Origami Site Update

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Yikes! It’s late November already. Winter coming soon. Tons of leaves all over nowadays and the trees are mostly bare. Hoping to get the Mustang out one more time. Run baby run.

Lots going on. Work had been busy with deadlines, planning and releases. I worked part of last weekend, and I’ve been slammed all week this week, but there’s the holidays coming up. Also the plus side, I’ve been learning Scala, which is the first really new thing I’ve done at work in a while. On the downside, I ran out of time over the weekend and didn’t work on my recording project. I’m getting close to finishing two songs, Is It Safe? and Now and Forever. Guess they’ll have to slide one more week.

I taught a Special Session at the museum last Sunday. My dog Timber and cat Sophie. Class went well. One of the students was a total whiz kid, and another was her dad, who’s not a folder but still did really well, although I had to explain everything in much more detail. I dropped off my models for the Holiday Tree and gave myself a quick tour of the museum while I was there. The dinosaurs and the whale room remain essential highlights.

I’ve been getting ready for a pair of gigs coming up with The Relix. We added a few new songs and have been sharpening up the ones we already have. Trying to get from a run-of-the-mill bar band to a truly awesome bar band. I think we have what it takes but it’ll take time to get that tight. Right now we’re in the better-than-shitty category. Looking forward to the shows. Should be a really good time and I expect we’ll get better each gig. So ya, lots of practice. I’ve been working especially on my singing.

This last practice our bass player was sick so I had to cover all the bass parts with my left hand. It went pretty well, in that my left hand has gotten pretty solid and I was able to cop a fair imitation of most of the bass lines. However, the sound wasn’t the same, and I don’t know all the songs as well as I’d like, so there were a few “I’m thinking” clams, especially when I was singing too. Nevertheless it went pretty well, and Mike will be back for the show, and I got an interesting new perspective on the songs. I’ve been practicing soloing in Light My Fire over the bassline, and I’m glad I did cuz I was able to keep it together and still pull off a pretty good solo.

But the main news for this post is that I’ve started making new updates to my web site. The first thing I did was to update my origami pages to include my new models from 3013. I have nine of them, and there’s still a month and change left in the year, so there may even be one or two more. I also update the page for my book now that I have a cover image and know the real title, which BTW is now Origami Animal Sculpture and not Origami Untamed. There’s even a link to preorder it.

Beyond that the big change in the offing is to add some kind of slideshow or multi-image capability to the pages for the models. Once that’s in place it’s on to the music site, hopefully just in time to line up with a new round of songs. As I mentioned I’m getting close to finishing two more songs. I’ve also taken on doing an upgrade to the Relix site, so watch for that.

Speaking of updates, I finally got the second proof of my book this week, so there was a mad scramble to review it and get feedback to the publisher. The good news they fixed most of the layouts for the diagrams, and got rid of the GoOfY CaPiTaLiZaTiOn thing they were doing. The bad news is, for some reason they didn’t fix all the layouts, so there’s still one more round of reviews ahead.

In completely unrelated news I found out today that John F. Kennedy grew up just a few blocks from my house, up the hill on Pondfield Road.

Origami Gila Monster for AMNH Holiday Tree

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Every year Origami USA puts on an origami Holiday Tree at the American Museum of Natural History in New York. It’s always a great attraction full of all kinds of wonderful origami. Ros and Delrosa, who organize the tree, have asked me to contribute a model for the last several years. I look forward to this because they often ask me to come up with something new, so it’s a good design challenge and a chance to show some new work. The tree usually follows a theme that has something to do with the exhibits in the museum. This year Ros and Delrosa asked me to fold a Gila Monster, a poisonous lizard from the American Southwest. They supplied a couple of sheets of great paper for the project.

I used my Lizard a starting point for the Gila Monster model. At first I thought I might just tweak it a bit, but once I started looking at the subject I decided to make a whole new model. Although it uses a hex base similar to the Lizard, there are substantial changes. First the body proportions are altered. The Gila Monster has a longer, fatter body and a shorter, fatter tail than my generic lizard. Second, to make it more realistic, I went with five toes rather then three. As you can imagine, this resulted in a lot more folding toes. Third, I decided to go with a closed back, to show off the excellent paper Ros and Delrosa gave me. These changes added up to a major reworking of my Lizard, to the point where it’s pretty much a new model.

