Author: zingblog

Haven Street CD is Here!

So like I was saying, the Haven Street CDs finally arrived.

They were supposed to be here a couple weeks ago, but UPS lost the shipment. Most likely it was stolen and some guys were selling it out on Times Square. So CD Baby had to do a whole nuther print run. The ones that went to their inventory stayed in house, so I went and bought a copy of the web site just to have one. Also for some reason they set up two pages for the record, one for the digital download and another for the CD, so we had to have them combine the two. At least CD Baby’s customer service has been good about taking care of things once we alerted them.

Other things are coming along in connection with promoting the record. We have a facebook page:

https://www.facebook.com/HavenStreetJazz

And you can now buy or stream the record from iTunes and Spotify, in addition to CD Baby. Amazon coming soon.

https://store.cdbaby.com/cd/havenstreet
https://open.spotify.com/album/6uy7zstk0n89MDAKQgKC7a?fo=1
https://geo.itunes.apple.com/us/album/haven-street/1381177192?mt=1&app=music

Also look for an update to the Haven Street page on my web site coming soon.

Since I was the one to do the design for the album art, I was greatly relieved to actually see it in print and that everything came out the way I planned. You never quite know, cuz things never look exactly the same on the screen, or even if you print it on a printer. But the colors and tones are all good, the layouts line up, everything is legible and spelled correctly, and overall the design creates the right kind of mood.

I should mention that the pictures of the musicians were taken at the recording session by Ed Brydon, a friend of the band. The rest were taken by me, walking around with Gary one cloudy day outside our rehearsal space. We had the idea that we could try and use a street sign, and I ended up getting all these really interesting images of telephone poles and wires, which I then used as the main compositional element.

Reminder: Haven Street is playing live at the Green Growler in Croton, Thursday May 3, 9:00 PM. We had a great rehearsal this week, with all the songs from the record and few new tunes, all sounding great. Promises to be an excellent show.

Haven Street Album Is Go

Hi everyone! Our new jazz record, Haven Street is finally done! We’re getting CD’s printed up at this very moment and they should arrive any day now.

I’ve updated my web site with a new page at:
http://zingman.com/music/havenstreet.php

More updates coming soon, including more pictures, album art, links and announcements.

Meanwhile we’ve made the music available at multiple sites. You can preview it at:
https://soundcloud.com/havenstreet/

You can download it, and very soon order the CD, at:
https://store.cdbaby.com/cd/havenstreet

And you can follow the group on social media at:
https://www.facebook.com/Haven-Street-2054724974797760/

Spoiler alert: look for gig announcement.

Enjoy!

Spring Jazz

A few things going on on the music front.

Last Saturday I sat in with my friend Charlie’s band the other night at a place called The Green Growler. The joint has a hip and cozy vibe, laid back with couches and board games a million kinds of craft beer. This would be a good venue for a Haven Street gig. Good crowd that appreciates jazz.

Charlie has a trio with him on guitar, plus bass and drums. Another sax player on alto and myself on tenor were sitting in. Although I’ve playing alot of jazz, this was my first live gig in a while. Still it seems my soloing chops are hot; I got lots of cheers and applause for my solos. Gary’s right: I need to memorize more tunes. I had Footprints, All Blues, and Oleo down, as well as Tom Petty’s Breakdown. Did okay on Take Five and A Night in Tunisia, that is until we got to the bridge. Also learned a number called Beatrice.

Last Sunday Jay came over and we finally mastered the Haven Street CD. We’re really almost there now. Just need to listen back a few times, and do a few tweaks to the artwork, including making room for the barcode on the back if the album cover, and doing the the graphic for the disk itself.

Meanwhile we’re up to ten new originals since we finished the recording date. I have four, Gary has three, Jay two and our piano player Rich brought in one. It’s cool that we have this many tunes and they still all sound different. I could go into detail on all of them, but you’ll hear them eventually.

Two of my songs are particularly challenging. One of them, Lift Off, I wrote a couple months ago. It’s uptempo, with Coltrane-inspired changes that feature a half-step lift embedded in a ii-V progression. It also has an intro that uses a snatch of those changes, but with a different feel. I’m reusing the intro as the foundation for a drum feature later in the tune. We finally got the feel for the intro riff, and the contrast between that and main tune really makes the whole song work. We’ve also gotten comfortable with playing the head and soloing at full speed, which sounds really exciting and propulsive.

