I am shocked and saddened today to learn of the death of Keith Emerson, mastermind of the accounting firm, no make that rock band, Emerson Lake and Palmer. Piano virtuoso, organ rocker extraordinaire, synthesizer and electronics pioneer, imaginative epic songwriter, and all around wildly adventurous musician, Keith Emerson was a singular talent and force in music. ELP was the definitive prog rock band, one of the first stadium acts, and the original supergroup, with their elaborate compositions, extended jams, sci-fi themes, deep forays into classical and jazz, out meters, innovative sound palette, monstrous musicianship, and over-the-top stage presentation, yet all held together by some intangible essence. Who could ask for more? Well then, they even had a ballad or two.

Keith ranks up there on my list off all-time favorite musician heroes and influences, right up there with John Coltrane. A sort of weird fusion of Aaron Copeland, Dave Brubeck and Jerry Lee Lewis who took it all too far, but boy could he play anything with a keyboard: left handed, upside down, rotating in the air, stab it with the steely knives, you name it. In a year that’s already seen the passing of many great rock stars, this one is the saddest for me. I’d heard he was sick for a long time, but sadder still it appears that he took his own life. He’d suffered never damage in right hand that pretty much ended his ability to play the keyboards. Just wow.

I was lucky enough to see Keith Emerson live a few times, in a few different contexts, including the full-on Emerson Lake and Palmer rock spectacle on their Black Moon tour. They did a three-hour-plus show that included Tarkus (only slightly abridged but actually tighter and less plodding than the original) and all of Karn Evil Nine, and everything else you’d hope for. The level of playing was superb, but apparently by that time Keith was already having trouble with his hands. One other time was with the Keith Emerson Band. They had alot of great new material and teased us with the promise of a new album that never materialized. Last time I saw him was in an unplugged format with Greg Lake, which was really enlightening in many ways, including several extended improvisations.

In any event, Keith’s legend loomed large. He will be missed, but his music lives on in his fans. Here’s a cover of Karn Evil 9, 2nd Impression I did a while back.

There’s no end to my life
No beginning to my death
Death is life

I am shocked and saddened today to learn of the death of Keith Emerson, mastermind of the accounting firm, no make that rock band, Emerson Lake and Palmer. Piano virtuoso, organ rocker extraordinaire, synthesizer and electronics pioneer, imaginative epic songwriter, and all around wildly adventurous musician, Keith Emerson was a singular talent and force in music. ELP was the definitive prog rock band, one of the first stadium acts, and the original supergroup, with their elaborate compositions, extended jams, sci-fi themes, deep forays into classical and jazz, out meters, innovative sound palette, monstrous musicianship, and over-the-top stage presentation, yet all held together by some intangible essence. Who could ask for more? Well then, they even had a ballad or two.

Keith ranks up there on my list off all-time favorite musician heroes and influences, right up there with John Coltrane. A sort of weird fusion of Aaron Copeland, Dave Brubeck and Jerry Lee Lewis who took it all too far, but boy could he play anything with a keyboard: left handed, upside down, rotating in the air, stab it with the steely knives, you name it. In a year that’s already seen the passing of many great rock stars, this one is the saddest for me. I’d heard he was sick for a long time, but sadder still it appears that he took his own life. He’d suffered never damage in right hand that pretty much ended his ability to play the keyboards. Just wow.

I was lucky enough to see Keith Emerson live a few times, in a few different contexts, including the full-on Emerson Lake and Palmer rock spectacle on their Black Moon tour. They did a three-hour-plus show that included Tarkus (only slightly abridged but actually tighter and less plodding than the original) and all of Karn Evil Nine, and everything else you’d hope for. The level of playing was superb, but apparently by that time Keith was already having trouble with his hands. One other time was with the Keith Emerson Band. They had alot of great new material and teased us with the promise of a new album that never materialized. Last time I saw him was in an unplugged format with Greg Lake, which was really enlightening in many ways, including several extended improvisations.

In any event, Keith’s legend loomed large. He will be missed, but his music lives on in his fans. Here’s a cover of Karn Evil 9, 2nd Impression I did a while back.

There’s no end to my life
No beginning to my death
Death is life