New Year New Music

Here it is, mid-January already. I feel like I missed out on the worst of the post-holiday cold and darkness this year. It’s been a pretty mild winter this year and I’ve spent alot of time indoors, working from home waiting for my foot to get better. Now I’m on the mend and feeling pretty well rested, and the days are beginning to get longer again. Of course there’s still alot of wintertime ahead, but it’s time to start getting going with new projects for the new year.

Both the software I’m writing for my day job and the Global Jukebox are now in beta/big-fix mode, counting down to the inevitable release date. So lots and lots of coding, fixing testing, repeat.

Lizzy had been getting her college acceptance letters and some scholarships. She got into every place she’s applied so far. Meanwhile Michelle has been getting acceptances for high schools and some scholarships as well. So things are good on that front and we have some choices ahead.

The new origami book is coming along. I have 12 or so diagrams done, and I’ve been working with the graphics guy on the patterned paper. The balance of the models are in the offing. Working with the publisher now on page layout and book format issues.

I had some projects I wanted to do over the break in the home improvement sphere that I had to push off. Also it looks like I won’t be skiing this winter. Ah well.

But the main point of this post is to update y’all on the music situation. Music has been coming along too, although at different rates of effectiveness on different fronts.

I’ve had my new tenor sax for a year now and I’m digging it more than ever. Also I’ve had the new piano for almost two months and I’m getting used to playing it, building strength in my fingers. I had it tuned and it sounds killer. Turns out the piano tuner is also and origami fan and we folded some paper airplanes together.

The Left Hook is still keepin’ on. We had a strong run in the early to mid fall, but we didn’t rehearse that much from November thru the end of the year because our singer was working for a political campaign. We did learn a few new songs in the time, mainly funky 80’s stuff.

The challenge remains to find more and better gigs. That was our main goal for 2016 but we we ended up playing the same old bars. Ah well gigs like that are still a good time. Part of the problem is there’s not that much demand, and the same half dozen bar bands are constantly rotating around the best place. Still, now we’re back at it, trying to crack into that circuit and casting a wider net, making a new round of inquiries and dropping off demo tapes, making a fresh list of venues . Onward and upward even if it takes a little more persistence to get up and go the distance.

My recording project, the third Buzzy Tonic album remains unfinished as well. I’m midway thru tracking the last song, City. I’d hoped to work on it over Xmas break but that was among the things I had to push off. Hopefully finish it before the end of the winter.

On the other hand I made great progress with my jazz demos, and that whole thing has taken on a life of its own. I’ve brought seven or eight tunes to the group, five of which are keepers, and I have one more in the offing. I encouraged the other guys in the group to bring in songs as well, and Gary Guitar has started writing too. He says I inspired him, which is great and fun and flattering to hear. So far he’s brought in two songs, both very good and different than mine. It’s good to have another voice and a good spread of styles and moods.

The guys in the band all like learning originals, and like the particular set of tunes, so now the main monkey business is to make a record. This is the Saturday group BTW, the Haven Street Quintet. It’s shaping up to be nine or so originals and probably one standard. Maybe Giant Steps since we have our own arrangement of that.

Now I’m looking into recording studios. The idea is to go in a do the whole thing live, like we did with Event Horizon back in the day, or like pretty much all classic jazz records. So I’m looking for a good live room with a grand piano and a nice sounding mixing board with warm preamps. Once we get the basic tracks down I can bring it into ProTools and Jay the bassist and I can mix and master it, although we’ll need an engineer to run the recording session.

So far though the local studios I’ve seen (via their web sites) seem more geared up for doing overdubs and electronic music production. This is useless to me since I already have a few good mics and an endlessly looptastic effects-o-rama ProTools rig in my basement. To me a real studio implies a real live room. Of course I’m just at the beginning of the research phase so you never know what’ll turn up. I’m toying with the idea of doing it in my living room as a backup plan, since I have an nice piano and a big, acoustically pleasant space.