She’s Leaving Home

We just got back from another road trip. This one was up to Buffalo to drop Michelle off at college. Yep, she’s a freshman at SUNY at Buffalo, majoring in aerospace engineering. Jeannie and I are officially empty nesters.

The week before was a hectic one, full of Michelle packing and getting organized, and getting ready mentally for a big change in her life. She was mostly looking forward to it, but a little bit nervous too. Lizzy, on the other hand, was psyched to have her sister coming to town. Last Saturday and Sunday it rained all day, so we didn’t have a change to pre-load the car. Monday morning we got up early and the rain stopped just as we started to load in, so it all went pretty smoothly and everything fit.

Monday night Lizzy invited us to join her and her friends for trivia night at a local bar where they have a regular team, because I know all kinds of useless facts. I used to wonder about whether we’re turning into our parents, but she’s already turning into us. I recently asked her what new music I should listen to, and she said she’s listening to alot of classic rock these day cuz it’s always a topic for trivia. Anyway, it was a fun night and downtown Buffalo continues to be hip and trendy. We came in 3rd place, which is much better than they usually do, because I knew things like Alice Cooper’s real name, who the programming language PASCAL was named after, and the height of Mount Everest. We would have done better if they’d listened to Michelle when she correctly identified the Australian flag, instead of guessing New Zealand.

Tuesday we moved Michelle in. It went smoothly enough, except it was unusually hot the whole week we were up there, and her dorm does not have air conditioning. Her rooms is on the third floor, so it was alot of trips up and down the stairs. As we were moving in we met Michelle’s roommate and her family, who are from Long Island, and like Jeannie and me are UB graduates. After we unloaded everything we took Michelle shopping for all the stuff that we didn’t bring up with us. After that we went up to North Tonawanda to meet Lizzy at her work because Michelle was inheriting the fridge we bought for Lizzy when she lived in the dorms. Later that evening we all went out for dinner a burger place on Maple Road.

Wednesday Jeannie and I mostly hung around my parents’ house. We went for an epic walk in the morning, but by the time we returned it was already pretty hot. We had BLT sandwiches for lunch, with fresh tomatoes from their garden. It’s tomato and peaches season right now, and they’re having a bumper crop this year, so we ate lots of both every day. Brought some home too. Yum!

It seems like every time I go on vacation it aligns with a mini-crisis on the Global Jukebox, and this trip was no exception. There was a deadline with lots of last-minute design changes, so I ended up working that day and evening and doing a push to the live site the next morning. I had a chance to practice guitar too, and learned the Beatles song She’s Leaving Home, which Jeannie found very annoying for some reason.

Thursday I went rollerblading in the morning. My parents’ neighborhood is nice and flat, with smooth streets and very little traffic, so it’s perfect. I did two whole laps of the neighborhood, and found one street that was unusually smooth, so I went back and forth on it three times. In the afternoon we visited the Buffalo Museum of Science, which I had not been to for at least thirty years, and had been heavily remodeled. It made a big impression on me as a kid, and I was happy that my three favorite artifacts were still around: the skeletons of a triceratops and and allosaurus, and a giant globe with the ocean floors shown in relief, although they’d all been moved to different halls. There was also a hall of taxidemified animals and anthological stuff, like a mini version of the New York Museum of Natural History. Some of the upper floors were filled with newer, interactive learning exhibits, but it’s really the artifacts that interest me. Oh, and a Mastodon skeleton that I’d forgotten all about. Western New York is one of the world’s premiere sites for mastodon fossils, and, unlike Wooly Mammoths, they’ve never found a preserved specimen with its skin, so they don’t know if it was furry like a mammoth or bare like an elephant. They also had a pretty cool exhibit about the history of guitars, with lots of historic examples including centuries-old proto-guitars of various kinds, and lots of modern acoustic and electric examples.

That evening Jeannie and I took my parents, Lizzy, and Michelle to the Buffalo Hofbrau Haus, a big new biergarten right downtown, brought to you by the Munich Hofbrau brewing company. Lizzy had been there a few times before and thought my parents might enjoy it, since they were members of the local German club for years before it closed. Michelle was beginning to settle into her new situation, doing orientation stuff, making friends and all, although the weather was still unusually hot. The Hofbrau Haus was a good time, and pretty authentic, with live music featuring accordion, clarinet, cowbells, and lots of polkas. The food was Wiener schnitzel and bratwurst, and of course beer. It was alot of fun. Apparently the place gets pretty packed and raucous on the weekends.

Friday we had lunch with Larry and Jackie at a pub in Hamburg, and just talked for hours. What’s going on with all the kids, camping and bear stories, drumming, music, everything. Everyone is encouraging me to move back to Buffalo now, but Larry says the jazz scene is pretty small and there aren’t alot of really good players. It got me thinking about my old musician friends from the area, if any of them are still around and into prog rock.

Friday night was the King Crimson concert, the reason we stuck around a couple extra days. They’d played SPAC in Saratoga near Albany on Monday. Martin saw them there, and so did Mark from the Adirondacks. They played Bethel Woods near Yasgur’s farm on Wednesday, but at the time we were planning our trip we expected Wednesday to be move-in day for Michelle, so that wouldn’t have worked either. Anyway it turned out be a the right move. The venue was Artpark, which is semi-open theatre with lawn seating behind it, right on the shores of the Niagara River, between the Falls and Lake Ontario. I think the last show I saw there was Monsters of Jazz featuring Herbie Hancock, Pat Metheny, Jack DeJohnnette and (I think) Dave Holland in 1991 or so.