The other song is Son of the Sun, which I wrote way back in the late 1980s with Event Horizon, when I was 19 or 20 years old. Up until now with this group I’ve decided to bring in only new material, even though I have alot of stuff we could potentially do. The idea is to bring out what’s special in this group, and to let everybody write and improvise. Still Son of the Sun is one of my favorite things I’ve ever written, and one of things that’s special about this group is they can handle playing it.

The song is mainly in 5/8 time, with a B section in 7/8, and a middle section in 4/4 but in the Phrygian mode. It also has a few twists and turns along the way. Of course there’s no point in doing out time signatures unless they really groove. The feel of the Event Horizon version was synthesizer-laden rock-jazz fusion, but our new version is a hair slower and much more acoustic and latin sounding. It also became a sprawling, 20-minute epic, so I’m trying to pull it in a bit. I must say it’s coming together very nicely, and the band is enjoying tackling it and making it sound musical; they’re really into it. Tonight we got up to the drum solo.

Stormy Monday

We’re still waiting for spring to arrive in earnest. The weather has been mainly cold and windy. I did get the Mustang out and on the road last weekend, but I didn’t take it on the highway yet cuz once I was out a realized I ought to check the tires before I get it up to high speed. Last Friday it was actually warm and sunny in the afternoon, and I went out to lunch in the neighborhood with friends at work. But then Saturday it turned cold and windy again, and Sunday was gusty and ominous the whole day.

Yesterday I went into the city to teach origami at the Museum of Natural History. I hadn’t done it in a while and it was alot of fun. A kid in my class brought a copy of my book, and after we folded my Flying Fish, we went on to do the Giant Squid, one of the more complicated models in the book. Kid is only in fourth grade and is already a very advanced folder, with great technique. I haven’t folded much of anything the last couple months, so it’s good to start thinking about getting something new together for the convention in June.

Michelle came with me and took a class in the morning, doing crystal/snowflakes, and we toured the museum in the afternoon. I always love the dinosaur halls on the top floor. This time there was a special exhibit of a cast/reconstruction of some gigantic sauropod a hundred and twenty-two feet long! Unbelievable.

Today we awoke to a tempestuous downpour with widespread flooding, making the morning commute a cold, wet mess. You couldn’t drive faster than 20 mph and lot of local roads were closed, so there were detours and traffic jams. Everyone was like an hour late. The pond is in effect in our neighbor’s backyard.

Work continues on completing the Haven Street record and getting CD’s made. I created artwork for the album cover. After rehearsal last week we decided to get some photos of the neighborhood around our rehearsal studio, since it’s a funky industrial zone with some character. I got a shot of a street sign, which turned out to be a great cover image. Then for the back and inside I got some more shots, mainly of sky, but it was a cloudy day with a moody tone, and over that a crazy crisscross of telephone poles and wires, and some treetops still clinging to last winter. Perfect backdrop for text and images. On the inside I dropped in some of the pictures of us from the recording session, and on the back all the song names and other info. The whole thing hangs together nicely. All that remains is to finalize it in the format to deliver to the CD dup house. I think I may need to put a barcode on there too.

In any event, the whole thing will be available soon. Meanwhile you can get a preview on SoundCloud at:

https://soundcloud.com/havenstreet

Intrepid Adventure

It’s April already and still the winter wont let go. Believe it or now we had a good six or eight inches of snow today!

The bug fix marathon continues at work. It went from a month to six weeks, to two months, and now ten weeks. I took a couple days off for spring break; hopefully we’re wrapping it all up this week.

If we’re not traveling on spring break we usually like to go a museum. New York has lots of them. I’ve been living here over 25 years and still haven’t seen many of them. So last Thursday we went to the Intrepid. This was Michelle’s idea but I’ve never been and always wanted to go.

The Intrepid is a WWII aircraft carrier that’s docked on the West side of Manhattan, on a pier along with a submarine, a bunch of historic aircraft and spaceships and other attractions. The carrier itself is very intersting, although you have to watch your head if you’re tall (the sub is even worse). It has alot of history; in addition to fighting in WWII it participated in the space program, pick up at least one Gemini capsule after splashdown.

The airplane collection is really cool too. Many of them are navy planes intended for use on the carrier. A few helicopters too, a Harrier jet, and a Gemini capsule (a replica I think). There’s an A-12 Blackbird, and that’s only the third coolest plane.