I folded two or three tests to work out the details in the design, particularly for the sculpting once the base is achieved. Once I was satisfied the design would work I started in on the final models. Ros and Delrosa gave me two sheets of paper. One was an 18” square with a black-and orange pattern like lava. It was not even really paper at all but some kind of plastic sheet material, maybe originally intended for wall paper. It was kind of thick and shiny. The other paper was a rectangle of pink and black in a kind of op-art pattern. This was a high-quality paper for folding but on the soft side. Both papers, different as they were, were great choices as far as capturing some aspect of the essence of the subject.

But neither was suitable for an exhibit-quality model as-is. So I took each sheet and laminated to a large sheet of foil, and then colored the reverse side black. This resulted in thick, durable and workable sheets. The black-and-orange plastic one had the look and feel of leather, and the pink-and-black paper resembled tissue foil. I cut the paper rectangle in half and was able to get two 15” squares out it. I ended up folding three models, one orange and two pink. I gave two to the museum and had one to keep.

The origami Holiday Tree is on display from sometime in late November thru the New Year. If you’re in New York during the holiday season be sure to check it out.

RELIX Double Shot

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We’ve just announced another show in November:

Saturday November 23
Victor’s
500 Commerce St, Hawthorne, NY
(914) 769-1817

Come on out and have a good time. Hope to see you there!

New Recording: Black Swan

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Here’s a rough mix of my new song, Black Swan.

I’m really happy with the way it turned out, a sort or Steely-Crimso vibe and pre-postapocalyptic sentiment. I realize it’s been over a year since I posted any new mixes because I’ve been busy with other things including finishing my book and joining a working band. Enough time has gone by that I need to take stock of the record as its shaping up. Some of the stuff I have is going to be moved into the bonus tracks stack. I still have a pretty big backlog of partially written songs, plus at least one all-new number I wrote just recently. In any event it’s good to be moving again. Look for updates soon to the BZ3 page.

Pickin’ and a-Grinnin’

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After the last gig, the focus of the band is on learning more tunes and booking more gigs. On the learning more tunes front, we’ve been tossing around lots of ideas, and it’s been fun. Everyone has songs and bands they love, and songs and groups they hate, or at least don’t want to play for one reason or another. And then there’s the question of what makes a great song vs. what’s a good song to do in a bar vs. what’s a good fit for us. Last practice we learned Long Train Running and China Grove by the Doobie Brothers. These were both suggestions from Mike our bass player. Everyone dug these songs and they came together fast, and we pretty much nailed it. Also looked at I Can’t Help Myself and Devil with the Blue Dress. I got a couple songs on the slate, including Touch Me by The Doors, which I picked party for the sax and drum thing at the end, and Domino by Van Morrison (who it turns out is some kind of distant cousin of Jim Morrison). But I didn’t get any support for any Steely and the Dans, so I’m gonna have to keep campaigning on that front.

Meanwhile, I put together an edit of highlights from our list show to try and help us get more gigs. Enjoy!

Third Annual OrigaMIT Convention

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This weekend I attended the 3rd annual OrigaMIT convention at the venerable Massachusetts Institute of Technology. I had such a good time last year that this year Jeannie decided to come up with me. It was a great hang. I exhibited some models, taught two classes, and hung out with a lot of origami friends including Jason, Brian, Erik Gherde, Sipo, Ben, Mark, Anne, and others. My exhibit this year was smaller, with mostly new stuff: my Stellated Dodecahedron, Great Dodecahedron, and Penfractal Dodecahedron, my Penrose Tiles I-III, my Dog Timber and Cat Sophie, and to round things out my Moose, Armidillo and Cuttlefish from the book.

In the morning my class was Timber and Sophie. I was pretty impressed with the level of folders. They got thru both models in an hour. At OUSA in June they took an hour for each model. I guess maybe teaching it the second time I’m getting better at communicating the nuances effectively.

At lunchtime Jeannie and took a walk along the Charles river. There was a big rowing race going on, which was pretty cool, and towards the end a whole flurry of sailboats got out on the water.

After lunch I attended a lecture by Erik Demaine on the work of David Huffman. Huffman is more widely known for his work in computer science, having invented the encoding algorithm that’s at the heart of modern media codecs like jpg and mp3. But he was a pioneering origami guy as well, particularly with curved folding and tessellations. Erik is in the process of putting together a book about Huffman and his origami, and had slides of a lot of cool works I’d never seen before.

My second class was my Penrose Tessellations. I was expecting only a few people since the model is pretty advanced and rather esoteric, but the class was full and included a good handful of kids. Good thing I brought extra CP’s and paper. Kathy Stevick donated some pre-cut pentagon paper, which was a big time saver. Even so, teaching this class was harder than I expected. Most people aren’t used to folding in pentagonal geometry, so I had explain everything in more detail. Plus there was a lot of precreasing. The class was in fact for a system for folding tessellations of any number of cells. I had them start out making a 10-cell model out of small paper, and then start in on the 30-cell out of large paper. I figured the 10-cell would take about half the class, but it took more like 90 minutes. Still everyone hung in there and most folded a successful model. Those who were interested got enough to get going on the 30-cell one.