Unbeknownst to us until the day of the show, they’d closed the theater for the pandemic and built a new, smaller, all-outdoor venue on a hillside next to it, so we had to borrow some lawn chairs from my parents. It turned out to be a beautiful scene, a perfect summer evening with a view of the river, and idyllic ambient music of gamalan-like chimes and tones and the sweet smell of reefer wafting in the air as the venue filled up. We found a spot and Jeannie mentioned that there may well be someone we know was at the concert. A minute or so later I heard someone calling my name out of the blue.

It was my old friend Joe Q. At first I didn’t recognize him; it’s been twenty-nine years since I’d last seen Joe and he doesn’t look the same. But then I heard his laugh and it all came back to me. Joe was the bass player in the Cheshire Cat, probably the best band back in the late 80’s and early 90’s, when there was an incredible amount of talent on the local music scene. I fist met Joe when I was in tenth or eleventh grade, as part of the combined Kenmore East and West High Schools marching band, formed for the purpose of playing Buffalo Bills halftime shows, where we were both in the sax section. After high school, Joe and I were in a couple of bands together including Tafari, a mostly-reggae-with-some-Steely-Dan band with a horn section. I played the solo for Home at Last on the EWI. That band had half of Kenmore in it. Amazingly Joe is still playing music for a living. Rock on!

A few other people from Kenmore were three too. One was Mike M., the guitarist from Cheshire Cat. Apparently he got a bunch of free tickets because he and the drummer from the opening band were friends from Berklee School of Music. Another was Pete D., who was guitarist for the Automatic Man. Automatic Man were a jazz fusion band with Mike, Pat O. on drums, Jim W. on bass and myself on sax. We played every Monday night at Broadway Joe’s for about two years, unless there was a Bills game, and this group begat The Purple Connection which played every Sunday at the Inn on the River in North Tonawanda in the summertime. We did alot Mike Stern and Jeff Beck type stuff, plus the entire second side of the Abbey Road as an instrumental, although often the crowd would sing along to Carry That Weight.

Anyway, Pete was an excellent guitarist, one of the best in Buffalo. About halfway thru our stint he left the band and moved to New York City to try and make it on the music scene here. I moved to to NYC less than a year after that, and tried to find him but never connected. He told me he eventually returned to Bflo and hasn’t played guitar in many years. I thought that was too bad, since he was so good, so I told him about how I took a bunch of years of playing when my kids were little, but I’m really glad I returned to music. Then the show started, so our conversation was cut short.

The opening act was The Zappa Band. I’m not sure what connection they have to FZ, but they were at the least a flawless tribute band, possibly with some alumni from his groups. I thought I knew alot of Zappa songs, but I only recognized about a third of what they played.

King Crimson themselves were amazing. It’s the seven-headed monster lineup with three drummers in the front line, and back row consisting of Mel Collins on saxes, Tony Levin on bass and stick, Jacko on vocals and guitar, and Fripp on guitar and mellotron. It was pretty much the same act as four of five years ago when I last saw them: three songs off the first album, three off of Red, and smattering of songs from all the records in between, plus some later stuff too, and some epic drum solos. All very well done of course, often going well beyond what was on the original record, especially the stuff from the interregnum period. There were moments when the complexity of the various interlocking polyrhythms was just staggering. And I think the best Tony Levin is when he’s channeling Greg Lake.

Afterwards we went up the falls and walked around. Now we’re back home, making plans in our empty nest, hoping Michelle is doing well.

On with the Show

Another low key fun summer week. Jeannie and I went to the beach Saturday morning. I can’t remember the last time I got out to the beach more than once in a summer, so that was really nice. The waves and weather were quite moderate.

Sunday I took a bike ride in the local Nature Study Woods, and it started raining when I was out there. I didn’t notice it much under the trees, but got totally soaked the last few block coming home.

Saturday night we went out to see my friend’s band at a sort of street fest up in Hastings. It was the first time we we’ve gone out on a Saturday night in a long time. The scene was pretty empty, but at least there was a restaurant across the street where we could sit and have a drink while we listened. The group was a jazz quartet led by Erik P. from my old group Haven street. This was actually first live music I’d seen since my last gig before the pandemic, on February 28 of 2020. The group also featured Rich P. from my old group on piano, and Rich W. on alto sax. Rich W. is a friend who sits in from time to time in the Wednesday jazz circle, and is one of the best sax players I know. I used to think he was way better then me, but I’ve leveled up a couple times over the last few years, so it’s probably pretty close now. Anyway, an inspiring musician. A standup bass completed the lineup. The sound was traditional acoustic jazz, alot of it out of the real book, very well done, with well honed arrangements. Only problem with a group led by a drummer is every second song has a drum solo. 🙂

Before the gig I was feeling a little down, remembering how the old group broke up abruptly, and lamenting that my new group got off the ground too late to get any gigs this summer. Ah well, so it goes. The fault line in the old group was pretty much that Erik and Rich wanted to do more traditional jazz, and Gary and I were writing originals and exploring new sounds. My new group has electric bass and synthesizers, and funk fusion in the mix, and it lets me push my writing in the direction. Meanwhile they’re doing their thing and everyone is happy. Anyway it was great to see those guys and catch up, and shocking to realize it’s been a year and a half.