They have a Space Shuttle. This one is Enterprise, which was the prototype that mostly rode on the back of a 747 and detached to test its flying and landing capability. It never actually went into orbit. Unfortunately you can’t go in inside. At this point we’ve seen three of the four existing shuttles: Enterprise, Endeavor and Discovery. Only Atlantis remains.

But the coolest was they have a Concorde! Sixties vintage jet setting for the rich and famous to the extreme at Mach 2 and 60,000 feet! Apparently there were only twenty ever made, fourteen operational as passenger jets, about a dozen still in existence, and only three or four in North America. You can take an in-depth tour where they let you go inside and sit in the passenger cabin, and even up in the cockpit. Somehow I ended up debating the musical merits of Phil Collins, who famously flew the Concorde in 1985 to open both the UK and American portions of the Live Aid concert, with our tour guide, who was not a big Genesis fan, and not aware that Phil also played behind a reunited Led Zeppelin that night.

Last Friday Jay and I finished mixing our jazz record. And it sounds really great if I say so myself. Now it’s on the mastering and getting CD’s made. I don’t really have a concept for the cover art yet, but I’m turning over a few ideas. We do have a handful of photos of the group in the recording session we can use.

Saturday the weather was actually nice and we raked up the yard and started getting ready for spring. I even started up the Mustang and let it run in the driveway for a few minutes. The plan was to take it out for a ride today, but as I mentioned, it snowed.

Fotoz 2017

Winter drags on. We’ve had three nor’easters in the last two weeks, and two more on the way. During the first one a tree branch fell and smashed the windshield of my car. The repair had to be delayed three times because of subsequent stormy days but it finally got done. Lizzy is back home for spring break. Mixing proceeds on the jazz record. We have five and a half songs mixed and the final editing tweaks on the remaining three mostly done.

But the main news of the day is that my photo albums have been updated for the year. Ping me for the login info if you need it. It’s funny we hardly ever even use our camera anymore. Most of these pics were from someone’s phone.

http://zingman.com/fotooz/
http://zingman.com/fotooz/2017/2017-03/
http://zingman.com/fotooz/2017/2017-04/
http://zingman.com/fotooz/2017/2017-05/
http://zingman.com/fotooz/2017/2017-06/

Wintry Mix

Been busy recently.

The days are getting longer and the weather getting milder, even some sunshine. I think the end of winter is in sight. I’ve been working out in the mornings, but now it’s daylight. Been focusing on the legs, building strength. We might go even skiing next weekend.

Last weekend was Jeannie’s birthday. We saw a great concert in the city. There’s a little nightclub inside the Apollo. The show was Matthew Whitaker, a blind, sixteen-year-old piano prodigy. Jeannie actually saw him a few years ago because he’s the son a friend from her old job, and she’s been telling me ever since to check him out.

The kid is amazing. Matthew’s main influences are Chick Corea and Stevie Wonder, but there’s flashes of Herbie Hancock, Ray Charles, Oscar Peterson and lots of other stuff in there. He also plays a mean Hammond organ, including some bass solos on the pedals, and some tasty Moog. He has his rig set up kinda like Keith Emerson, with the piano and organ back to back, and the synth on top of the piano. The thing that amazes me the most is how he’s able to draw straight line thru 100 years of jazz and R&B, from Art Tatum to Gnarls Barkley, and make it all sound unified while treating each style faithfully and making it his own.

Its crunch time at my day job. We’re in the bug-fix Olympics and our CEO has offered a bonus to whoever fixes the most bugs in the next two weeks, like a pirate captain nailing a gold, silver and bronze coin to the mast. Too bad cuz last week I fixed 11 bugs, by far the most in the company, but they don’t count toward this goal.

Jay and I have been continuing on with mixing Buzzy Tonic. We have four songs in the can, five to go. I’ve decided to re-track the bass for Rocket to the Moon because the existing take is not very well recorded. This is because it’s a very hard part to play. So I’ve been practicing and trying a take every day. Getting closer but still some rough spots. Jay was over the other day and and I showed him the riffs and he could just play ‘em like that. Basterd.

