Here’s a rough mix of my new song Touch The Ceiling. As mentioned previously this was an original from the prog rock party band Infinigon, written by our drummer Mark Colicchia. My friend John Neumann, the original Infinigon bassist helped me with this song, contributing the bass and guitars, backing vocals and some synthesizer textures. It was a lot of fun collaborating with John. He had a bunch of new fresh ideas that expanded my idea of what the song could be.
The arrangement was true in spirit to the original version, but updated as well. The major difference is now we have all this machinery making modern music where back in the day we had to cover all the parts live. The spine of track is my Fender Rhodes part, on top of which I layered a lead synth that was fairly faithful to the original. On top of that we layered a few more synths. John broke down the guitar part into layers and built it up track by track, and in the end I had six tracks of guitars to integrate, a veritable guitar army!
Mark was one of the best drummers, if not the best drummer I ever worked with, and I tried to do justice to his style, energy, and chops in my drum track. I record my drums using the “four finger” method. I use a general midi drum kit layout and the left hand covers the kick drum and snare and the right hand does the hi-hat and cymbals. Then I go back and punch in and/or hand edit anything extra I need. I don’t typically use a lot of fills, but in the song it seemed like a good idea. There’s even an eight-bar drum break after the guitar solo that was a lot of fun to do.
My vocal on this song was delivered in a more hard rock style than usual. I was inspired by John’s suggestion to listen to David Lee Roth on some classic Van Halen. John later claimed he was joking, but I think the vocal is quite successful. I even added some spontaneous lyrics in the ending jam, as all chaos breaks loose among the synths and guitars. There’s going to be a fade out in the final version, but for now it just runs out to the end of the jam.
So this is it for the songs on my new record. Next I’ll be going over them one by one with an ear to fine tuning the levels and effects and cleaning up anything I might’ve missed, in preparation for the final mixdown and mastering.