Lots going on with work, and hardware and software updates to support mobile dev and deploy. More on that in another post.

Everything You Did

Summertime is going by fast. We had wanted to go the the beach this weekend, but Saturday when we woke up Jeannie and were both really tired from the work week, and decided to bag it. I ended up doing a ton a yardwork on Saturday, trimming hedges and my neighbor’s willow tree that hangs into my yard. Then Sunday we woke up and we were all ready but it was cold and rainy. Last night we had a fairly epic torrential downpour. So yesterday I had some found time, and I decided to get on my skates for the first time this season. My street used to be really bumpy and then one day the paved it and it was really smooth, perfect for rollerblading. But that was many years ago now it’s all bumpy again, as are many streets in the ‘hood. Plus there are alot of hills, and the busy streets with traffic lights all tend to be at the bottom of the hills. So the quest has been on for some time to find better skating territory nearby.

Last summer I found a local street, a dead-end behind the fire station and local playground, which is nice and smooth. It’s only a block a way, but to get there you have to cross a busy street with traffic, a pretty good downward slope, and some rough pavement, all in all not great for skating. This time I decided just to walk down to the playground and put on my skates there. Turned out to be a great move. The street itself is a good long block, about a half a kilometer long, smooth pavement and a gentle grade down the way out and up on the way back. You can go as slow or fast as you want in the downward direction and stay in control, and back up is not too steep but long enough to make it a good climb. I did four round trips, which is just about four kilometers. Next time I’ll see if I can go five.

One of my little projects during the pandemic was to organize the lead sheets for hundreds of songs I’ve printed out to learn, mainly to play in rock bands, over the last few years. I compiled them all into a tree-ring binder and began working my thru them around Xmastime, practicing three to five every time I played piano. Mostly these are songs I can sing and accompany myself on piano, and they sound good like that. The idea is to work up a large repertoire, and keep the songs in rotation enough to get to know them, kinda like your knowledge of jazz standards builds up over years of playing out of the real book.

Of course the songbook is somewhat idiosyncratic to my taste, but hopefully with broad appeal. Some songs were more interesting to play and I got into it a little deeper, working on voicings and arrangements, coming back to them for several practices. Others I played once and moved on, or skipped entirely, and some I ripped out of the book because if I never play them again it will still be too soon. And, some it turns out, are better suited for guitar. And along the way I noted a bunch of songs I know and want to add to the book.

So I just hit then end of the book and started again at the top. It took a little over six months. This time thru I’ll be pulling out the guitar songs and put them in a different notebook, and add in the missing songs as I get to them (alphabetically by group, although maybe I should alphabetically by song to break up big blocks of songs by groups like The Beatles or Steely Dan.) Hopefully the thing will evolve of time to be better and better.

I had a fun little side project at work this week. My company makes a little electric musical instrument called the Orba, and we’re putting together a “vinyl” (apparently that’s what the kids these are calling a record album) featuring songs played on the Orba and using tones from the Orba. One side is music from fans and customers, and the other is form people at the company. So they asked anyone who wanted to to contribute a piece, with a focus on an ambient vibe. I must it was fun and interesting. The Orba is a flexible and powerful instrument, with drum, bass, lead, chord and looping capability, but it’s pretty different from anything else you might have played. I’ve fooled around with mine a bunch but never really got deep in trying to express anything specific or master much technique. So this was a good opportunity for that. I came up with something called Orba Jam Five, mainly because it’s in 5/8 time and made up of five-bar phrases. I copped this idea from a song I’m currently recording called Bluezebub (The Devil You Don’t Know). But other than sharing a click track the Orba Jam is completely different. Anyway, here it is, enjoy!

The Man with the Horn

I had to put my old horn in the shop. It got knocked over at a gig a while back and the main tube was bent. It’s an old Selmer Mark VII tenor from the early 1970’s, a pure classic and in excellent shape, the damage notwithstanding. Around that time I acquired a used (but much, much newer) Selmer Reference 54, and that became my main horn. But the time had come to get the old horn back in shape.

My new repair guy is Chuck Pomeroy and he’s out in New Milford, Connecticut, famous for it’s new milfs. Chuck was recommended to me by Rich, the alto player in my Wednesday group, and Charlie Lagond, the owner of the studio where we rehearse. Charlie has on old Selmer Balanced Action tenor from the 1930’s, the first modern designed horn, almost ninety years old, virtually priceless. He got it completely rebuilt, and Chuck did the work. New silver plating and everything. It’s totally beautiful, totally amazing. So I was inspired to get off my lazy ass and get my own vintage Selmer fixed up.