That evening there was a giant folding competition in the main room, and Jason asked me to participate, and Jeannie was my partner. We folded a giant version of Timber out a five- or six-foot square of white paper. I was concerned it might not stand up cuz the giant paper tends to be floppy, but somehow it worked. When it was done I called it a Dire Wolf. It was the crowd favorite, and Jeannie and I won first place. I got a copy of the proceedings of 5OSME and Jeannie got an OrigaMIT shirt.

Later that night Ben demoed his KNK Zing cutter. It’s basically the same thing a craft robo, but apparently better, cuz it can take wider stock and it has better software. It was pretty cool seeing one in action, and see how scoring the paper can save a lot of time and help with the folding. I’ve been thinking of getting one, although I delayed the purchase in favor of amps on other music gear. If I do, it’s good to know this is a good piece of gear.

As we left MIT we saw the lights of Fenway Park across the Charles. It was the last game of the pennant race. We got back to our hotel room just in time to catch the replay of a grand slam that turned the tide of the game in Boston’s favor and led the Red Sox to victory. On the drive home Sunday morning it was a perfect fall day for watching the foliage change color. The leaves were peaking red, yellow, crimson and orange. It seems like every few miles we’d round a curve and the view was just breathtaking.

From Zero to Rock’n’Roll in Sixty Days

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Saturday was my first gig with the Relix, and it was a lot of fun and a big success for a number of reasons. For me it was my first paying gig with a rock band at a bar since Lizzy was a baby. Not only that, it was my first gig ever where they had valet parking once I unloaded my car. It was a nice place and a big room, and a good crowd, right in downtown White Plains.

I suppose now is a good time to mention the lineup of the band. On lead vocals is Paul, who is also a wicked harmonica a player. The rhythm section is Mike on bass and Gus on drums. Both are really solid and also sing backup. We have two guitarists. Frank is more straight-ahead rock and solos on the heavier stuff. Lee has more of a twangy sound and plays either a hollowbody or a twelve-string.

As mentioned before I was playing sax and keyboards and singing. For me it was a drastic improvement from nothing at all back in August. For the band it was an incremental improvement, but the consensus was that I brought the whole thing up a notch with my contribution. It seemed to go over well. Indeed, three different chicks offered to buy me a drink.

We did three sets that spanned a diverse range of material. First was a lot of classic soul by artists like Sam and Dave, Otis Redding, Wilson Picket, The Temptations, Marvin Gaye, and Martha Reeves. These were mainly sax tunes for me. Then there was classic rock by groups like The Zombies, The Doors, Deep Purple, Traffic, Ten Years After, and Creedence. These were mainly organ and Rhodes tunes. Got a few nice organ solos in on Light My Fire, Hush, and Give Me Some Lovin’. We had some eighties stuff like Tom Petty, Greg Kihn, Tommy Tutone, John Cougar and the Romantics. Not stuff I would have picked, but they’re fun to play and go over well with the crowd, and I got to sing a couple of these. Then there’s a bunch of surf stuff from the likes of the Venutres and Johnny Rivers. For this I played alot of sax to try and give it a Tequila/Comanche sound.

The set was not perfect, but I was pretty satisfied overall. The energy was there and the crowd response was really good, and there were some excellent musical moments. The parts that I was worried about seemed to pass as barely noticeable from a audience perspective. For the most part it was hesitation over segues in some of the medleys, but that can be fixed with some more practice. For my own part, up until now I was mainly concerned with learning all the music. I had to learn fifty songs in two months! I only stopped using sheet music the last rehearsal before the show. I got thru the show without forgetting any parts or getting lost, although there were a few clams here and there. From here on I can concentrate more on performing the songs, listening to band and really taking it to the next level.

Nowhere is this more true than the songs where I was singing lead. I sang lead on four songs, and got thru them all without forgetting any of the lyrics. Now I need to focus more on connecting with the audience, being loud and clear and not looking down at my hands as I play. It’s good to have a chance to improve my singing and performing. From here things can only get better.

http://zingman.com/music/relix/vintagelounge101213/relix_soul_medley_2.mov
http://zingman.com/music/relix/vintagelounge101213/relix_light_my_fire.mov
http://zingman.com/music/relix/vintagelounge101213/relix_breakup_song.mov