We’ve also begun work on the jazz record. When we left the studio not everyone was really satisfied with their playing, but I knew we had enough coverage to put together a killer take of every song. I don’t think Jay really believed it until we started cutting together the songs. This is more my area of expertise but he added an invaluable pair of ears. One thing I’ll say is that our tempos were really consistent. At one point I dropped in a whole ‘nuther solo, something like a minute and a half of music, and at the end had to adjust the timing by only a few milliseconds. We got thru half the songs and hope to do the rest this weekend, then move on to the actual mixing.

On the downside, it looks like our rock band may finally be dead. Been trying to get everyone together but it’s just not happening. More on that in a future post.

Meanwhile right now the Olympics are on, which is cool and fun, but I never watch TV anymore so the ads are all really weird.

Wintertime Blues

The weather had been mild the last few days and the snow has melted again. Good thing too, I’ve had as much as I can take.

My mixes are coming along for the new Buzzy Tonic record. I applied the same set of FX Jay put on the first song to the rest. This is mostly EQ and compression on the individual tracks. The most noticeable thing is the kick and snare drums are much clearer, and sound louder, and the bass and cymbals too. The kick went from a thwomp to a thud and the snare has a nice bright snap. Everything is much clearer and in it’s own zone across the spectrum. After that I needed to dial all the balances again. Some things were too loud and all the subtle blends needed to be recreated. Now that’s taken care of and things are sounding really good. Of course I’ve yet to hook up my new studio monitors, so that’ll be the acid test. Hopefully I’ll have Jay come in for one more session and we’ll finish the record.

…

Meanwhile the jazz group has a date set for our recording session, the 28th. I’m glad now we didn’t record last December cuz the songs are that much better. Looser and tighter. We’re thinking we can record a whole album if all goes smoothly and our energy holds up. Else we’ll just go until we run out of time and get as much as we can. We have three more rehearsals to go. This last weekend I sat down and wrote out the scales to the changes in Gary’s tunes. The set list looks like this.

1. Buzzy Blue (John) – a bossa blues with cool changes on the turnaround, Miles meets Jobim. Nice and easy, a good warmup.

2. Samba Astor (Gary) – Spanish guitar with a Chick Corea vibe. Lotsa chords, not in an easy sax key.

3. King’s Hex (John) – crazy uptempo jazz waltz with a free modal solo section, channeling Coltrane. Tracks 2 and 3 are the complicated ones that we anticipate might take a couple tries to nail.

4. Slope (Jay) – very bluesy ballad, partly in 5/4, with the melody on the bass.

5. D-Bop (Gary) – cool and clever uptempo number with a 3/4 interlude.

6. Dark Skies (John) – minor jazz ballad. Great changes if I say so myself. Needs a better title. The image I have is of a pre- or post-thunderstorm moment when the sun is breaking thru the clouds or covering up. The juxtaposition, the light behind the dark, or inside the dark. I was thinking of Burnished Skies but don’t know if that has a ring to it.

7. Atonement Blues (John) – a joyous and laid back gospel blues, Branford vibe. It’s not strictly a blues because the chords are all dominant 7th chords and it actually hits all twelve of them once each chorus, like a tone row for chords.

8. Have You Met Miss Jones? (Rogers/Hart) – a standard; the bridge is probably the inspiration for Giant Steps.

Origami Heaven

Winter coldness continues. We had a couple days last week where the temperature got well above freezing and everything melted, then it shot right back down again. Snow expected again tomorrow.

This weekend Jeannie and I went to the Origami Heaven convention in Stoney Brook, LI, sponsored by the Long Island Folding Enthusiasts (LIFE). It’s among the smaller conventions, but a really good time. It’s at a nice hotel, so there’s a really good breakfast and a comfy bar on-site. Lunch and dinner is catered by the hotel for the convention, really good food. I only with I had a chance to use the hot tub!

I taught my Monoplane and my Flying Fish. Both of with went over well, and teaching them allowed me to refine both the model and the folding sequence. I took a few classes including Paul Frasco’s Gnome. Inspired by Michael LaFosse’s brass origami squirrel, Paul is teaching himself how to make cast resin sculptures out of his models, and experimenting with materials and techniques. So far he’s made a Duck (naturally!) and a multi-part Lion. It turns out you can mix grains of metal in with the plastic and come out with a material that had some metallic shine and some serious heft.

In other news, I’m in the process of review the comps from my publisher for my Origami Air and Space book. There are a few minor layout an alignment issues, but overall it’s looking really good. The cover is just great!