Chuck, as it turns out, is a really nice guy, and not too surprisingly really into saxophones. He’s also an excellent guitar player in the Joe Pass style. We, uh, talked shop for a little while, after I told him used to work repairing saxes and other band instruments when I was a teenager. I learned the basics and turned around the school rentals at my local music store. I can spot a leak, replace a pad or cork or piece of felt, and that kind of thing, and have generally maintained my own horns. But there’s lots more advanced work I never touched. Like, for example, straightening out a bent body.

So Chuck showed me some amazing vintage horns he was working on, including a very old curved soprano. And he had pics of Charlie’s horn all taken apart. He told me an amazing thing, that this is the second time he’s rebuilt that horn. The first time was in the 1970’s almost 50 years ago!

Anyway, a few days went by and I drove back to New Milford to pick up my horn. In addition to straightening it out, he put new pads and corks on pretty much the whole upper stack, and replaced a few choice pads on the big low notes around the bow too. I gave the horn a quick toot, thanked him and was on my way. I must say, he gave me a great price for all that work. In fact, it was so low he asked me not the tell anyone how much he charged me!

After that I drove upstate to visit my brother Martin. I hadn’t been up to his place in almost a year, and it was great to see him. He has a new pool but right around the time we started talking about taking a swim, the weather turned cloudy and soon it was pouring rain. Anyway it was a great hang. We talked music and played a really fun board game called Labyrinth. His kids are all very smart and good-natured, with a sharp sense of humor. Lots of fun. Drove home in a rainstorm, which was … let’s say it was an adventure.

So this week I played my horn at the rehearsal band Wednesday and with my own group on Thursday. And, wow! Not only did Chuck fix it, but it plays better than ever. The action is adjusted, and everything is tight, and it’s literally faster. You can blow softly and easily and get a huge sound, and especially on the low notes. And the tone! The sound is a bit less edgy than my 54, especially in the upper register, but overall more focused, with a particular warmth in the lower register. One of the songs we did Wednesday was ‘Round Midnight, and well, let’s just say I’m gonna use this as my main horn for a little while.

Now that I have two excellent working tenor saxes, I think I should get a second mouthpiece so I can have one for each horn. My current main mouthpiece is a Dukoff D9, a big bore metal for a huge, edgy tone good for rock or jazz. Think Clarence Clemons meets John Coltrane. I’ve also played am Otto Link, Berg Larson and some others. I wonder what the cool kids are playing these days. Someone at my studio mentioned a Jodi Jazz. Might check that one out.

Meanwhile my Thursday quartet continues to improve, both expanding and focusing our sound. I’ve started to reach out to some local jazz joints to try and get a gig, although we’re probably too late for the summer, and once the weather gets cold it’s not clear if these places will be able to continue doing music indoors. In any event, we’re working up some of our set to the point where we can record a rehearsal and have a really good performance. Tonight I was fooling around on some blues riffs between songs, and this led to a spontaneous rendition of Led Zeppelin’s Moby Dick, played in a funk jazz style reminiscent of The Dream of the Blue Turtles. It was really cool, and instantly became part of our repertoire.

I Love New York In June

Well it’s summertime and the living is easy. The last few weeks the weather has been really pleasant. Since I expanded my patio last fall I’ve started working outside for an hour or so in the afternoons to work on my tan at the same time. I made a shade screen out of cardstock for my laptop that slides onto the edges of the lid. Practical origami skills. I usually go out after I’m done working out (which is usually lunchtime), and I’ve found it’s usually the best part of my workday for deep concentration. I’ve had a run of increasing good workouts since the springtime, and have gone up in weight and distance on my various exercises. Been getting out on my bike too. This week, however, it’s turned brutally hot (96 degrees today) so getting a walk in the early morning, and going outside to move the sprinkler from time to time is enough.

Work has been pretty interesting lately. We’re gearing up for a big new product launch at the end of the summer, a new electronic musical instrument with wifi network capabilities. The project involves hardware and software. As the cloud architect, I’ve been reaching across into our client codebase to work stuff like analytics integration and authentication. Our backend is in Firebase, which works well if your client is a mobile app or web site. And indeed all my end-to-end prototypes so far have run on that stack.

But our clients also include embedded hardware devices and also desktop applications. I’ve been learning our application tech stack built in C++ and JUCE. It’s set up to compile to Mac OS, Windows, iOS or Android. Only problem is, there’s only Firebase SDK for the mobile platforms, even in C++. Of course the Firebase SDK ultimately sends http requests over a REST API, which is documented. So we’ve put some REST libraries into our JUCE app, and got things working that way. Now I’m taking the building blocks and assembling them into reusable components for use in any future app.

In music world, I bought a new synthesizer from Josh, the piano player in my jazz group. It’s a Nord Stage 3, their current flagship product. It’s pretty cool because it combines a digital stage piano, a dedicated organ simulator, and a synthesizer/sampler unit. All the controls are laid out in a gigantic spread, but it’s very readable, and because each knob or button has a single purpose, there’s no menus to scroll thru, and it’s very friendly to live performance. And it has great sounds and a great-feeling weighted keyboard. Plus it’s red!

