The Unfinished Work of Alan Lomax’s Global Jukebox

The paper of record, the New York Times, wrote another, pretty in-depth article, about my project The Global Jukebox:

https://www.nytimes.com/2017/07/11/arts/music/alan-lomax-global-jukebox-digital-archive.html

We just pushed a big upgrade to correspond with this article, and as it points out, the jukebox is a work in progress. It started off as a short-term contract gig for me, but I’ve been involved for over a year now. We have another major upgrade slated for the fall, and beyond that, if we can get funding, the scope is open-ended.

Some Summer Fun

I had to cancel my trip to Europe at the last minute because of an injury and I’ve mostly been sitting around the house getting better. Apparently the Origami Creators Conference was a good time. The next interesting international origami conference for me is the BOS and 7OSME in Oxford in 2018, so Imma try to go to that, and maybe take Michelle with me.

Still I’ve been having a bit of fun and trying to make the most of summer so far. Of course I’ve been really busy with work too. Right at the end of June we went to see Sheryl Crow at the Beacon Theatre. Excellent show, great venue with it’s classic maximal art deco. Great sounding band, including several guitar players, and a pedal steel guitar, Rhodes and organ. Surprisingly Sheryl played bass on a lot of songs.

Last weekend we saw McCoy Tyner at Caramoor Art Center. That was really good too, but a very different kind of show. I can’t believe I’ve live in Westchester for years and never seen a show a Carmoor. It’s like a mini SPAC, full of gardens and an amphitheater under an awning. There were three piano players, the last of which as McCoy, all playing an eight foot Steinway, accompanied by a fantastic rhythm section. I’m amazed at how three different players can get such different sounds from the same piano, down to the sound of a single note.