set up, the strong functional programming paradigm, and the language’s wacky syntax. It’s more than just learning a new language, it’s a new way of thinking. I did some Lisp in the 90’s but now I have to unlearn all my Java knowledge. Right now the focus is on using recursive functions in place of loops. Hopefully I’m far enough the learning curve that it should get easier soon. Either that or my Java code will start getting confused.

Elixr, Part I is now on Sale

Elixr, Part I is the new EP from Buzzy Tonic, my studio project. It’s on sale now at CD Baby at http://www.cdbaby.com/cd/buzzytonic4. Five great tracks show a continuing development of my style, mixing jazz, funk, prog rock, power pop and soul in a diverse and satisfying set featuring fender rhodes, saxophones, and synthesizers. Check it out, and if you feel so inclined, write a review.

While I was at it I updated my facebook page at: facebook.com/pages/Buzzy-Tonic/154441244594431. I haven’t done anything with this page in a long while, but my origami page on facebook seems to be getting a good response. So if you feel like it, go on over and give BZ a like.

Mix and Master

I just completed mix and mastering five new tracks for the forthcoming record Elixr. They are: Rocket to the Moon, Sea of Tranquility, Is It Safe to Go Outside?, Now and Forever, and Black Swan. I’m not sure if this’ll be the final order of the alum side but they do make a nice program. Soon they’ll be for sale on iTunes and CDBaby, so give ‘em a listen now for free while you have the chance!

Upcoming RELIX Shows

I hope you can come out and catch my band The RELIX one of these nights. Sure to be a good time with some awesome music. We’ve learned about twenty new songs since our last show. Spread the word!

Vintage Bar and Restaurant
Saturday April 12, 2014 9pm
171 Main St, White Plains, NY 10601
914-328-5803
www.vintagebar.net

THE FEZ
Friday May 9th 9pm
227 Summer Street, Stamford, CT – 06901
203-324-3391
www.thefez1.com

For more info see nycrelix.com

X-C

Winter continues. After several heavy snowfalls it’s been calm the last couple weeks, but still mainly bitter cold. Even now huge snowpiles linger on. Last weekend we actually had a couple days above freezing and I spent a good chunk of time outside breaking up ice to reclaim the parking spot on the street in front of our house. The parking lot at my train station is down a good dozen spots or more, between poor snow removal and people parking all over the place in response. After two or three days of parking in very sketchy spots a couple weeks back I’ve taken into going into the office earlier until spring.

Last year I didn’t go skiing at all, and this year when the conditions were best I was too busy dealing with shoveling out even think about it. When I did think about it, I was thinking I’d be lucky to get in one day before the end of the season. It’s gotten to the point where downhilling is a lot of overhead. You have to get up way too early and drive 2+ hours to get good snow, and when you’re there you spend a lot of time riding the lifts and waiting in line, just for a few runs. Although I must say a really good run can make the whole thing worth it. Still, it feels like the last few times went it was bitter cold and/or icy and not so enjoyable. With the kids in tow the cost adds up fast and they’ve grown kinda meh about it.

So this year I thought I’d get back to cross-country. I used to do x-c before I started downhilling, and over the years had some great x-c ski trips in the Adirondacks and in Yosemite. It’s much cheaper than downhill and a more relaxing vibe. I found a place called Fahnestock Winter Park. It’s not too far away, about 45 minutes up the Taconic, just a bit past Seth. By time I got a plan together Jeannie and the kids were all busy with other stuff. So I went by myself. It was just the thing I needed, a nice peaceful day in the woods. Only thing is that the conditions were icy. But now that we know it’s there we can cruise up next year any time we there’s fresh snow.

Expanded Penrose Tessellations with Robots

Believe it or not we had two more snow days this week! On Thursday I broke my snowblower clearing out 15” or wet, heavy stuff. Thursday night was had more snow and Friday it turned to rain, and then more snow for a slushy and mess. Oy! Well the weekend came and some sunshine, and a chance to get caught up on my rest. And the Olympics are on. I never really get into the summer games very much, but I do enjoy the winter games. In any event, I’m sure everyone is looking forward to spring.

My origami friends Brian and Beth are going to be getting together at a maker event next week, where they will have access to a large cutting machine. Brian asked me if I could provide a cutter-ready file of the crease pattern for one of my Penrose tessellations. When I worked on this before, folding by hand, I did the first three expansions, creation patterns with 10, 35 and 70 cells. With the prospect of the machine doing the scoring, larger tessellations become feasible. I created CP’s for the next two expansions, which come out to 105 and 175 tiles. These numbers are really interesting, because they are all multiples of 5 and 7. 2 x 5 =10, 5 x 7 =35, 2 x 5 x 7 =70, 3 x 5 x 7 =105, and 5 x 5 x 7 =175. You’d expect five, but it’s very strange how seven figures prominently as well.

As for the CPs, I was able to dispense with all the landmarks and only include creases that appear in the final model. This ought to make the folding go much faster as well as providing a cleaner appearance. In addition, I shortened all the line segments so that the intersections don’t get scored, to avoid weakening the paper. Lastly, I color coded the creases so that the facets are blue, the ridges between the are red, and the creases for collapsing the intersections are grey. This was fairly time consuming, an unexpected but fun little project. Good for waiting for the snow to melt and watching the Olympics. Having worked the CP out to 175 I think I’m done with this for a while. If you’re an origami person with access to a cutting machine and are interested in trying one of the patterns, please feel free to contact me. Meanwhile, I’m looking forward to seeing how Brian and Beth’s experiment comes out.

Cover Up

Great news! my book, Origami Animal Sculptures has gone to print. Last week was a flurry of even-more-minor corrections and finally approvals. The publisher sent my comps of the final cover including the back and the return flaps for the dust jackets. I finally got to read the endorsement blurbs from fellow origami artists John Montroll and Marc Kirschenbaum. I sent out the requests months ago. Thanks very much for your kind words, John and Marc. Also the back cover looks really great with thumbnails of the models taken from Bob’s photos.