I have the the 76-key model, and Josh sold it to me because he’s moving up to the 88-key version. Of course that’s a good deal more expensive, and I’m happy with the deal we worked out. In any event the 76-key version is more portable, in case I ever start gigging again. I did my full piano practice on it the other day to put it thru it’s paces. It’s funny, I only missed the really high and low keys on a couple songs, and they’re all written by piano players: Stevie Wonder, Billy Joel, Donald Fagen. There’s one Keith Emerson song – Karn Evil 9, 2nd Impression – that literally uses every single key. Luckily, it’s not to hard to adjust the voicings to fit in the available range. And hey, it’s still three keys more than I have on my Fender Rhodes.

Now I have an old keyboard I want to get rid of. It’s a nice enough keyboard, a Privia PX-5S, with great sounds and layering, and its own performance-oriented array of knobs and sliders. It’s just that the new board is a serious upgrade. While I’m at it I have an old soprano sax I want to unload as well. I hope I can sell them, or at least give them to a good home.

The new jazz group as been coming along, lots of fun, good chemistry. We do a mix of jazz standards, jazz interpretations of pop and rock tunes, some funk/fusion stuff, and a bunch of my originals. Now that the pandemic is pretty much over, I’m thinking it’s time to get some gigs.

In my recording studio, I was kind of stuck for a while on my song Lift Off. It’s basically a bebop number with some twisting melodies and chord progressions. This being a computer jazz record, I sequenced the drums in midi, but for some reason the groove wasn’t really happening. I worked on different ways to embellish the arrangement with synths and things, but as they say, it don’t mean a thing if it ain’t got that swing…

So I bought a couple books on jazz drumming, and began to work thru them. One is The Art of Bop Drumming by John Riley. In addition to writing out alot of patterns, it gives some good theory about how to play, how to swing, what to listen for when you practice, and how to balance and control the sound. So I adjusted my midi drum pattern following the advice in the book as best I could, lots of subtle changes to the patterns and accents, adding some hi-hat behind the ride cymbal on the backbeat. And it made a huge difference! I mean it still sounds like a sequencer, but it grooves now! It still remains to flesh out the arrangement with accents in the comps, and this includes the other instruments too. But now it’s a matter of closing the distance to get the sound I want.

I was telling Steve, my drummer about all this, and he was giving me advice on things like how to mic a drum kit, and offered to lay down a human drum track to my song. That would change everything, but he’s a really good drummer and he’s set up for recording in his home, so I figured let’s go for it and see how it turns out.

Last topic for this post: this weekend was the Origami USA 2021 Convention. I was a member of the OUSA web and convention committees this year, on account of me having built a new scheduling tool for classes that integrates with our web application, replacing an old offline tool. I built the convention class schedule with the new tool too. So it’s satisfying to be able to say all my hard work has paid off, and everyone else’s too. I must say, before I got involved, I had no idea how much work went into one of these conventions.

This year’s convention was completely virtual and online. Classes were via zoom. We had something like 140 classes being taught in eleven parallel tracks. There was also a virtual hospitality space provided by an app called Gather, and an online exhibition. Of course it’s not as satisfying as the real thing, but I did get the sense of being able to hang with my origami friends, talk about origami and do some folding together.

I taught two classes, which is my favorite part. To run the zooms, there is a tech manager, a host and a Q&A manager (all OUSA volunteers) in addition to class teacher. Jeannie is tech volunteer, doing three five-hour teaching blocks.

I had my phone on a tripod over my shoulder with the camera pointing down at the paper as it’s folded, and my laptop facing me, to speak into. I taught my Martian and Flying Saucer from my recent Air and Space kit book, and Gladys the Platypus, a previously undiagrammed model that I submitted to this year’s annual collection. Both classes went quite well, although for the Platypus we just barely finished in time.

Because I spent so much time writing software and attending committee meetings, I didn’t do as much actual folding this year as I would have liked, so I had very little new stuff to put into the exhibition. I spent a good deal of time this spring work on a single model, but it’s really complex I never quite got it finished. It’s a single-sheet polyhedron, a half-sunken cuboctahedron with an embedded hydrangea tessellation on each square face. Making the grid of hydrangeas was large effort by itself, but the collapsing the model into its 3-D form was something else again. The issue was that there’s just a ton of layers that need to be managed, and they all tend to make the model want to spring apart.

I kept at it, facet by facet, working out the inner hidden geometry. Saturday morning of the convention I finally got it to close. But I wasn’t fully satisfied, so I unfolded it and cut off two corners from the sheet, making the square into a hexagon. This substantially reduced the inner bulk, and made the final close much nicer. Unfortunately, by this time the paper had gotten pretty worn from handling, so it’s not the tightest lock ever. Nothing a bit of tape or glue (gasp!) can’t take care of. Still, it works, and so we can declare victory! It looks great as long as you don’t turn it over.

And now I feel I’ve gotten my origami energy active again to get back into folding. I have several half-finished books, and lots of designs in my head waiting to be worked out. A few people told me they love my work and would really digging seeing a book on this or that theme. That’s pretty motivating.

Rainy Days and Saturdays

It’s June! We just got done with a three-day weekend which was very nice and relaxing. It actually rained most of the weekend. It started 3 or 4 in the afternoon on Friday and didn’t stop until Monday morning. It also got cold. We had to turn on the heat one morning, after unexpectedly having to install our air conditioners the weekend before. Michelle has a job this summer working at our local beach, but her first two days of work were cancelled. Ah well, she’s making great progress on her video game.

After a week’s worth of tweaking and adjustment, I think we’re pretty much there with the OUSA convention schedule. Now it’s time so try and fold a few new models. Just over three weeks to go.

Martin came down for a visit this weekend. I haven’s seen him since we made a brief visit to his house last summer, and that was the only time since the start of the pandemic. It was good to catch up. Martin lost his job a couple months ago, after his employer of ten years went under. As luck would have it, my company was hiring around that time, so he interviewed there. It’s a pretty cool company and I’m enjoying being there more than any place in the last seven or so years (excepting The Global Jukebox). We make electronic musical instruments and apps. I’m leading our internet and cloud group with the vision of creating an ecosystem of networked instruments and shared songs. The corporate overlords seemed to like Martin well enough, but unfortunately took a long time to extend him an offer, and then it was a lowball bid. Meanwhile Martin had interviewed at a different place that makes videogames and toy racing cars, and he accepted an offer from them.

We also spent alot of time just jamming, which was alot of fun. Over the course of the pandemic I put together a binder of charts from the last ten years’ worth of rock bands, and we just browsed thru that. It was great fun; it’s been a long time since I did that sort of thing. I also played him a the last two of my work-in-progress songs to complete my computer jazz album. One of them is still in the writing and tracking phase, but the other, Lift Off, is largely done, although I felt the sound wasn’t really happening. After I played it for Martin and got his impressions, I got some ideas for how to finish it and make it shine. Mostly it involves layering and pumping up the sounds of the backing instruments to make it fuller, and abandoning the classic bebop sounds I was originally going for in favor of something more electric and aggressive. It still swings hard though. And I ordered some books on jazz drumming to try a get some ideas to spiff up the drum part.

Monday the sun came out and I was able to do some yardwork. Trimming the hedges was the last remaining task on the spring cycle. And we even had a barbecue Monday evening. Only thing we didn’t have a chance to do is take the Mustang out for a ride. A well, hopefully this week.

Time for You to Go Out to the Places You Will Be From

Last weekend we took a road trip up to Buffalo for Lizzy’s college graduation. She earned a B.S. in business, with a minor in psychology, Cum Laude, from the University of Buffalo. Congratulations!!!

The whole trip felt like a very strange time warp, like I stepped out of a time machine 30 years in the future. Jeannie and I met at UB. We were teenagers. I graduated in 1990, and she in 1991. The night before our trip Jeannie pulled out a bunch of old photos from her graduation and time around that. Man, we were so young! But we still feel like those same people.

When I finished college I couldn’t wait to get out of town. After a couple years of working a day job at a slowly dying company and trying to make it as a musician by night, it was pretty clear that things were going nowhere, so I moved to New York City to enroll in grad school. Now Lizzy, who grew up downstate, has decided to stay in Buffalo and make a life for herself up there. She has a good job awaiting her, and some close friends, and just likes the city. The cost of living is so much cheaper, and we’ve heard Buffalo is up and coming once again. We all feel fortunate about how the whole situation turned out.

We drove up on Thursday evening so we could help Lizzy move on Friday. She and two of her current roommates got a new apartment in the downtown area, just off the Elmwood strip between Allentown and Delaware park. It’s been a long time since I spent any time in that neighborhood. My various bands played gigs in some bars around there, but there wasn’t much reason to go down there otherwise. Although once beautiful back when the city was in its prime, it had been in decline for a while and was mostly pretty shabby in the post-Reagan era (although there were always pockets that remained nice, they were like islands). The city’s economic base of heavy manufacturing, cars and steel, had collapsed, and there was a massive population exodus in the 80’s and 90’s.

But they were right, Buffalo is back! After we moved Lizzy’s heavy furniture we walked around the neighborhood to find a place for lunch. A generation has gone by, and everything that was once run down is now super nice, restored, rebuilt, repurposed, and reimagined. Lots of apartments, restaurants and shops, bars and coffeehouses, and vibe is very much young positive energy. Lots of pedestrians out and about. Trendy shops for things like fancy pet supplies, gourmet coffee and yoga studios. Really nice looking houses down all the side streets. It reminded me alot of Greenwich Village and SoHo in the early 1990’s, San Francisco in the dotcom era, or Brooklyn in the aughts, when I lived in those places. We ended up at a great little Mexican restaurant with a great selection of margaritas.

We stopped at the Darwin Martin house, a local landmark designed by the famous architect Frank Lloyd Wright. When I was in college as an architecture student, I helps work on its restoration. I friend of mine who was a grad student actually lived on the grounds in the caretaker’s house. One of the buildings had a carpentry shop set up in what was once the living room. I remember measuring and cutting up pieces of wood to create trim to match the existing molding. For my graduation the school of architecture had a brunch on the grounds before the ceremony. Anyway, the place was a mess back then, in serious decay, but now it’s been fully restored, looking glorious, and even has a new visitor center.

Then we were back on the UB campus for the graduation ceremony, which has changed alot in 30 years. For one thing, there’s a new outdoor sports arena, which provided a safe venue for the event. After we went out to Baird Point so Lizzy and her friends could take pictures. That was a favorite spot to go smoke pot back in the day.

Afterwards we found ourselves back in Allentown for lunch, then hanging out at Lizzy’s new pad, and yet again in Allentown going out to dinner with friends. Michelle stayed to hang out with Lizzy and go to her graduation party and had a great time. She’s starting college at UB in just a few months, so it’s good for her to get to know Lizzy friends. She’s already making plans to come over to Lizzy’s apartment and use her kitchen to bake in.

On the ride home we listened to the 90’s grunge/alternative station for an extra dose of nostalgia.

Mupple Earth

Things have been moving along, but nothing really exciting to talk about. Spring is in full bloom, and all the flowering trees around here look gorgeous. The Japanese maple tree which I planted in my front yard four years ago as a sapling really came in alot bigger this year. Project dirt was completed weeks ago, with 57 loads total. Now we’re well into project watching the new grass grow, and that’s coming along nicely. I need to make a place in my garage to store my wheelbarrow, which I probably won’t use again for years. Our next-door neighbors sold their house and so we now have a new neighbor. So far she seems really nice. When Jeannie first met her, she said she was thinking of putting in a pool and fence around her yard. I talked to her a few days later, telling her I was fond of the hedge row separating our yard from hers, and she agreed and told me she’s not going to make any changes until she’s had a chance to let the house speak to her. Maybe the crazy cost of lumber these days helped sway her too.

Continuing to work on music and origami. At my day job I’ve dusted off my C++ chops and started learning JUCE and diving in the app side of our codebase. So far, so good. My first goal was to revive a product for editing patches, which was broken because it relied on a shared code library that had changed. The major part of the work was refactoring the shared library so code that was being shared was in there and correctly exposed, and then going around to the different projects and updating their shared dependencies. A good way to learn my way around the codebase and the build process. Soon I’m gonna be building features on top of this, including stuff that integrates with the cloud stack I’ve been building.

But the main point of this post is to think thru what if the Muppets did The Lord of the Rings? Working out the casting is the first step. So…

Bilbo: Kermit, obviously

Frodo: Robin the Frog, because he’s Kermit’s nephew

Sam, Merry, and Pippin: This sets the precedent that the Hobbits are frogs. We need some more frog muppets for the rest of the Hobbit roles. There are few that appear now and then in songs and skits, but are not named characters. Time to give them names and personalities.

Gandalf: Fozzie Bear

Aragorn: Viggo Mortensgten, because there’s always one token human among the muppet cast, to give a sense of scale. If anyone reading this blog knows Viggo, please contact him and make this happen; it’ll be awesome. It doesn’t even have to be a 13-hour recreation of the Peter Jackson epic, a two-hour-long condensed version would be fine.

Boromir: Animal. He’d be great at the dramatic death scene

Gimli: Rizzo the Rat, which means the dwarves are rats

Legolas: Link Hogthrob. At first we were going to make the pigs orcs, but we realized the pigs being elves is way funnier. Link is the most heroic and action-oriented of the pigs.

Galadriel: Miss Piggy, obviously
Elrond: Dr. Strangepork
Arwen: Annie Sue

Saruman: Gonzo, obviously. Gonzo vs. Fozzie would be an epic wizard battle.

Gothmog: Camilla. All the orcs are chickens

Faramir: Scooter
Denethor: Sam the Eagle

Eowyn: Janice
Eomer: Floyd
Theoden: Dr. Teeth

Wormtongue: Pepe the King Prawn

The Balrog: Big Bird

Hmmm, maybe it still needs some work. Anyway, next up: The Muppets do Full Metal Alchemist Brotherhood

Hello City

Spring continues to warm and grow. All the trees around here are budding and flowering. Lots of lovely sunny weather, and some heavy rainy days as well. Project dirt is nearing completion. I’m up to fifty-four wheelbarrow loads, getting to final low spots in the front yard. There’s grass coming already in on the areas I filled in earlier on.

I’ve been into Manhattan not once but twice last week. The first was a trip to the MoMA, keeping with our tradition of spring break museum outings. I haven’t been to the MoMA in years. Parts of the joint are kinda funky these days, with the main floor being filled with stacked up furniture taken from around the museum as a pandemic precaution, in lieu of an actual exhibit, and the nearby galleries filled with things of dubious artistic merit, such as jars of bodily fluids. The upper floors were better, with lots of impressionist, early modernist, and classic modern art. I seem to recall there used to be an extensive industrial design collection, but it appears that it’s been scaled back a good amount. The famous Ferrari was not on display. Still, most of what there was to see was pretty cool, and it was an enjoyable day out of the house, and stepping back into a hopefully soon-to-be post-pandemic world.

My other trip was for a lunch with the Association for Cultural Equity gang, to celebrate the recent launch of the Global Jukebox 2.1, as well as the new Alan Lomax Digital Archive. This was most excellent. It was great to see Anna and Kiki face to face again, and meet her current grad fellows and some ACE board members. It was a beautiful day in Greenwich Village and they picked a place with great food and drinks, and breezily open to the outside. Afterwards I walked around my old neighborhood for a while, seeing how things had changed. Driving into the city on a weekday in daytime remains a strange and epic adventure, not to be repeated too often.

Now that my song Mo’bility is in the can, I’ve turned my attention back to Lift Off. I’ve come to the conclusion that on the computer it’s never going to sound the way it does in my head, which is alot like classic bebop recorded live by great players full of extroverted virtuosity and expressive spontaneity. So it’s time to get a bit more creative about the sound and the arrangement. First thing is to see if I can put together a really smokin’ sax part from the takes I did, or if I need to keep on woodshedding. Meanwhile I’ve begun working on the last song for the record Bluezebub (The Devil You Don’t Know). It’s a sort of Crimso Mahavishnu Mancini supernatural spy jazz vibe, in 5/4 time, with an uptempo middle section and unison riff break in there somewhere too.

In the spirit of new awakenings, I’ve started to get back into doing origami again. A little over a year ago I took an awesome trip to Spain for CFC2, the second Conference for Creators in origami. I folded a bunch of new stuff for the exhibition, and met alot of great folders from Europe, and good number of old friends too. When I got home I was really fired up to do some new stuff. But then the pandemic happened, and all the conventions were cancelled, and anyway I was busy writing software for OUSA. I sort of lost my creative fire and didn’t really fold anything for a year.

Then a week ago was Fold Fest, sponsored by Origami USA. It was an online event, and the first one I attended since OUSA’s Un-Convention last June. I attended a few classes and connected wit some friends and had a good time. And a bunch of ideas I’ve been working on in the back of my head for a while came to the fore. So I’ve been folding like a madman in my spare time the last week or so. Hopefully I’ll have something to show soon. For now let’s just say I’m combining flowers, tessellations and single-sheet polyhedra. Meanwhile, it makes the time go by faster when you’re stuck in boring meetings.

Spring Into Action

It looks like winter is finally at an end and spring has emerged. It took a while but all the snow on the ground finally melted and we started having some nice days. A week ago on the weekend I started spending time outside to work on the yard, beginning with scraping up all the leaves and debris from the flowerbeds. Also, we finally admitted ski season is over and we wouldn’t get a second day skiing in this year, so we went for a hike instead. We went up to the Palisades in New Jersey, overlooking the Hudson River across from Hastings and Yonkers.

This last weekend on Saturday I took the Mustang out for a drive for the first time. Happy to say the engine turned over right away and everything seems in great shape. On Sunday I went for the first bike ride of the year, up to my local Nature Study Woods. Since I was tuning up my bike, Jeannie asked me if I’d get hers ready to ride too. It’s been a couple seasons since she did any biking, but she wants to get back into it. I’d like to get my rollerblades on sometime soon too, but the snowplows tore up our street so badly this winter I’ll have to find another place to go skate.

The yard work continued as well. Last fall after I expanded my patio, I had some leftover dirt that I used to fill in a few low spots in my yard. Once I got into it I realized there were quite a few lumpy areas and wouldn’t it be nice to have some more dirt. Well last fall my neighbor across the street put in a new swimming pool, and now he has a great big pile of dirt, that until recently looked like a sledding hill. He invited me to come over and take away as much as I wanted. So far I’ve take eight wheelbarrow loads, about a cubic yard. I’m probably about twenty percent done. So more next weekend. I’d like to get it down and covered with grass seed in time for things to really start growing.

In other news, I demoed the scheduling tool that I wrote for scheduling classes for conventions to the Origami USA convention committee today. It went over well. Still a few details before we can take it live, but it’s basically there. Thanks to Robert Lang for all his help.

Now I’m starting to think about designing and folding some new models for the convention in June. I have some ideas, but haven’t really been folding much since the pandemic began.

I’ve found some new and interesting stuff to practice on piano. One source was from out continuing movie nights on Saturdays. We recently watched a few classic scifi films including Start Trek IV and 2001: A Space Odyssey. I haven’t seen either in many years and 2001 was particularly inspiring. Among the composers whose works Kubric lifted when he put together the soundtrack, beyond the famous Also Sprach Zarathustra by Richard Strauss and Blue Danube Waltz by Johann Strauss, was Atmosphères, Lux Aeterna, and Requiem by the Hungarian modernist Gyögy Ligeti.

The Ligeti stuff was some intense, crazy music, and so I decided to check out more of it. This eventually led my to his Musica Ricercata, a series of pieces for piano that are mostly not crazy but express a variety of moods and styles and are notable for progressively building from simple to complex. The first one uses just one note. His approach to modernism reminds me a bit of how Monk approaches jazz, often unexpectedly humorous in the way it plays with conventions of form and genre, while remaining very self-consistent.

Another series of piano pieces in a similar vein is Mikrokosmos Béla Bartók, which starts with both hands doubling the same figure using the pentatonic scale and a limited range, and progresses to the complex and bizarre.

The third piece of sheet music came from my trying to find a chart for one of my songs I’m introducing to my jazz group. On the way I came across a cache of old sheet music someone gave me once that I didn’t even know I had. In there was a book of Art Tatum transcriptions. Art Tatum is one of my all-time favorite piano players with a unique and virtuosic stride-based swinging style that influence Keith Emerson and Eddie Van Halen, as well as countless jazz carts. I doubt I’ll be able to play these pieces at speed any time soon, but they’re worth studying for his approach to voicings and rhythm, particularly in the left hand, as well as where and how he inserts embellishments while maintaining the flow of the tune.